New York City based Ted Lawson reveals a persistent interest in the human body. His art investigates processes related to the physical body such as growth, its needs, its decay and death. Lawson strips individuality from his subjects while simultaneously forcing character through implications of the viewer, and therefore, complicating the very meaning of identity.
Using figurative representation and geometric abstraction, Ted Lawson creates a narrative progression of forms that reveals something conceptually greater than the sum of their parts. Ted’s large scale works combine digital technology with highly crafted traditional sculpting methods to seamlessly produce conceptual objects that express the underlying analog truth within his subject matter.
New York based artist Jean-Pierre Roy (previously featured here) paints surreal scenes that deconstruct the known world. His work is often associated with science fiction, depicting alien wastelands inhabited by colossal humanoid beings, their bodies laden with geometric shapes, holographic projections, and mirrored panes. Rather than ascribing to science fiction specifically, however, Roy is more interested in fostering a critical, creative space that allows us to examine the systems of knowledge that construct reality.
David M. Cook is the architect of a mischievous microcosm. Amicable and unassuming, he hardly seems the “type” to consistently and skillfully crank out such a lewd labyrinth of work, but the cheeky hedonism comes all too naturally. Based in Los Angeles by way of Brooklyn, but originally from Louisville, Kentucky, David (who also answers to Bonethrower) uses no shortage of fine lines to design a world that is equal parts modern mysticism and memento mori—at the end of the day, it all sinks in like a psychotropic drug.
Amsterdam based artist Jules Julien‘s universe crosses many opposite sides; colorful and dark, graphic and sensitive, realistic and surreal. His clean and simple aesthetic makes his work immediately recognizable. He puts in scene a world where the symbol blends with the anecdote and where the strange is concealed behind the images in his meticulous paintings.
Po Hsu Huang was born in Kaohsiung, Taiwan. After a series of trials and mistakes, Po Hsu Huang started his journey as an independent artist. His paintings focus on the relation between the surroundings and one self, with a significant, colorful and bright manner. The constant changes in life and the warm climate in Southern Taiwan may have had a great impact on the artist.
Priscilla Yu is a multi-disciplinary artist, illustrator, and designer based in Vancouver, Canada. She paints worlds that appear to dwell in a strange gravity. Her work employs geometric forms and skewed perspective, as a stylistic constraint, which is sprinkled with the intuitive balancing of color, form, and texture that she internalized as a child.
Henn Kim is an illustrator from Seoul, Korea. Her minimal and surreal illustrations are heavily evocative; they suggest deep feelings and emotions through visual connections and unexpected juxtapositions. It’s a free flow of visions and sensations depicted through essential, black and white figures who act in a world of giant objects, metaphoric illustrations of emotions or windows opened on our subconscious.
Helsinki-based illustrator Milena Huhta creates worlds filled with conflicted and melancholy characters. Huhta draws girls and guys, but the girls take center stage in her recent work. Huhta instills in her subject matter a shameless self-awareness that she learned from characters like Sailor Moon.
Huhta loves sci-fi themed manga: Ghost in the Shell, Neon Genesis Evangelion and Aeon Flux. She’s also a fan of Fifth Element and the Alien films. The colors she uses in her illustrations take her work to the next level. The addition of color is an instinctual process and the powdered colors paired with a few neons make it feel so right.
Melbourne-based artist Christian Vine aka VEINS’ artwork possesses strong characteristics of solid black work, which is surrounded by a mix of white space and contoured outlines. There is a sense of unfinished business that emanates through his work, although others might see it as a space for improvement or a space that is yet to be developed to its full potential. What may look like a regular picture at first glance has layers upon layers of stories hidden within.
A selection of new fantastic work by artist Alex Kuno (previously featured here), using ink, watercolor, graphite and chalk. These new mixed-media pieces offer a decidedly frenzied, more toiled spin. These works take the familiar children and beasts and expose their innards, a blend of seemingly floral and unsettling organic matter. With Kuno’s playful vibrancy, each exposed being is more absorbing than repelling.