GEOMETRIC GROWTH PATTERNS BY BEASTMAN

by Ariadna Zierold

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Bradley Eastman aka Beastman is an multidisciplinary artist from Sydney, Australia. Influenced by the biodiversity, symbolism and design aesthetics behind nature’s repetitive geometric growth patterns and organic landscapes, Beastman’s paintings, digital illustration, commercial projects and public murals explore a unique visual language, depicting future environments of abstracted landscapes, potential new life forms and human intervention.

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BURNOUTS BY SIMON DAVIDSON

by Ariadna Zierold

simon davidson, australia, sydney, photographer, photography, burnout, competition, competitions, car, cars, smoke, upper playground

New Zealand-born photographer based in Sydney, Australia Simon Davidson has been photographing the sub-culture of burnout competitions in Australia. Davidson has become recognized as one of Australia’s leading photographers. Self-taught, he has created a successful career photographing a wide variety of subjects, creating content in both the advertising and editorial environments internationally.

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With his Burnout series he recognizes beauty where it’s not immediately obvious. He finds expression in a car spinning its rear wheels with the single purpose of destruction. His images are superbly composed contemplations of the moment. Slices in time that hold the gaze with car, driver and movement balanced in an ideal expression of a sublime modernity.

simon davidson, australia, sydney, photographer, photography, burnout, competition, competitions, car, cars, smoke, upper playground

“The guys and girls who compete in the various competitions across Australia are a passionate bunch. As a photographer I enjoy the visual feast of a superb and powerful car on the black of the burnout pad juxtaposed against the softness of the tire smoke. In reality a burnout is extremely loud and aggressive but in the photos there is a sense of calm… poetic in a way.” Simon Davidson

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NODS TO POPULAR CULTURE BY MARC ETHERINGTON

by Ariadna Zierold

marc etherington, sydney, illustration, illustrations, drawings, funny, comical, popular culture, pop culture, icons, upper playground

Not having come from a formal fine arts background, Sydney based Marc Etherington (previously featured here) is a self-taught artist with a practice that is driven by an inner compulsion to make art. Etherington’s works make very obvious nods to popular culture. Referencing contemporary icons like the Kardashian’s, McDonald’s and Justin Bieber, he also gives a slow and deliberate wink to pop culture of the past.

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ILLUSTRATION NOSTALGIA BY ANDREW FAIRCLOUGH

by Ariadna Zierold

andrew fairclough, sydney, illustration, illustrator, vintage, nostalgia, science, humor, sci fi, surrealism, surreal, upper playground

Andrew Fairclough is a Sydney based Illustrator, Designer and Art Director. After completing a Business Degree, Andrew moved on to designing skate and snowboard graphics in between self-instruction and full time work in a design agency.

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Andrew’s work is inspired by mid-century spot illustrations and design as well as vintage sci-fi, comics, surrealism, DIY art culture, and the textural wonders of degraded print. Often working with a restricted color palette Andrew’s work seeks to hint at the nostalgia and tactility of found art, whilst also creating something completely new.

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EXPRESSIONIST FIERCENESS BY GEORGE RAFTOPOULOS

by Ariadna Zierold

george raftopoulos, painting, abstract, colorful, sydney, expressionist, faces, upper playground

George Raftopoulos was born in Sydney in 1972, the son of Greek parents. In the 1970s, the Raftopouloses found themselves to be the only Greek family in the New South Wales town of Grenfell. George had questions of cultural identity in his youth and continues to do so in his paintings today.

george raftopoulos, painting, abstract, colorful, sydney, expressionist, faces, upper playground

Raftopoulos’s paintings have always possessed an expressionist fierceness. He describes his method of painting as an “interactive process”, in that it is undertaken without the safety net of preliminary studies. His work of the mid-1990s was full of human/animal hybrids, inhabiting a world that combined playfulness with anxiety and apprehension.

george raftopoulos, painting, abstract, colorful, sydney, expressionist, faces, upper playground

Line plays a key role in his current painting, and his line is both economical and swift. It is as firm and elastic as cartilage. Most of Raftopoulos’s works of the last couple of years have turned on a single color, which sets the temper of the painting. Recently that sole color has often been a primary color.

