THE HUMAN CONDITION BY PANG

by Ariadna Zierold

pang, street art, mural, painting, london, social, mass behavior, human, faces, upper playground

Pang lives and works in London, painting both in the studio and around the city. Most of her work can be found in London, and she has painted walls in Rome, Lisbon, Paris, Vienna, Palermo, Marrakech, Ibiza, Seville and Poznan.

pang, street art, mural, painting, london, social, mass behavior, human, faces, upper playground

Exploring themes of psychology, mass social behavior and the human condition, her work contains a grisly, humorous narrative that vividly expresses her morbidly curious nature, and the more awkward questions regarding social facade, the inner-self and humanity’s constant struggle between the two.

pang, street art, mural, painting, london, social, mass behavior, human, faces, upper playground pang, street art, mural, painting, london, social, mass behavior, human, faces, upper playground pang, street art, mural, painting, london, social, mass behavior, human, faces, upper playground pang, street art, mural, painting, london, social, mass behavior, human, faces, upper playground

Vahap Avsar at Charles Bank Gallery

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We just like this installation that Brooklyn Industries co-founder, Vahap Avsar, just opened at Charles Bank Gallery in NYC. As the gallery notes, “The sheer shock of an exploded NYPD patrol car inside the gallery space, makes the viewer stop and wonder about the events leading up to such a site. The ever present knowledge of the potential dangers in our global society is something that we have almost gotten used to, but once our everyday fears are transferred onto such a powerful signifier of authority and safety, we question the strength of the social structures we have created to protect ourselves and are reminded that while oppression exists anywhere, in all truth no one is safe.”

The show is open through june 19.

via 12ozprophet.

cop2 12ozprophet 664x443 605x403 Vahap Avsar at Charles Bank Gallery vahpa avsar charles bank gallery

http://www.charlesbankgallery.com/exhibitions/15/overview/

From The Citrus Report

Posted By The Citrus Report

Benjamin Laading

4678 605x465 Benjamin Laading Street Art Paris Norway interview Graffiti france benjamin laading

Benjamin Laading is creating interesting ways to bring a strong graffiti influence into the intimacy of a gallery space. His work reflects an strong emotional burst of energy that confronts you directly. These silhouettes of shattered glass and splatters of remnants of a scribbled history allow the viewer to have a taste of the emotion only drawn from the flare of a fat cap or the crash of a window pane.

Laading has found a way to bring parts of a noisy, busy, bustling world and successfully arrange them in the clean, quiet, serene environment of the gallery. Benjamin Laading is part of a new generation of artists that are finding ways to “inject” the outside into their fine art while maintaining a clear distinction between what is made to be indoors and what is not. —Ronnie Wrest/The Citrus Report

Where are you from? Where is home?

I’m a Norwegian living in Paris. I was born in Norway, but I grew up in Africa and then France until the age of fourteen. School-time made me early discover I was dyslexic, but this handicap unconsciously made me concentrate myself thoroughly on image. In fact, the alphabet represents for me totally abstract forms.

When I was in France, from the age of seven, I had the chance to go in a Steiner school, which one of their pedagogy is to educate from the personality of the children and not to format. This helped me to have confidence in my ability to communicate plastically. Then, at the age of fourteen, when I went back to Norway, I began to make important artistic choices. I spent my youth in Norway, than came back to France, at 21, to study fine art at La Villa Arson, the Beaux-arts de Nice.

a 605x324 Benjamin Laading Street Art Paris Norway interview Graffiti france benjamin laading

Your work is obviously influenced by graffiti. Did you start out doing illegal work?

Haha ! That is an interesting actual question. There is so many writers who use their street credibility to have a name in the gallery. It’s essential for me to distinct these 2 very different places, street and gallery. It’s important that the streets and its expressions stay free. If you choose to express yourself illegally in the streets you do it for free, it is a gift, a finality in itself.

