Martin Wittfooth was born in Toronto in 1981, and spent most of his childhood in Finland, moving back to Toronto in 1993 where he earned his BAA in Illustration from Sheridan College in 2003. He currently lives and works as an illustrator and fine artist in New York City, where he earned his MFA at the School of Visual Arts.
Wittfooth’s oil paintings explore disquieting themes of industry and nature, unhinged evolution, the clash of old ideologies with modern fears, and the growing shadow of the human footprint on the earth. Set in atmospheric landscapes rendered over many paint layers on canvas, linen, or wood panels, these themes are realized through a combination of symbolism, the juxtaposition of visual narratives, and the displacement of expected realities. The worlds created in Wittfooth’s paintings implore the viewer to question the status quo, to challenge that which is taken for granted, and to proceed with caution on our present course.
Frances Goodman is a multimedia artist born in Johannesburg, South Africa. Working with objects commonly associated with female identity, such as acrylic nails, false eyelashes, and jewelry, Goodman explores how their habitual usage evolves into obsession and neuroses. Her humorously dark sculptures and installations suggest how self-conscious anxieties play a disproportionate role in governing women’s lives.
The repetitive and meticulous gestures used to make her works mimic the repetitive and meticulous labors of nail salons and beauty maintenance regimes. By employing these materials and efforts Goodman’s work draws attention to popular culture definitions that narrow the possibilities of female identity to extremes of consumption, aspiration, obsession, desire and anxiety.
“Void Season” is a fashion project by the Berlin, Germany based design studio known as Zeitguised. This digital magic is a study of algorithmic textiles and procedural surfaces. Their mesmerizing visuals are crafted as a unique blend of tantalizing design, handmade algorithms and bespoke generative processes.
Intricate portraits by Jason Chen, a Philadelphia-based photographer, come from multiple images of the same subject. As the artist weaves them together, in a process he says explores “time, movement, process, and mutation,” a new representation of the individual emerges. The artist, originally from China, has worked as a photographer in the worlds of editorial, fashion, and alternative process.
Warren King is an American artist who lives and works in Stockholm, Sweden. King has been working on a collection of lifesized figures constructed from cardboard.
The impetus for this body of work came after King visited his grandparents’ small village in China for the first time. After meeting elderly residents who had known his grandfather, the artist began to reflect upon their shared history, memories, and a sense of relation which has stayed with King ever since.
When Warren left his own home in the U.S. and moved to Stockholm, the connection to his grandfather and the lost relations from this village accompanied him. With a heightened awareness of the time and distance that comes with being far away from home while creating home anew, King has often found himself reflecting on “the nature of personal and cultural connections, the consequences of severing them, and the limits to how much they can ultimately be restored”.
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San Francisco based illustrator Nicomi Nix Turner is recognized for her intricately detailed botanical-scapes, esoteric symbolism, provocative renderings. She conjures up intricate images which explore biological phenomena and subjects revolving around the arcane.
Combining her love of nature with a deep fascination for ancient practices belonging to belief systems such as alchemy and religion, Turner constructs narratives within her work which allude to themes of regrowth, biological deconstructionism and the power of belief.
Her works are created using graphite on paper in a way that has been described as a rare talent for manipulating and “painting” with the basic medium.
Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. References to Jurassic Park, Freddy Krueger, old-school video game aesthetics and boom-boxes point to experiences of coming of age in the 1980s and 1990s, while landscapes and interiors are depicted with an eye for amusing detail.
Self-taught, Etherington has maintained a consistent practice in painting and small sculpture for over a decade and more recently has worked with larger scale sculptural installations and ceramics. His sculptural works touch on themes such as mass production and collectibles.
World-famous nightclubs including Berlin’s Berghain and London’s Fabric are illustrated in this series by Barcelona-based graphic designer Pablo Benito.
Benito created artistic homages to Berlin institutions Berghain and Tresor, Spanish clubs Sala Barraca, Sala Apolo and Razzmatazz, New York’s Paradise Garage, London’s Fabric and the recently defunct Trouw club in Amsterdam.
Henrik Haven is finally ready to share his comprehensive coverage of The Crystal Ship in Ostend, Belgium!
The Crystal Ship is a contemporary art festival specialized in public space which sets sail to the city of Ostend, Belgium with talented creatives. World-renowned artists created gigantic murals and fantastic art installations that form a permanent artistic trail in the city.
The curator of The Crystal Ship, Bjørn Van Poucke, is extremely enthusiastic about the collaboration with the city of Ostend. “Nowhere else in Europe have so many artists in this genre been brought together for a joint arts festival. With The Crystal Ship, we wish to bring art to the people and that is exactly what we did: Over the course of 2 weeks we created +20 impressive murals and +200 smaller interventions. Right in the centre of the city, the place where people live and work. That is pretty unique!”