Joshua Smith is a miniaturist and former stencil artist based in Norwood, South Australia. With a career spanning 17 years he has showcased his work in London, Paris, Berlin, New York, Japan and all over Australia in over 100 exhibitions. Formerly a self taught stencil artist Josh refocused his career to establishing Espionage Gallery, an Art Gallery based in Adelaide, South Australia showcasing both emerging and well established local, interstate and international artists. For 4 years he showcased over 600 artists from over 20 countries.
In 2015 after the closure of Espionage Gallery Josh refocused back onto his own career this time as a self taught miniaturist. His miniature works primarily focus on the often overlooked aspects of the urban environment such as grime, rust, decay to discarded cigarettes and graffiti perfectly recreated in 1:20 scale miniatures.
Devin Troy Strother is known for his intricate alternative narratives in a variety of mediums such as mixed-media, sculpture, neon, and installation. He finds inspiration in snippets of overheard conversations, movies, television, music, stand-up comedy podcasts, and the work of numerous canonic artists such as Joseph Cornell, Marcel Duchamp, and Henri Matisse. Strother likes to incorporate humor and language relevant to his peers and does not shy from the outrageous; his titles often serving as the punch line.
Rome based Los Bravú are an artistic tandem formed by Dea Gómez and Diego Omil. Gómez is originally from Salamanca and Omil from Pontevedra and they met at the Faculty of Fine Arts in Salamanca and specialized in painting. In 2012, they became Los Bravú and in their work they merge comics with painting, but also they work in sculpture and illustration.
New York based Calvin Seibert builds sand castles inspired by modern architecture. His sculptures are minimal in appearance, yet complex in form. They feature a mix of geometrical shapes and neat angular edges, that it’s hard to believe are made of sand and water. Using a paint bucket, homemade plastic trowels, and up to about 150 gallons of water he creates spectacular modernist sandcastles.
Arkansas based artist Linda Lopez –influenced by mundane objects and the everyday– creates ceramic objects that almost appear to grow and propagate. Her squat, globular forms sprout rounded appendages and elaborate trellis-like crowns. The artist displays these objects in carefully orchestrated arrangements with a distinctly domestic atmosphere.
Yuichi Ikehata is an artist born and based in Chiba, Japan. In a series titled “Fragment of Long Term Memory”, Ikehata sculpts human bodies or body parts using wire, clay, and paper. Next, he photographs the sculpture and digitally adds in skin, hair, eyes, and other features. The final image is so seamless that the viewer cannot tell what is real and what is not. Each sculpture is frozen in a state of unravelling or partial decomposition, their skin flaking off to reveal the structure beneath, as if they were real bodies caught at the edge of an explosion.
Nathan Sawaya was born in Colville, Washington and raised in Veneta, Oregon. He attended New York University. Sawaya lives and works between his two studios located in New York City and Los Angeles.
Since his first solo exhibition, Sawaya’s artwork has grabbed the attention of art critics and pop culture novices alike. His artwork has been shown in major art institutions throughout the world, and held in the collection of both prominent private and public collections. Sawaya was the first contemporary artist to ever take LEGO into the art world as a medium. His work is obsessively and painstakingly crafted and is both beautiful and playful. Sawaya’s ability to transform LEGO bricks into something new, his devotion to scale and color perfection, the way he conceptualizes the action of the subject matter, enables him to elevate an ordinary toy to the status of fine art.
Los Angeles based Mark Whalen (previously featured here) has been showing some new work. Using a tightly controlled painting technique, Whalen expresses satirical social narratives in seemingly universal situations. The most recent series of sculptural works continues his study into the complexities of displacement and positioning that we, as both individuals and a species, experience through our evolutionary trajectory. Construction netting captures, cordons and compartmentalizes our distinctive characteristics as they shift under the weight of societal pressure through this ever-changing global economy.
A Husmann/Tschaeni artwork stares you in the face. Under the layers of pinks, greens and blues, you sense movement. As if it is watching your back. Suddenly, you feel yourself being drawn into the art, losing focus. “A hell of positive energy with a small hint of hidden otherworldly darkness mixed with visual poetry and deep sensitive natural beauty. A daily biological presence combined with absurd undefined monstrous fantasy.”
Samuel Salcedo was born in Barcelona in 1975, where he lives and works. Bachelor of Fine Arts, he studied at the University of Barcelona and the Manchester Metropolitan University in England. Since 1998 he exhibits in galleries and participates in international Art Fairs with 3 Punts Galeria. Since then he has had numerous exhibitions in 3 Punts Galeria, Galerie Robert Drees from Hannover (Germany), Osnova Gallery in Moscow, Soda Gallery in Istanbul or Can Sisteré Center for Contemporary Art, among others.
Salcedo’s sculptural work is characterized by technical excellence. One can see his mastery in the diversity of the materials he uses (resin, wood, aluminum) and which integrate painting, the discipline with which he began his career. His sculptures and characters always question the viewer with their subtle irony and vulnerability.