SPONTANEOUS PIECES BY ANTWAN HORFEE

by Ariadna Zierold

antwan horfee, paris, experimental, spontaneous, avant garde, cobra, gutai group, tachisme, painting, paintings, semi abstract, vibrant, colorful, upper playground

Paris based Antwan Horfee explores various creative methods of spontaneity and experimentation that have made him internationally recognized for his eccentric and playful graffiti work in the streets of Europe and abroad through drawings, murals, paintings, and object making.

antwan horfee, paris, experimental, spontaneous, avant garde, cobra, gutai group, tachisme, painting, paintings, semi abstract, vibrant, colorful, upper playground

Drawing influence from historical Avant-Garde art movements including the Cobra movement, the Gutai group, and Tachisme, Horfee’s paintings evoke a sense of physicality and action that compliment and relate to his work. His semi-abstract paintings are imbued with vibrant color, improvisational brush/spray techniques, and often depict distorted representational references inspired by his fascination with underground comics and zine cultures.

antwan horfee, paris, experimental, spontaneous, avant garde, cobra, gutai group, tachisme, painting, paintings, semi abstract, vibrant, colorful, upper playground antwan horfee, paris, experimental, spontaneous, avant garde, cobra, gutai group, tachisme, painting, paintings, semi abstract, vibrant, colorful, upper playground antwan horfee, paris, experimental, spontaneous, avant garde, cobra, gutai group, tachisme, painting, paintings, semi abstract, vibrant, colorful, upper playground antwan horfee, paris, experimental, spontaneous, avant garde, cobra, gutai group, tachisme, painting, paintings, semi abstract, vibrant, colorful, upper playground

SPONTANEOUS PATHOLOGIES BY KAREL HAVLICEK

by Ariadna Zierold

karel havlicek, drawing, spontaneous, spiritual, monstrous, grotesque, pathological, czech republic, upper playground

Karel Havlíček was a Czech painter who began drawing at the age of 38 years. Working only at night, he followed a ritual reminiscent of the conditioning of the automatic practices. His drawings without premeditation recall, by their spontaneity, spiritualist production. He felt drawn to the monstrous, grotesque or the pathological.

karel havlicek, drawing, spontaneous, spiritual, monstrous, grotesque, pathological, czech republic, upper playground

He found fulfillment in visiting natural museums, reading his favorite Kant and Schopenhauer and especially in drawing. He drew a picture every day for tens of years. The communist regime did not allow to display his work and so he was recognized only by a few artists and writers.

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camilo

hello !! my English its so basic, but i will answer these questions

I live in South America, conception Chile
but i lived also in Brazil

My pictures are of my friends, trips, places and my life in general,

I use digital and analogous cameras

My photography is instantaneous, without studies, without major sophistication, I am totally self-taught. I study arquitecture and this study taught me on the photography.

My influences are the street and the spontaneous thing, but for especially the street and his prominent figures
I meet travelling, that is what mas I like to do, living as a nómade, then I will live in Spain or brazil for a few years, if everything proves well.

It makes me happy, the bicycle, my friends, the simplicity, the nature, the marijuana and the moments that are genuine and pure, the adventure, the risk.

I am a simple boy, without major prejudices, am totally latinamerican.

Posted from Battle at 3 A.M.