Stacey Rozich

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Fine artist and illustrator Stacey Rozich makes work inspired from many different folk and indigenous traditions that is very unique.  There is just something about the beastly shamanic figures that pulls the viewer directly into the scene.  Many of the images conceal emotions and angst behind beautiful renderings of mask and costume.  Her precise use of color and gesture articulate these emotions perfectly.  Not every image is so heavy, some are friendly and whimsical, some make you think, while others make you laugh.  Stacey’s unique ability to connect with her viewers on a personal and emotional level, are what sets her work apart. —Ronnie Wrest / The Citrus Report

What does a normal day look like for you right now?

I’m sort of in an odd transitional state right now: I just finished up design school here in Seattle and immediately (literally at 7 am the next morning) I caught a flight out to Georgia, then went to Los Angeles and now am back. I’m still reeling and trying to gather my brains so I can get started on a mountain of work that has been waiting for me. Since my days are trying to re-adjust themselves, I’ll give you what I’d like a normal day to look like for me. Wake up around 8 am, fix myself a little something to eat then get to some e-mailing. Probably check out a few of my favorite blogs (Forme-foryou.comNomealone.Blogspot.com, Design Sponge, among others), watch a couple kitty videos and then see whats on the project roster for the day. If I’m on schedule with my work I’ll allow myself to go out that evening and meet friends for a drink or watch a movie. If I’m off, well, you can bet I am not leaving this table until I am finished or I am in big trouble.

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You obviously welcome being busy, but is there a limit? Do you like having multiple projects going at once?

The last two years of juggling a really intense school program with still trying to stay relevant in my personal work was tough and really showed me what a busy schedule would do to my life. Luckily, after some snappy outbursts at roommates, family, etc. I have perservered and found a good balance to work and not being a lunatic. I think I might be addicted to the busy, if I find I’m not as busy I actually get panicked and don’t know what to do with myself. It’s interesting how the psyche can adjust to one pace of working and can go into malfunction mode once it’s diverted. I do enjoy working on several projects at once because it really pushes me to expand my inspiration and creativity to different places I didn’t even know I could go.

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I know you put a lot of research into work.  What are a couple traditions that have inspired your work lately?

While I was in LA, I set aside to have a museum day where I went to the Getty and the LACMA. At the Getty I was totally enthralled with the pre-Renaissance era religious imagery of Northern and Central Europe. It is so ornate and beautifully patterned, and I love how all of the figures in the artwork all look so sad. On the other end of the spectrum, at the LACMA they had an exhibit of indigenous Pacific Islander artifacts and that also got me running around snapping photos for inspiration. It was a whole different take on cultural traditions, this one deeply rooted in tribal spirituality portrayed in minutely detailed wooden carvings and (real!) chained human skulls.

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Some of your work provokes strong emotions, is this a part of your plan or is some of it personal reflection?

Well, I am honored any time someone approaches me with a certain emotional reaction (luckily, always good ones). Truthfully that is never what I set out to do, I think that is why I am still so pleased and humbled when a viewer does take away a personal feeling that my work gave them. I think a lot of it personal. I’ve always had an imagination in turbo-drive ever since I was a kid but it was always very private for me. This constant internal narrative has shaped me into how I operate today and how I approach different pieces that translates itself into work that is evocative to others.

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I read that you are a bit of foody…top three meals?

Oh boy, I’m going to put away the Sweet Tarts I’m eating and think about this. Number 1: Fresh shucked oysters on Hood Canal, about an hour and a half outside of Seattle. Surprisingly being in the land of incredible shell fish, a lot of restaurants around here can really screw up a good thing.  When you get it straight from the source it’s incredible. Number 2: When I was in Georgia, my boyfriend and I visited his brother and his family and he is quite the self-taught chef. He hand-made fettucine and marinara sauce which you’d think would be a pretty standard meal. But no, oh no, it was light and fresh and one of the most amazing meals I’ve ever eaten and I don’t think I could ever recreate it. Number 3: Anything my father cooks outside that the whole family can enjoy on a warm night on the deck. It seldom ever gets warm enough to eat outside here so anytime we can it’s memorable.

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What are you working on right now?

Simultaneously working on Earth’s vol II artwork, work for a solo show at Portland’s Compound Gallery opening August 6th, finishing up a large commission for a collector in Malaysia and putting the final touches on a few graphics for Upper Playground t-shirts.

What else do you have planed for this year?

A few big projects I can’t make public quite yet, but they will be amazing, wonderful and very exciting. Aside from branding my work onto useable/wearable commodities, I’ve got a few shows in the works, commissions and — fingers crossed — a trip of the International variety. You can always stay in touch with me here: http://blog.staceyrozich.com

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From The Citrus Report

Posted By The Citrus Report

Tim Lincecum on the cover of NY Times Style Magazine

3bc2c9667brticle.jpg Tim Lincecum on the cover of NY Times Style Magazine times style The Citrus Report seattle ronnie lott new york times major sports lincecum jerry rice headlines culture citrus report boxers barry bonds

We in San Francisco haven’t had a major sports star since Barry Bonds, and he was too polarizing for the nation to admire. We had Joe Montana, Jerry Rice, Ronnie Lott, Steve Young, but those days are long gone. But now we have The Freak, Tim Lincecum, and we finally have a sports star gracing the cover of … the New York Times Style Magazine? Kind of bizarre/cool.