That is one of the main reason I am using my real name and not a pen-name, concerning my academic works. And above all, I consider myself as a fine art artist. Therefore, I choose not to communicate or use any forms I could have done outside the gallery walls. That is also why I have collaborated with many writers, not in order to imitate, but to treat the real thing, so there really is a shifting from the exterior to the interior, as an ‘injection’. This shifting implies an interpretation, through a process, the result of my own questions on street expressions, as a contemporary artist, treating illegal expression from an academic point of view.

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You describe your work as a kind bridge between separate portions of the art world. What do you think it is that has academia and a “more established economic frame” so interested in this form?

I think it intrigues them because it is their contrary, it is the classical vice to want what you can’t have. As much as the lower class dream about establishment, knowledge end wealth, the higher class dream about getting loose, instincts and something to rebel against. It’s kind of a romantic melancholy of the social status.

laading1 Benjamin Laading Street Art Paris Norway interview Graffiti france benjamin laading

Does this mean you feel all of the popularity and commercialization is positive for the movement?

Yes, and no, it is a good thing that people are getting interested in this type of expression but at the same time it has a tendency to increases the misunderstandings. It is not because there’s colourful typography with aerodynamics on a wall that it’s graffiti. What’s bad with this misunderstanding is that it gives people the false idea that it’s interesting and acceptable if it’s done with permission, but this idea make it becomes something else that misses the real meanings : danger, action, instinct, repetition, rebellion, life in a system, existence…

The first piece I saw of yours was the work you did with Babou. Do you like working with other artists?

As I said, I take forms and ideas from this lawless streets expressions and inject them into the system of the gallery. In order to do that, I need to use some authentic forms, (I mean authentic by being meaningful in the streets). I try to put forward certain specific elements in the most simple, understandable way. In this case, vandal FAT cap calligraphy.

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What are you working on lately?

Nowadays, I am working on a project for an event on urban ecology that takes place in Nanterre, France. I am engraving on a perfect industrial plastic plate, the portrait of a polar bear roaring, enhanced by pollution dust found in freeway tunnels.

What is one artist or musician that has inspired you recently.

I would like to answer this question with an artist’s list that I consider cannot be ignored!

lesfreresripoulain.eu/
beyond-streetart.de/en/kuenstler/nug.html
gzzglz.com/
easteric.net/
members.chello.nl/j.jongeleen/page005.html
olivierkostathefaine.com/
hnteuropa.fr.st/
ivanargote.com/
dtagno.de/node/161
spy.org.es/

Any shows or projects coming up to talk about?

First of all, I’m preparing my solo exhibition on the 10th of may, in Saint-Germain-en-Laye. Than, I will participate at Perfusion 2011, an experimental reinvestment of public place, an event taking place in Strasbourg from the 19th to the 25th of September 2011. And coming up soon, a project with Skalitzers gallery in Berlin…

http://benjamin.laading.net/

From The Citrus Report

Posted By The Citrus Report

Mark Zuckerberg of Facebook gets his commissioned David Choe painting

Mark Zuckerberg of Facebook just commissioned David Choe for a new painting, and David finished the piece and gave it to Mr. Facebook recently. We are not sure if you remember or not, but David Choe was commissioned by Zuckerberg and Facebook to paint the walls of the Palo Alto offices of the social networking company.

And if you saw the film, “The Social Network,” you saw some of the Choe pieces he did the offices.

As Upper Playground put it, “Real Digital G’s know what’s up. Paintings are the new Bentleys.” Zuckerberg knows what’s up.

From The Citrus Report

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Mark Zuckerberg on “Saturday Night Live”

Posted from The Citrus Report

So, this past Saturday, you had Jesse Eisenberg, who played Facebook’s Mark Zuckerberg in The Social Network, hosting “SNL,” then you had Andy Samberg playing his Zuckerberg character on the show, and then you had Zuckerberg himself on the show. Busy, busy night for everything Mark Zuckerberg . . . .

