Upper Playground Exclusive: Interview with Japanese artist, USUGROW

Upper Playground’s long time friend and contributing artist, USUGROW, made his way from Tokyo to San Francisco this month for his solo exhibit, “INKFLOW” at Fifty24SF Gallery.

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The artist hit the ground running with a Book Signing and Print Release at Upper Playground SF last weekend.  The renown artist recognized around the world for his signature black and white illustrations, lettering and ink works is currently installing his highly anticipated show opening this Saturday, October 4th at 7PM.  We caught up with USUGROW for an exclusive interview with the artist.  Interview by Jy-ah Min:

Tell us about the theme of your show “INKFLOW”. Will it have any connections to your last show at Fifty24SF Gallery in 2007?

U: There is no special meaning to “INKFLOW”. I just like the words and feel that they are very fitting for my style at this time, because of their simplicity.

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The ‘Skulls’ in your work have a unique style to them. How did you get started in incorporating them into your work, and has it evolved over time?

U: I used to like the way that a person’s mad or scary face looked on their head and realized I was actually seeing their skull behind it. I started to see skulls and skeletons in another dimension and appreciated their beauty and simplicity. Now I focus on the positive side of skeletons instead of the negative.

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You explained in the past that your signature use of Black and White was born from economy and restriction. What led you to work primarily in Black and White?

U: I started out working on flyers for the hardcore and underground punk scene, where we used to photocopy flyers in B/W and make screen prints for  t-shirts. Black and white is always cheaper than full color which is how I got started. So it started for economic reasons and for simplicity’s sake and I have stayed with it ever since.

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You seem to draw many references from other languages than your own.  Any significant influences in your calligraphic work?

U: I’ve always had an open mind and strongly dislike being categorized. I use what I want and try not to compartmentalize myself.

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What is the conceptual preparation required for your hand inked artworks?  Do you go through several drafts in the process?

U: Yes sometimes, when there is a request from the client for commissioned work. For my personal work, I’m making up a story from my imagination and creating from my minds eye. I enjoy working in both ways.

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Many people identify your style as having strong references to chicano tattoo cultures born from Southern California.  Do you find this to be true?

U: Yes, that is one of my inspirations but just a part.

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Your latest print release with Upper Playground is a third edition of the KOKUTEN series titled ‘Shijima’. Could you explain a bit more about your subject matter, Kokuten, the messenger of sun and moon in this series?

U: Kokuten is the messenger from the sun. The sun and the moon are just like yin and yang except in front and behind instead of side by side but still all in one. Kokuten is simply a portrait. There is technology all over the place in our human world, we all need to make time to communicate to the sun and the moon. Kokuten literally means “sun spot” in Japanese, in Japan the icon for the sun spot is the black crow, the messenger of the sun.

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And finally, What music is playing in the background while you work in your studio in Tokyo?

U: I play every different kind of music in the background: hardcore, metal, electro, hip-hop and lately I’ve been playing a lot of indigenous/ world music from around the globe all the time. I don’t believe in written down/ textbook history. I learn real history from the indigenous/ world music that has been handed down directly from generation to generation.

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Herbert Baglione’s latest 1000 Shadows installation in Niort, France

Brazilian artist, Herbert Baglione sends us his ongoing project “1000 Shadows” that find life in various forms and places around the world. His hauntingly beautiful works often installed in abandoned or forgotten places create striking imagery and impact in the most unexpected ways for the viewer.

The Artist explains: “I have been doing the shadows since 1999, during which period also began shooting with a Nikon FM10 analogic camera. At that time, my idea of ​​exploring photography went beyond the simple registration and cataloging of my artwork, the intent was to enhance way of looking at it and interpreting the painting inserted in different environments.

But it took 15 years for the idea of the shadows to stop being a loose element in my extensive line of work for, and to turn into a project. In July 2013 I painted the shadows in an abandoned psychiatric hospital, in the town of Parma in Italy, and thus the project 1000 Shadows was born.

The artistic interference with shadows changes according to the places where they are inserted, as well as the external interpretation from the image, and this is very interesting.

I have particular interest in finding places I have never worked before, such as a Garden from the seventeenth century, in the city of La Rochelle, ruins, a Church from the sixteenth century in the town of Celles Sur Belle and an underground hospital complex in Niort.

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The “reading” of these places allows me to take the shadow to a unique path, which usually feeds and broadens the discussion because it brings light to the abandoned environment, and so I put the name of this series as “The path that the soul takes.” The idea for the name came from a conversation I had with my brother (William Baglione) about the places to do these installations. It is as if the soul is leaving an invisible trail on these places. ”

At the Underground Hospital in Niort:

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KOKUTEN 3 -”Shijima” Print by Usugrow drops Sunday, Sept. 28th, 3PM PST

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Japanese illustrator and calligraphist, Usugrow arriving in San Francisco for his solo show, “INKFLOW” at Fifty24SF Gallery will release on Sunday a special limited edition giclée print at his Book Signing at Upper Playground’s SF location on 220 Fillmore Street.

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Titled, “SHIJIMA”, the artwork is the third part of Usugrow’s KOKUTEN series about the Messenger of the Sun and Moon.  The 14″x18″ Giclée prints will be signed and numbered by the artist, Limited as an Edition of 100.  Available for purchase at 3PM PST, Sunday both in store and online at www.upperplayground.com.

 

“INKFLOW” by USUGROW opens October 4th at Fifty24SF Gallery

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Japanese illustrator and famed calligraphist, USUGROW, who also developed the ‘Shinganist’ Brand, is opening, “INKFLOW”, a solo exhibition at Fifty24SF Gallery next week.

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“INKFLOW” opens Saturday, October 4th, 7PM at Fifty24SF Gallery located at 218 Fillmore Street, San Francisco, CA 94117.  Upper Playground will also be open special hours on opening night, well into the evening.

Upper Playground Releases Latest Book by Japanese Artist and Illustrator USUGROW

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In conjunction to Usugrow‘s return to San Francisco for his solo show, ‘INKFLOW‘ at Fifty24SF Gallery, Upper Playground is proud to release this week, ‘USUGROW: Works 2007-2013′. A 180 page compilation of the Japanese artist and illustrator’s best selected works from the last seven years. Available in stores and online right here.

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New Black Widow by Nychos Haunts Hamburg

Upper Playground friend and Founder of the Rabbit Eye Movement, NYCHOS, who opened a solo show at Fifty24SF Gallery in San Francisco earlier this year, completes a spectacular new wall titled ‘Cross section of a Black Widow”.  The enormous spider hangs over a four story building in Hamburg, made possible with the support of Affenfaust Galerie and the Rabbit Eye Movement.

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Photo via @nychos IG.

INKFLOW by Usugrow opens October 4th, 7PM at Fifty24SF Gallery

Tokyo based artist and founder of Shinganist brand, USUGROW is returning to San Francisco for a second show at Fifty24SF.  His highly anticipated solo show, INKFLOW,  will cover some of his best selected works alongside new work.  For the occasion, Upper Playground and Usugrow will also be releasing his new book, ‘USUGROW: Works 2007-2013‘ along with an in store Book Signing and Print Release on Sunday Sept. 28th, 3PM at Upper Playground SF on Fillmore Street.

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