Daniel Barreto is a Visual Artist based in Guadalajara, Mexico. Barreto’s work has been exhibited at Times Square, Saatchi Gallery, FILE (Electronic Language electronic festival), The Gifer (Gif Art Festival), Boston Convention Center, Beijing’s Yuan Art Museum among others.
Throughout his portfolio, his texturized designs often feature images of trees or leaves, hinting at his long love for Earthly representations. The graphic artist fell in love with nature at a young age, growing up in a family that owned a plant nursery and having a father who studied marine biology. Whether it’s a symmetrical representation of a jellyfish-like creature or an in-depth depiction of cellular organelles, design gives him the ability to recreate an honest, yet artistic rendering of the image.
Moscow-based illustrator Katya Dorokhina is turning heads in the arts world with her unique aesthetic that combines nighttime palettes and neon colors. Her main interest lies in making comics and zines, animated illustration and working with 3D objects. Katya sketches compositions before digitally editing them with Photoshop allowing her to play and experiment with texture, light and color.
David Altmejd is a sculptor that lives and works in New York. Altmejd creates highly detailed sculptures that often blur the distinction between interior and exterior, surface and structure, representation and abstraction. For Altmejd, the process of making is paramount – he is interested in how the act of constructing an object and defying traditional material conventions generates meaning.
Motivated by the invisible worlds that often exist just beneath the surface of things, the artist reveals the hidden structures in his own works through negative spaces: gaps, holes, fissures and crystal filled orifices are a recurring motif. In contrast, the reflective surfaces of his mirrored sculptures are impenetrable and both define and destabilize, as well as multiply, the spaces around them.
Portland based artist AJ Fosik (previously featured here) creates intricate, vividly colored three-dimensional pieces that reference folk art, taxidermy, and cultural ritual. Fosik’s wall pieces and freestanding sculptures of anthropomorphized animals are carefully crafted from hundreds of pieces of wood that he cuts and paints individually by hand. Once the basic forms are complete, he adds threatening teeth, claws, and eyes to give the objects an intimidating presence. Totems and fetishes, as well as the “random, chaotic and arbitrary nature of existence,” fascinate Fosik.
Nicolas Barrome grew up in the Basque country and made his debut at the School of Applied Arts in Bordeaux, before embarking in the illustration and create with his friends the Jeanspezial collective. First to paint the walls with friends, his images are evolving rapidly following the discovery of new techniques, including etching, which will have a real impact on the way of producing images. Barrome’s wild, cartoonish scenes play with texture and expectation. Each piece tethered by his rendering of cutesy characters and objects alongside darker elements.
Dallas based artist Dan Lam (previously featured here) has made a name for herself innovating sculpture using polyurethane foam. Her alien works are known for their remarkable vibrant colors as well as their illusionistic appearance. Lam enjoys the unpredictable quality of her process. This is seen in the way she manipulates the foam structures and handles the resin. She couples this with the tedious and controlled placement of her acrylic “spikes” and surface designs. This opposition is crucial to her work. Whether seen in the process itself, or the final result, which exudes both an intense beauty and an intense uncomfortability, Lam plays with these polarities and examines them closely.
Born in Manila to a Vietnamese family who relocated to Texas when she was a child, Lam spent her formative creative years in Dallas with her mother. She received her B.F.A. in 2010 from the University of North Texas and later completed a Masters of Fine Arts degree at Arizona State University.
Jun Cen (previously featured here) is an award-wining illustrator and animator born in Guangzhou, China, a subtropical city with warm and humid weather. He received his MFA in Illustration degree from Maryland Institute College of Art in 2013. He is the Overall New Talent winner of the 2013 Association of Illustrators Award. His work has been recognized by The Society of Illustrators, American Illustration, 3×3 Illustration Competition and more.
His conceptual illustrations portray stories in clever and inventive ways. Cen’s cunning use of patterns to represent ice, stone, and fur is very innovative. Rather than drawing these textures by hand, he employs marbled and blotchy patterns that mimic the lighting and colors of these natural surfaces.
Dundee based Scotish artist Sam Lyon creates incredible Jelly Gummies GIFs that are three-dimensional and full of texture. Every face-crease, every stomach bulge, every wobbly bit is so over-pronounced, and moves as if it’s full of goo.
He usually starts off with a photo of a dog or a toy or a persons face and work from there, sometimes it’s just a case of opening up a program and seeing what happens. He uses Sculptris and Blender to make everything. Sculptris is a free digital sculpting program that’s really easy to use with a graphics tablet and Blender is a great free modeling/ sculpting/ animation/ rendering program that he uses to add any final touches to the sculpted model and arrange the scene.
Wanjin Gim aka Willeys was born in the Republic of Korea and is currently living in Seoul. Wanjin usually paints nudes. Fascinated by Lucian Freud’s paintings, he is mainly devoted to expressing the abstract curves of the human body and the infinite color of the surface of the flesh. In recent years, the idea has expanded to conceptual and meta-physical work.
Arkansas based artist Linda Lopez –influenced by mundane objects and the everyday– creates ceramic objects that almost appear to grow and propagate. Her squat, globular forms sprout rounded appendages and elaborate trellis-like crowns. The artist displays these objects in carefully orchestrated arrangements with a distinctly domestic atmosphere.