Masao Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme.
Kinoshita’s sculptures stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land.
Taiwanese artist Hsu Tung Han carves figurative sculptures from wood that appear to be dissolving into fields of pixels. He is a master of puzzling together pieces of wood into unbelievable figurative sculptures.
Hsu Tung Han thinks of his work as a puzzle, carefully laying out each piece in preparatory drawings and clay models. Then, strips of walnut, teak, or African wax wood are joined together and worked over meticulously.
Paolo Del Toro (previously featured here) is a sculptor and two-dimensional artist based in Lancaster, Pennsylvania. Del Toro’s felt sculptures combine realism with a grotesque cartoon aesthetic, resulting in works that depict bizarre, sometimes nightmarish faces and figures, yet still have a strangely inviting texture.
From far away, his sculptures look like they could just as easily be made with ceramic or stone. The artist has also worked in wood, and it’s really interesting to be able to see the similarities between the two mediums in the artist’s portfolio.
Zach Harris was born in 1976 in Santa Rosa, California. He received his Bachelor of Arts degree from Bard College in 1999 and his Master of Fine Arts degree from Hunter College in 2006. Harris’s painting conjures visions, in the sense that he imagines the inner tremors that remain unseen in the ordinary world, the vibrancy that animates our idea of something beyond us, whether an afterlife, a heightened state of consciousness or parallel dimensions.
His works, made from wood and often distinguished by carving on their surfaces, read somewhere between folk objects and aged devotional panels or even icons. They feel ancient, like riddles from another time whose keys have been slowly lost over generations.
Alex Yanes‘ work is a staple in Miami’s Wynwood art district and he looks forward to taking his art across the U.S.. His art embodies innovative use of color and imaginative subject matter and speaks to collectors and new art lovers, alike.
Alex uses bold outlines to define his intricate figures. His most recent works are multi-media, three dimensional images. This process consists of drawing then cutting the image out of masonite board using a jig saw. Once they are cut, the individual pieces of the puzzle are sanded and painted using a mixture of acrylic, spray enamel and air brush. Finally, the pieces are attached to a background in multiple layers, revealing the completed painting.
Portland-based AJ Fosik creates intricate, vividly colored three-dimensional pieces that reference folk art, taxidermy, and cultural ritual. Fosik’s wall pieces and freestanding sculptures of anthropomorphized animals are carefully crafted from hundreds of pieces of wood that he cuts and paints individually by hand. Once the basic forms are complete, he adds threatening teeth, claws, and eyes to give the objects an intimidating presence. Familiar cultural icons and traditions are re-configured, confronting the viewer with cryptic symbols from overlapping sources.
Sydney-based painter and sculptor Trent Whitehead works predominantly in ink and acrylic on wood. Whitehead’s latest body of work centers around a series of hand crafted 3d wooden masks. Each character seems about to burst with some intense expression of anger, frustration or joy. The intensity of the masks captures the effervescence of the artist himself, pooling the experiences of his existence to breathe life into inanimate wood. Trent’s exquisitely patterned and highly narrative works explore the effects of extinction in a fantastical world of horned creatures and bearded villains.
Düsseldorf, Germany based artist Roman Klonek combines the styles of classic cartoons and pop advertisements with the medium of woodcut printing. For the past 15 years, the Poland-born artist has constructed pieces made with knives, chisels, and wood, even if his creations have the precision of other methods. These works ape propaganda, construct original monsters, and recall vintage design.
As a young boy, Roman was hugely drawn to his father’s collection of Polish and Russian Super 8 cartoons, which still provide him with inspiration to this day. Klonek’s creative subconscious conjures up a colourful and eclectic parade of intriguingly whimsical characters, frolicking amidst a geometric wonderland filled with mysterious text and curious situations.
Andreas Senoner was born in 1982 in Bolzano, Italy. He lives and works between Santa Cristina in Val Gardena and Florence, Italy.
In Senoner’s wooden sculptures of human figures, he recreated the human form in a simple frontal pose. The wood is left rough and the shapes are carved in a schematic mannor representing a truly minimalistic approach. The composure and the symbolism of the subjects remember sacred sculptures, by dealing with today’s society and representing them in their daily rituals, manifesting a contemporary sense of inadequacy and frustration, where people feel inadequate, useless and almost not existent. Very often the sculptures are accompanied by their alter-ego in miniature, contrasting the life-size figure with the representation of their intimate size.