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UNSETTLING HUMOR BY BEN SMITH

by Ariadna Zierold

ben smith, sydney, australia, painting, paintings, unsettling, humor, divergence, soubt, solace, allegory, upper playground

Sydney, Australia based artist Ben Smith’s paintings are an attempt to combine the beautiful and the unsettling, the humorous and the sincere, the ba­­­­nal and the uncanny in order to reflect his experience of life. Recurring themes in his work are doubt, divergence within a personality and the search for comfort and solace. These themes are explored through multi-layered allegory, using various expressive possibilities of paint.

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PAPER TAPESTRIES BY GUNJAN AYLAWADI

by Ariadna Zierold

gunjan aylawadi, tapestry, tapestries, paper, mosaic, sculpture, 3d, pattern, sydney, upper playground

Gunjan Aylawadi is a self taught visual artist and a qualified computer science engineer and industrial designer. Born in New Delhi, India, she now lives and works in Sydney. Through her unique and intricate, paper tapestry technique, she explores the intersection between craft traditions, sensory pleasures she experienced growing up and the new culture she finds herself in now.

gunjan aylawadi, tapestry, tapestries, paper, mosaic, sculpture, 3d, pattern, sydney, upper playground

Crafting thoughtful mosaics out of personal reflections, she creates works with simple materials and processes that are as important as the end result – illustrating the quiet power of slowing down and a thoughtful absorption of our environments.

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HAND CRAFTED WOODEN MASKS BY TRENT WHITEHEAD

by Ariadna Zierold

trent whitehead, sydney, mask, wood, acrylic, character, colorful, pattern, creature, upper playground

Sydney-based painter and sculptor Trent Whitehead works predominantly in ink and acrylic on wood. Whitehead’s latest body of work centers around a series of hand crafted 3d wooden masks. Each character seems about to burst with some intense expression of anger, frustration or joy. The intensity of the masks captures the effervescence of the artist himself, pooling the experiences of his existence to breathe life into inanimate wood. Trent’s exquisitely patterned and highly narrative works explore the effects of extinction in a fantastical world of horned creatures and bearded villains.

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USED FUTURE BY MAX PRENTIS

by Ariadna Zierold

max prentis, illustration, machines, future, illustrator, drawing, detail, future, apocalyptic, fantastical, upper playground, sydney

Sydney-based artist Max Prentis’ style is based upon detail and a strong emphasis on visual storytelling.  Machines, isolated figures and not to distant wastelands are a common reoccurring subject in Max’s work.

max prentis, illustration, machines, future, illustrator, drawing, detail, future, apocalyptic, fantastical, upper playground, sydney

Prentis’ technique is unique in the way he can apply his style to a variety of tones. His body of work is one that varies from playful to aggressive, and realistic to fantastical.

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THE LIGHT ORIGAMI INSTALLATION BY MASAKAZU SHIRANE

by Ariadna Zierold

masakazu shirane, light origami, installation, sydney, mirrors, kaleidoscope, upper playground

Visitors attending this year’s Vivid Sydney festival were able to experience what standing inside a giant kaleidoscope feels like, courtesy of Masakazu Shirane. The Japanese spatial designer installed Light Origami, a giant spiky dome with a 3D kaleidoscope inside, right on the street. The musical space featured mirrored panels inside which reflected psychedelic designs according to people’s movements and clothing patterns and colors.

masakazu shirane, light origami, installation, sydney, mirrors, kaleidoscope, upper playground

Crafted from more than 320 reflective aluminum composite panels, the dome offered an opportunity for visitors to re-imagine their own reality mediated by a sense of wonder. This way they weren’t mere spectators, but became co-creators as they played with the all-around reflections by dancing and dressing brightly for the occasion.

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