San Francisco based Michael Page’s work (previously featured here) offers the viewer an optic alternative to the visual reality of life, as we know it. Page introduces narratives of strange, phantasmagoric and frenzy nature. Intense and rich color pallet additionally provides a sense of vivid hallucination or hazy sensation from the depth of unconsciousness.
Regardless of the technique or the approach, it is the narrative which pops up and offers a full insight into his work. The different reality of his is inhibited with unusual creatures or entities. It seems as if these are manifestations, perhaps, of human delusions or just a specter of dreamscapes and alterations fulfilled with dynamic movement.
Andrew Archer is an illustrator and art director who was born in Auckland, New Zealand and currently resides in Melbourne, Australia. Inspired by pop culture, fashion, surrealism, wood block prints and his time spent in Asia his work is a self asserting mix of hallucinogenic color and rhythmic line.
Seth Armstrong was born and raised in Los Angeles, CA. After studying painting in Northern Holland, he received a BFA from the California College of the Arts in San Francisco. Many years later, he left his home in Oakland and moved back to Los Angeles, where he now lives and works.
There’s a distinctively filmic feel to everything in his work. The depth in Seth’s work is not just in the rich tones and shading he uses but in the narrative, where we wonder how these different characters came to be in the same place together.
Amsterdam based artist Martine Johanna (previously featured here) has a new series of paintings exploring the feeling of impending doom. “Something’s Wrong” will be on display at Massey Lyuben Gallery in New York from May 4 – June 10.
Luis Toledo (LAPRISAMATA) is an artist hailing from Madrid, Spain. The hyper-detailed digital collages of Toledo really need to be seen at a much larger size, something you can do at the artist’s Behance pages and at his website. As always with collage, composition is crucial, and Toledo certainly knows what he’s doing on that score.
Turks and Caicos born street artist and New York based Bradley Theodore mixes and matches in vibrant colors key elements of art and fashion, plastering his power clashing hybrids around the city streets.
“Fashion allows people to become art. It’s the only time in our society that’s truly accepted for you to be a form of art. The average person on the street is trying to convey an image. That image could be an identity, he or she could be building himself as a painting: it might be the most super-glossed up glam queen, or they could be portraying this stupendous image of Madonna.” Bradley Theodore
He’s painted murals across the globe; done cover art for albums for the Wu Tang Clan, created art for Def Jam, Universal Records, and Sony. He’s been featured in Vogue for his iconic skeletal images of Anna Wintour and Karl Lagerfeld. His works play- fully explores fashion, graphic design and popular culture.
Arne Quinze is a Belgian conceptual artist best known for his unconventional and controversial public art installations. Quinze also creates large and small sculptures, drawings, and paintings. In his late teens, he started out as a graffiti artist in Brussels, and he never completed a formal art education.
In every culture Quinze comes across, he unravels physical processes, drawing inspiration for his oeuvre, and is fueled by overwhelming optimism. Every new creative breed captures his research and study on interaction, and urban movement expressing the continuously evolution of human beings and their surroundings. Besides building architectural sculptures, he creates complex art pieces and video installations inscribing his vision in society of how people see themselves and society.
Mexico City based Aideé De León‘s paintings are within the symbolic boundary of the canvas, they emphasize their absolute abstraction, there is no reference window there is a presence that arises from the dynamic of the color, from the intensity of the stroke. The provocative use of color is the protagonist in pictures of indeterminate and vigorous forms. The technique is directly linked to the release of its temperament: although the use of color is sometimes contained and other times totally gestural as seen in the long strokes achieved with the whole body and in the free drippings from matter.
Hideyuki Katsumata‘s meticulous and colored works are tinged with a psychedelic aesthetic and invite us into an exuberant universe inhabited by mutant characters and monsters with multiple limbs and eyes, robots, UFOs and dragons. The scenery he has created is influenced by both Asian mythology and manga culture.
Demons, spirits, and creatures of strange possessions all engaging in odd scenes, erotic activities, and vulgar moments – all abound in Katsumata’s expressive compositions. He fills each piece of work with whimsical colors, brisk line work reminiscent of old comics, and scale that leaves you flipping through for more.
Sri Lankan-born, Sydney-based artist Ramesh Mario Nithiyendran creates rough-edged, vibrant, new-age idols that are at once enticing and disquieting. He experiments with form and scale in the context of figurative sculpture to explore politics of sex, the monument, gender and religion. Self-portraits make frequent appearances and the dual presence of male and female organs suggest gender fluid realms of new possibilities.