Cuban artist Leslie Sardinias works across a variety of mediums in his New York City studio, from drawing to performance. Of central concern to Sardinias is the relationship between the United States and Cuba–both in terms of the immigrant experience and the geopolitical chess game that has played out between the two for over a century.
As a point of entry into these complex issues, he often employs the motif of the sea as a way to explore the ideas of boundaries, economic and cultural exchange, and transnational communication. Sardinias has been exhibited around the world at institutions like the Museum of Fine Arts of Havana and the Florence Biennale and can also be found in many prominent collections, including the Spanish Royal Collection and the Melia Cohiba Collection.
Gary Card is a set designer, illustrator and all-round creative talent. Gary’s Happy Breakfast zine –mid-‘00s new rave scene– is splashed across 22 pages in gungey greens, ink stain blues and near-neon yellows to stage the dripping backdrop to a nightmarish collaged cast of Gary’s signature monsters.
Adam Crawford is a Philadelphia based artist. He is a graduate of both Pennsylvania Academy of Fine Arts and UPENN. Crawford’s paintings are a mix of sharp, vibrant geometric forms and grotesque beasts, appearing in both shared spaces and separate studies, using acrylics, spraypaint, and an array of surfaces for his works.
Keiichi Tanaami is a seminal figure in Japanese Pop art. “Most of my expressions are based on my actual experiences,” he has said. “The countless amount of stimulative experiences, happenings and encounters…they become the keywords of my expressions.”
Best known for his cartoonish and colorful paintings that blend dream figures and references to childhood experiences with pop culture iconography, Tanaami has also worked in video, animation, as well as graphic design and commercial illustration, drawing profound influence from the work of Andy Warhol.
Brooklyn based Saiman Chow (previously featured here) is a multi- disciplinary creative, working under the titles of artist, animator, director, designer and illustrator. Born and raised in Hong Kong, Chow immigrated to Los Angeles in 1991, graduating with a BFA from Art Center College in 2001. Constantly re-inventing his approach, Chow’s work spans media and takes a variety of forms, from intricate stop-motion animations to digital illustrations and fine art.
Shanghai, China based Inkee Wang has a background studying graphic design at Central Saint Martins and latterly animation at the prestigious Royal College of Art in London. Inkee creates illustrations fizzing with weird and wonderful narratives.
More recently, Inkee has been working with watercolors to add a textural representation to her characters. She is also working on improving her Cinema 4D skills, in an attempt to write a longer story and make an animation about it.
Dallas based artist Dan Lam (previously featured here) has made a name for herself innovating sculpture using polyurethane foam. Her alien works are known for their remarkable vibrant colors as well as their illusionistic appearance. Lam enjoys the unpredictable quality of her process. This is seen in the way she manipulates the foam structures and handles the resin. She couples this with the tedious and controlled placement of her acrylic “spikes” and surface designs. This opposition is crucial to her work. Whether seen in the process itself, or the final result, which exudes both an intense beauty and an intense uncomfortability, Lam plays with these polarities and examines them closely.
Born in Manila to a Vietnamese family who relocated to Texas when she was a child, Lam spent her formative creative years in Dallas with her mother. She received her B.F.A. in 2010 from the University of North Texas and later completed a Masters of Fine Arts degree at Arizona State University.
Los Angeles-based artist Revok (previously featured here) first became interested in art through his father’s collection of 60s and 70s album covers and comic books, as well as the skateboarding and graffiti scenes. For over two decades, Revok has continually pushed the boundaries—both creative and legislative—of street art, producing vibrant works that meld structured with dynamic colors and forms. After years of a decidedly anti-institutional practice, Revok began making studio work, finding inspiration in his ability to refine the techniques he mastered as a street artist. His ultimate goal is to be constantly maturing and evolving as an artist, never confined by any one way of making work.
Paris based Antwan Horfee explores various creative methods of spontaneity and experimentation that have made him internationally recognized for his eccentric and playful graffiti work in the streets of Europe and abroad through drawings, murals, paintings, and object making.
Drawing influence from historical Avant-Garde art movements including the Cobra movement, the Gutai group, and Tachisme, Horfee’s paintings evoke a sense of physicality and action that compliment and relate to his work. His semi-abstract paintings are imbued with vibrant color, improvisational brush/spray techniques, and often depict distorted representational references inspired by his fascination with underground comics and zine cultures.
Peter Judson is a multi-talented illustrator and printmaker based in London inspired by such luminaries as the Memphis Group and Dieter Rams. After starting his career at the age of 14 with a Microsoft Paint drawing published in Pictoplasma, Peter spent some time as the leather-clad drummer of an unsuccessful band before ending up where he is now – creating satisfyingly transfixing work full of brow-furrowing graphical goodness.