We have to say, this is a really great read.

On the topic of the good-looking girl at the front desk of his Seattle apartment: “The one with short, black hair?” Lincecum asked. “Yeah, she’s good-looking, but she posted on Twitter that she saw me walking around in my boxers. That kind of pissed me off.”

9cc3231a14ustom2.jpg Tim Lincecum on the cover of NY Times Style Magazine times style The Citrus Report seattle ronnie lott new york times major sports lincecum jerry rice headlines culture citrus report boxers barry bonds

From The Citrus Report

Posted By The Citrus Report

Matthew Hollister Illustrator and old school zine maker

Where do you live?
I live in Seattle, WA.

710f66e58are 241.png Matthew Hollister Illustrator and old school zine maker work stuart davis seattle really varied rambler port pez people own interests other artist matthew hollister donald brun chermayeff books battle at 3 a.m. artist

What kind of artist are you?
I’m an illustrator.

ec0a388d12re 261.png Matthew Hollister Illustrator and old school zine maker work stuart davis seattle really varied rambler port pez people own interests other artist matthew hollister donald brun chermayeff books battle at 3 a.m. artist

Can you talk a little about your books and zines? How long did you do that for
and how many do you think you have made.
Most of the work I do is for magazines, and is very art directed. Making zines is something
I first started doing with friends when I moved to Brooklyn, and it has always been an outlet
that allows me to focus on my own interests and just having fun. It also feels great to make things
that are multiples so you can hand them out to people. I’m not sure how many I’ve made over the
years, but hopefully I’ll continue to produce them more often.

afd4463545ure 30.png Matthew Hollister Illustrator and old school zine maker work stuart davis seattle really varied rambler port pez people own interests other artist matthew hollister donald brun chermayeff books battle at 3 a.m. artist

40e3c19cb6re 291.png Matthew Hollister Illustrator and old school zine maker work stuart davis seattle really varied rambler port pez people own interests other artist matthew hollister donald brun chermayeff books battle at 3 a.m. artist

What other artist inspire you?
I’m inspired by all kinds of work, and from a really varied spectrum. I’m inspired the most by my
friends and peers, the people close to me who are doing things that are exciting. People like
Fogelson-Lubliner, Eric Elms, and everyone else who participates in The Holster. As far as artists I
don’t know who I really like right now a short list would include Stuart Davis, Ivan Chermayeff, Donald Brun, and Rambler Port of Beaumont.

0686135d78re 271.png Matthew Hollister Illustrator and old school zine maker work stuart davis seattle really varied rambler port pez people own interests other artist matthew hollister donald brun chermayeff books battle at 3 a.m. artist

0249db98c0re 251.png Matthew Hollister Illustrator and old school zine maker work stuart davis seattle really varied rambler port pez people own interests other artist matthew hollister donald brun chermayeff books battle at 3 a.m. artist

See more of his work at www.matthewhollister.com

Posted from Battle at 3 A.M.

GQ ranks the 10 best new restaurants in the US

Posted from The Citrus Report

dad2afa705incoln.jpg GQ ranks the 10 best new restaurants in the US walrus and the carpenter seattle read the list rank the top place pictured News new restaurants LINCOLN headlines flour+water culture

If you are lucky enough to actually get to eat in some of the nation’s finest new establishments, chances are you will be eating food with some sort of tagline of “‘local,” organic, and with some sort of farm mentioned. That means you are probably eating well. If you don’t have at least one dish of local brussel sprouts a week, you are missing out.

GQ is a bit haughty when it comes to their choices here, but hey, they are supposed to be like that. They rank the top 10 new restaurants in the US, and they have the place pictured above, the Italian-menu Lincoln in NYC. They also cite Flour+Water in SF, and a place we can relate to, The Walrus and the Carpenter in Seattle,

Read the list here.

Posted By The Citrus Report

We haven’t talked about Scarlett Johansson getting divorced…

Posted from The Citrus Report

c131a296a7sson10.jpg We haven’t talked about Scarlett Johansson getting divorced… seattle scarlett michelob light light or pbr headlines citrus report art angeles

Well, she is. And there was a collective sigh from a bunch of dudes who think that they are going to see Scarlett at their particular bar in Brooklyn, San Francisco, Los Angeles, Seattle, Dallas, Miami, and Chicago. Guess what fellas? This isn’t a Michelob Light or PBR girl, and if she was, she doesn’t go to your bar. Don’t be that guy at the water cooler today.

