Chao Harn Kae was born in Malaysia. He graduated in Malaysia Institute of Art (Major in Fine Art) in 1997. He has resided and worked in Hong Kong since 2004. He has been participating in art exhibitions in Malaysia, Hong Kong and Macau.
Chao uses clay to create the most unusual sculptures of quirky creatures, many of which combine human elements such as hands protruding from their heads. The fragility of his ceramic pieces hints at our own fragile existence on earth, and how we’re closer to nature than we might think.
Detroit-based artist Matthew Angelo Harrison investigates analog and digital technologies to explore origins of all kinds. He makes low-resolution 3D printers and uses them to reproduce authentic African artifacts. Harrison plays havoc with the usual hierarchy of objects by literally elevating the new clay 3D printed works above the wood originals. Appearing at once earthy and other-worldly, the new clay sculptures are symbolic of many African-Americans’ relationship to their own African origins.
His artwork is often created by machines that he designs and builds from scratch. Matthew is interested in aspects of manufacturing, specifically its hidden performative aspect. He received a BFA from the School of the Art Institute of Chicago. He has shown his work at MOCAD and the Jewish Museum (NYC), and has a forthcoming solo exhibition at Atlanta Contemporary.
Penny Byrne’s first ever European solo exhibition titled “#EuropaEuropa” opened on Friday, October 6th in Berlin, Germany. Seeking to highlight the perilous journey undertaken by large numbers of migrants across Europe, “#EuropaEuropa” aims to recreate the sheer quantity and desperation of those risking their lives by crossing the Mediterranean. Adrift in an assortment of porcelain antique household serving plates, gravy boats, cups, and bowls, the figures are stranded around the gallery in various states of safety. The crudely constructed bright orange rings that hang around the necks of the figurines are clumsily constructed, a statement from Byrne on the worrying trend of refugees being given fake or faulty lifejackets. A number of solo figurines, often without floatation aids, lay separated from the main groups across the gallery floor and attached to nails in the walls; a tribute to those left behind and those who have become victims of such a perilous journey.
“#EuropaEuropa” will be on view until the 4th of November, 2017.
LA-based twins Nikolai and Simon Haas have taken the design world by storm. They have become well-known for their provocative, biomorphic, colorful, and insanely imaginative furniture, ornaments, and commissioned artistry. Nikolai apprenticed as a master carver and Simon studied blacksmithing at the Rhode Island School of Design—and together their pieces, while sleek, still retain some traces of artisanal handiwork.
Barcelona, Spain based artist David Moreno works with sculptures made of steel wires that emulate the fast and energetic style of drawing in a rather wild and sometimes uncontrolled way. Though they are built using a stiff material, Moreno’s sculptures of surreal floating cabins, chairs, and figures exhibit a certain delicacy and tenderness. Using a similar technique to cross-hatching, he is able to create tonal or shading effects of carefully placed lines that are viewed from a specific vantage point.
Korean artist Wookjae Maeng works with ceramics, focusing on the relationships between humans and animals. The ghostly pieces often resemble commemorative busts or mounted heads reminiscent of big game trophies.
“I concentrate on art as a vehicle to communicate contemporary social and environmental problems to the viewer by stimulating, not just emotion, but sensibilities and memories. In this regard, ‘stimulus’ plays an import role in the expression of my work and in its perception by the viewer. Visually or sensually appropriate stimuli evoke curiosity in the viewer and their desire to grasp the inner meanings of the work. Within this process the viewer not only intellectually comprehends the work but also viscerally appreciates it if their preconceptions are challenged or senses other than sight are stimulated. This three dimensional appreciation-which engages the viewer both physically and sensually-I believe conveys the message of a work on a deeper level.” Wookjae Maeng
Adrian Arleo is a ceramic sculptor living outside Missoula, Montana. She studied Art and Anthropology at Pitzer College and received her M.F.A. in ceramics from Rhode Island School of Design.
“For over thirty years, my sculpture has combined human, animal and natural imagery to create a kind of emotional and poetic power. Often there’s a suggestion of a vital interconnection between the human and non-human realms; the imagery arises from associations, concerns and obsessions that are at once intimate and universal. The work frequently references mythology and archetypes in addressing our vulnerability amid changing personal, environmental and political realities. By focussing on older, more mysterious ways of seeing the world, edges of consciousness and deeper levels of awareness suggest themselves.” Adrian Arleo
Edoardo Tresoldi is an Italian sculptor. He makes near-transparent sculptures using wire mesh, and often positions them in public places. Using his signature wire mesh material, Tresoldi has sculpts landscapes of monumental architectural objects that engage with natural elements. Classical typologies — like colossal columns and dramatic domes — interact with modernist geometries, blending two worlds that exist in both harmony and contrast.
Stockholm, Sweden based artist Joakim Ojanen aims to make work that is timeless. Joakim’s approach to timelessness is unconventional: His woozy characters are intended to be both 8 and 30 years old at the same time.
There’s something undeniably grotesque about the lumpy sculptural works of Ojanen, though this is balanced with a sense of humor and a child-like naivety which, in all, creates a confusing feeling for the viewer.
David Altmejd is a sculptor that lives and works in New York. Altmejd creates highly detailed sculptures that often blur the distinction between interior and exterior, surface and structure, representation and abstraction. For Altmejd, the process of making is paramount – he is interested in how the act of constructing an object and defying traditional material conventions generates meaning.
Motivated by the invisible worlds that often exist just beneath the surface of things, the artist reveals the hidden structures in his own works through negative spaces: gaps, holes, fissures and crystal filled orifices are a recurring motif. In contrast, the reflective surfaces of his mirrored sculptures are impenetrable and both define and destabilize, as well as multiply, the spaces around them.