ABSTRACTED LANDSCAPED BY JUSTIN MARGITICH

by Ariadna Zierold

justin margitich, santa rosa, california, watercolor, pencil, acrylic, anthropology, taxonomy, geology, alchemy, abstract, painting, paintings, texture, textures, bright, colorful, flowing, upper playground

Santa Rosa, CA based Justin Margitich works with watercolor, colored pencil, and acrylic on paper. Margitich draws from anthropology, taxonomy, geology, and alchemy creating abstract paintings that offer special depth and opposing textures that force the viewer to be engaged.

justin margitich, santa rosa, california, watercolor, pencil, acrylic, anthropology, taxonomy, geology, alchemy, abstract, painting, paintings, texture, textures, bright, colorful, flowing, upper playground

In each work, brightly hued, organically flowing gradients are arranged in seemingly impossible configurations. Upon close observation, the inorganic plastic qualities of the artists’ materials become apparent to the viewer. Throughout the exhibition, these fluctuations between organic and inorganic are subtle reminders of where we find meaning in the order of our contemporary culture.

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NEON COLOR SCHEMES BY MORGAN BLAIR

by Ariadna Zierold

morgan blair, psychedelic, brooklyn, neon, colorful, vivid, gradients, textures, patterns, geometric, abstract, abstraction, pop culture, upper playground

Morgan Blair grew up in rural Massachusetts, graduated from RISD in 2008, and lives and works in Brooklyn, NY. Her recent work explores the balance of control and freedom in her process, manifested in a mashing up of low contrast flesh tones with wild, neon color schemes; hard edges with fuzzed out airbrush gradients; smooth, flat shapes with brush marks and rough, sandy textures; and wonky, irregular forms with geometric curves and angles.

morgan blair, psychedelic, brooklyn, neon, colorful, vivid, gradients, textures, patterns, geometric, abstract, abstraction, pop culture, upper playground

The resulting optical abstractions play on the absurd in pop culture, current events, the mall, the internet, common street trash, consumerism, and personal experience.

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PAPERWORKS BY ZIM AND ZOU

by Ariadna Zierold
zim and zou, france, paper, paperworks, sculptures, colorful, vibrant, surreal, characters, installation, textures, upper playground
Zim&Zou are two french artists, based in Nancy. The duo is composed of Lucie Thomas and Thibault Zimmermann. They studied graphic design (design, publishing, advertising) during three years. The duo decided to focus on installations using handcrafted objects made out of tangible materials such as paper, wood, thread, etc. rolling away from computer design.
zim and zou, france, paper, paperworks, sculptures, colorful, vibrant, surreal, characters, installation, textures, upper playground
Anchored in craftsmanship, they create all the elements composing their installations by hand, from drawing to cutting and assembling. Their favorite material is the paper they’re manipulating to give rise to intricate and colorful sculptures. Paper inspires them for its versatility, infinite range of colors and unique textures. The flat paper sheets turned into volume are giving an installation the poetry of ephemeral material.
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SHINY STEEL SCULPTURES BY JOEL MORRISON

by Ariadna Zierold

joel morrison, sculptures, steel, objects, metal, nickel, bronze, shapes, textures, bust, upper playground

Joel Morrison was born in Seattle, Washington in 1976. He received a BA in English Literature at Central Washington University, and an MFA in sculpture at the Claremont Graduate University in Claremont, CA.

joel morrison, sculptures, steel, objects, metal, nickel, bronze, shapes, textures, bust, upper playground

Morrison’s composite sculptures fuse found objects and histories of artistic discourses into a dialogue of polymorphous forms through a variety of cast metals. With their gleaming surfaces in nickel, stainless steel or bronze, Morrison juxtaposes various genres and processes creating a tension on the surface. The purity of form at the intersection between conceptualism and formalism gradually reveals an amalgam of shapes and textures.

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