Posted By The Citrus Report

Starbucks to serve wine and beer

Posted from The Citrus Report

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Not quite sure what to do with this news, but to know that Starbucks is going to start serving wine and beer in some of its chains is almost too European. The company did open its first such store serving booze on Monday in Seattle, “offering an array of Craft beer and local wines.” Latte, espresso, beer, priceless.

Posted By The Citrus Report

A story about Ichiro

Posted from The Citrus Report

6b9e6bfa3a05x517.png A story about Ichiro seattle right fielder nation ichiro suzuki ichiro headlines culture citrus report

A story we just got about Seattle Mariners right fielder Ichiro Suzuki, probably the best hitter in baseball since Tony Gwynn retired his cleats. We thought it was interesting .. .

“When I was in Japan a few years ago, anywhere I would go, whatever and whenever there was a TV, a smart window would pop up for every single one of Ichiro’s at-bats. It was just a normal day in July, there wasn’t any records at stake, or any real importance to the game, just an Ichiro at-bat. It didn’t matter if I was in a hotel, in a store, walking down the street,  watching national news, local news, a sitcom, or anything… Ichiro just stopped the nation.  That is, and was, national pride…”

Posted By The Citrus Report

Chris Sheridan

Posted from The Citrus Report

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Living in Seattle, you have the opportunity to see art on every corner where coffee shops, retail stores, art galleries, even government buildings hang the work of local artists. Often there are no striking resemblances or similarities between pieces or from one show to the next. Often a cultural theme will tie an artists work to his name, or even a consistent subject matter.

But in the case of Chris Sheridan, you can recognize his pieces from across a crowded group show due to his style and technique. The loose yet refined way he paints any figure as well as his use of color defines and almost brands anything he paints as “Chris Sheridan”. His show of new works named “Fondue” is coming up on September 17th 2010, the 2 Year Anniversary of the Seattle Upper Playground at the Fifty 24SEA Gallery. —Jen Vertz

TCR: Can you describe the distinct, expressive style that you have?

I think there are a few things that contribute to what ;it is that people recognize my work as. I mean I come from an illustration background and went to a really traditional school so I work with the figure really tight and put a certain amount of importance of stuff looking right. There’s that foundation, but one thing that I think makes my work stand out is the richness and depth of colors that I like to use, especially in the figure- I really like to get the full gamut in there, like every reflected light. Every little nuance that shows up in the core shadow, and of course I’m interested in reds- so I really play up the reds and oranges. But this thing I’ve been really consistent with since I’ve been really young and all my teachers tried to break me of this for a long time, to me- paint has this particular personality, a flavor- it’s got things that it wants to do. I like to put down a brush stroke and let it go. I’m all about mark making. You’ve got to have quiet parts in the painting, but when you look at mine, there is a good combination between the quiet parts and the parts with mad brush strokes. Whatever it does when that brush stroke goes down, I like to leave it, I don’t like to re-work things, and it maintains a certain freshness to the paint itself. We all have our own thing, but those things- the color and the brushstrokes I think are what makes mine stand out.

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TCR: Do you only work in oils?

Yes and no. I don’ t have a thing against other art materials. I think that acrylics are one of those things that teach you how to paint- acrylics it’s sort of like you’re 12 years old and you’re having that date with your first pretty hard-core girlfriend at the time you know, you’re going to see a movie, you’re parents are driving you around, you might kiss and might talk about it later- but when you get into oils, it’s like it’s that awesome woman you meet later in life. And there are so many more things you can do- mind in the gutter or not, the conversation is better, the action is better, you’re relationship, the chemistry between the two of you is better, the person putting down the paint and how that paint then reacts to what it is you’re doing- that’s hot to me. So primarily I work in oils, but each one of them I work with charcoal underneath it. I do really rendered charcoal drawings and then waterproof them then work with oils on top of it.

 Chris Sheridan work Upper Playground Seattle time style society seattle really rendered Features culture color brushstrokes 2 year anniversary

TCR: I know that some of your paintings have been based on Grimm’s Fairy Tales, how much of an impact does that have on the subject matter or meaning?

Pretty much everything that I have in the body of work right now is based from something. Not just Grimm’s Fairy tales, but my primary interest in creating artwork right now is based off matching things from the histories. How that story has been passed down from through the ages and how that makes me me feel now. And so weather it’s Aesop’s fables, Grimm’s Fairy tales, Homer, the Bible, the Koran, I’ve brought things from many different places and I read a little bit here and there and if something really stands out, a concept that really kicks ass and I have a person or personality that really matches up with that I take that old story weather it’s still thought of now or not, and mix it with that contemporary person with them in their surroundings now and see how it fits. A lot of these stories are things they sort of forgot about or don’t speak about, but were so important to shape our society. I like to take the little bits and pieces of it and put em in there, sort of vague, sort of complete, and take some of the symbolism from them and create these pieces so that when people come up to them they may pick it up right away. But either way, because I’m touching on those old things, it really opens up people to speaking to me about the artwork. That’s what makes it feel to me ‘alright, I’m done…’

Posted By The Citrus Report