Posted By The Citrus Report

Josh’s trip to Miami, 2.1 of 3

Ok so I got cut off in that last post because I am stealing internet from one of my neighbors and when you do that you cant predict a lot of things, like getting cut off from the www and stuff like that.  As I was saying, people move to Florida to die and live in this 50′s movie about paradise and beach views blah, blah, blah. Back to my point that Florida is no paradise. There are a shit load of cars and it is so humid you can’t breath here. There are a lot of people on walkers and Italian tourists who have style but in a very corny way.

So like in the last post these here are some pictures of the social structure of old people in Florida. It is basically like High School, all the cliques sit at their own lunch tables talking crap about people at other tables and exchanging glances. Of course there are the cooler ones and each table has a leader.

I believe they call this the Atlantic Ocean.

Is Florida not pretty?  Yea I wanna go here to die, or not!

Actually I would like Florida to get destroyed by a natural disaster, and then I would like to go live here. It would be like Battle Ship Island 300 miles off the coast of Japan, which is basically an entier city on an island that is totaly abandoned and falling apart. Maybe I wont need a natural disaster to have Florida be like that. The economy and all the buildings they built just get emptier and emptier every time I go there. And the climate there fucks shit up real good and real fast so maybe it will happen naturally.

All this old people and depressing crap wearing on my mom and I so in the next post we will escape to South Beach.

To be continued……..

Posted from Battle at 3 A.M.

Rolling Stone ranks 13 films that define a generation

Posted from The Citrus Report

Peter Travers, who is Mr. Film Guy at Rolling Stone, decided that because he liked “The Social Network” so much, he was going to define it as a movie that defines a generation. This generation. And then Travers went on to rank 12 other films that defined a generation, like “Rebel Without A Cause,” “Bonnie and Clyde,” “The Breakfast Club,” “Fight Club,” “2001,” “A Clockwork Orange,” “Spinal Tap,” and some others.

We were hoping for “Batteries Not Included” or “Eat Pray Love,” but wishing is just that.

Look at the full list here.

Posted By The Citrus Report

A good Sunday read: Is Obama the Democrat in chief?

Posted from The Citrus Report

This was a good Sunday morning read today. New York Times Sunday Magazine had a long piece on what you see above: Is President Obama the Democrat-In-Chief? The thesis is that Obama doesn’t really care too much about the Democrat party, or leading the party, and the mid-term elections reflect this.

A little excerpt:

Chris Van Hollen, the Maryland congressman in charge of House campaigns this fall, and James Clyburn, the Democratic whip and an Obama ally, complained to Axelrod about the president’s unrelenting assault on Washington rather than on Republicans specifically, according to three people who were in the room. “A ‘Washington is broken’ message doesn’t help incumbents running for Congress,” Van Hollen pleaded with the aides.

Axelrod said the House leaders needed to listen to what the president was actually saying out there — Obama was, in fact, drawing sharp contrasts between his party and the Republicans. But Axelrod also informed them that the president would continue to acknowledge the general discontent with Washington in his public comments, in the hope that he might help lessen what White House aides sometimes call the “toxicity” in the air. He would make the case for Democrats by reminding voters of all that he and his party had been able to accomplish legislatively, even without Republican help. Washington was broken, and if you told people what you were doing to fix it, then they would side with you. “You’re not going to will it away — the discontent,” Axelrod said. “The most important message is that we took on difficult problems, and they sat on the sidelines and rooted for failure.”

This didn’t satisfy the Congressional leaders, who thought the message had to be more about their “fighting for the middle class” versus the indifference of Republicans. They wanted Obama to go out there and tell the public that installing a Republican Congress would be like climbing into a time machine and teleporting right back to the Bush era. Privatizing Social Security, ending Medicare, repealing the health care law and reinstating tax cuts for the wealthy — that’s what the Republicans were proposing, and the lawmakers said they needed Obama to drive that point home with the electorate.

Voices rose and drowned out other voices as the meeting grew tense. “The fact is,” Pelosi said, addressing herself to Axelrod, “that the longer you say Washington is broken, and you’ve been saying that for 18 months, the more that becomes the story.”

Posted By The Citrus Report