New York City based Mike Lee’s (previously featured here) graphite drawings contemplate the duality between artificiality and realism by taking everyday normalcies (figures, objects and settings) and working them into their most simplistic forms. Small subjects surrounded by vast white spaces, Lee’s drawings represent fleeting moments in a large world.
The paintings and installations of Hendrik Zimmer are influenced by the Internet’s impact on culture at large and its distribution. Belonging to the post-internet art generation and experiencing the changes brought from a long-since digital age and the network ideology, Zimmer develops his paintings concerned particularly with their materiality and their ways of presentation and dissemination in the physical and digital space.
Zimmer’s décollage paintings reconcile figurative elements in form of a photographic image taken from a poster or magazine and the expressionist abstract painted gestures. Most of the times the elements are parts of human figures, faces, hands or other parts of the body and fully integrated in the composition.
Nigerian-born, Brooklyn-based artist and designer Olalekan Jeyifous received a Bachelor’s degree in Architecture from Cornell University where his focus of study was primarily on investigating the relevant potential for a variety of computer software within the fields of art, design and architecture.
“Not My Business” is named after a poem by Nigerian poet, dramatist, and literary critic, Niyi Osundare. The title of the exhibition references the fact that Jeyifous has not been back to Nigeria since he left when he was 7 years old.
“Using rigorous Cubist geometric shapes, I freely juxtapose recognizable icons of the informal economy- from street vendors, industrial waste or power generators — with those of the post-Colonial Utopia-orderly State and social infrastructure– to create strange constructions in which time and space collide ambiguously.” Olalekan Jeyifous
Bruna Canepa is an illustrator, architect, writer for the music blog Suppaduppa and co-founder of Miniatura, a project she created with architect and artist Ciro Miguel in 2011. As an illustrator, Bruna is obsessed with exploring space related themes and objects, clearly evident in her various interpretations of rockets and satellites. Her drawings combine basic geometric shapes with few but effective colors to great effect.
Swedish illustrator and graphic artist who’s based in Barcelona Klas Ernflo has produced a diverse field of graphic projects – both independently as for clients. All of the artist’s projects show his incredible sense for colors and patterns. His most recent project is highly impressive. Consisting of 18 separate boards, Ernflo created a large work showing his signature organic forms, a wonderful sense of humor and tremendous colors.
Using ink and oil paints gives them a sense of craft and technique that allows us room to appreciate the subtlety and graceful nature of each form individually. This consideration for each character makes it even more impressive when they come together in one magnificent tapestry of shapes and symbols.
The online identity of Boston-based artist Mike Parisella, Slime Sunday’s motion graphics and collages are a view into an alternate reality – where disembodied heads and digital babies play in a sea of saturated color, and endless shapes find joy in repetition.
If trippy, outlandish digital visuals are your thing, then Slime Sunday is a name you need to know.
Aakash Nihalani was born in 1986 in Queens, New York and is currently based in Brooklyn. In 2008, he received a BFA from Steinhardt School, New York University and in 2012 he was awarded a residency at the Willem de Kooning studio in East Hampton.
Nihalani’s street installations, which are constructed from strips of instantly identifiable fluorescent tape, open up unexpected dimensions and often enlightening and humorous perspectives to the otherwise routine urbanscapes upon which they are affixed. His pieces are meant to engage the public by creating environments that can be physically entered and explored from various angles, exposing unnoticed details, and transforming passersby or gallery visitors into active participants.
Samuel Rodriguez is a San José, California based artist whose work has shown in public art spaces, museums, companies, galleries, internet, and editorial publications. Rodriguez was self-taught for a number of years through graffiti until he later pursued a Bachelor in Fine Arts from California College of the Arts.
He has since blended what he absorbed from both opportunities to create his current aesthetic. Rodriguez is known for two kinds of portrait styles that he calls, “Topographical Portraiture” and “Type Faces”. Topographical Portraits, are made by stylizing a portrait with topographical lines and shapes in a similar manner to those found through images on geographic maps. Type Faces, incorporate typography and portraiture. Rodriguez developed these techniques in order to explore his interest in social, historic, and cultural hybridity.
Vancouver based Eric Louie was born in Boston, Massachusetts, USA. His latest paintings continue to develop his unique metaphysical language. He has always been interested in spatial dimensions that evoke realms of consciousness and memory. In his paintings he is pushing the spatial relationships by use of multiple planes and a new use of formal abstraction and geometric shapes. They speak of the natural order of things that both acknowledge and deny spatial illusion simultaneously.
He began taking art classes at the Winnipeg Art Gallery at the age of nine and received his B.F.A. from the Alberta College of Art + Design in 2002. He was the recipient of the Jason Laing scholarship while a student and has been exhibiting since graduation including the Art Gallery of Calgary. Eric Louie’s work is collected by many private and corporate collections including Encana Energy and the City of Calgary and he is known for his mural in the Fashion Central building on Stephen Avenue for Encorp Management.
Joel Morrison was born in Seattle, Washington in 1976. He received a BA in English Literature at Central Washington University, and an MFA in sculpture at the Claremont Graduate University in Claremont, CA.
Morrison’s composite sculptures fuse found objects and histories of artistic discourses into a dialogue of polymorphous forms through a variety of cast metals. With their gleaming surfaces in nickel, stainless steel or bronze, Morrison juxtaposes various genres and processes creating a tension on the surface. The purity of form at the intersection between conceptualism and formalism gradually reveals an amalgam of shapes and textures.