New York City based artist Claire Sherman produces large-scale paintings and jewel-like drawings of natural landscapes and their details that appear both representative and off-kilter. Though she has recently started visiting the places she paints, most of her work is based on images she finds in kitschy nature books. Sherman convincingly captures the saturated colors and fine textures of nature. Her works are anything but straightforward. She paints loosely and frames her views awkwardly, building ambivalence and abstraction into her alluringly strange visions of nature.
The online identity of Boston-based artist Mike Parisella, Slime Sunday’s motion graphics and collages are a view into an alternate reality – where disembodied heads and digital babies play in a sea of saturated color, and endless shapes find joy in repetition.
If trippy, outlandish digital visuals are your thing, then Slime Sunday is a name you need to know.
Aida Makoto was born in 1965 and gained a Masters in Fine Art from the Tokyo National University of Fine Arts in 1991. From the outset of his career, Aida began to paint in the style of ‘strangeness’ that identifies him today and which saw him regularly exhibiting across Japan from 1992, and from 2001 internationally in Germany, London and the USA.
It is perhaps easy to write off Makoto as a pop artist out to shock with images of grotesque sexuality, young girls and violence. However, a deeper look into his philosophy as an artist shows he is using traditional themes to comment on contemporary Japanese society.
Brooklyn-based artist Erik Parker’s vibrantly colored, eye-popping figurative paintings might not be in lockstep with all the trends of contemporary art, but he couldn’t care less. Parker was born in Stuttgart, Germany but later moved to San Antonio, Texas. Parker attended the University of Texas at Austin with artist Peter Saul before receiving a master of fine art from Purchase College in New York.
Erik is known for his precisely painted and organized worlds of chaos that exist within his brightly colored, intensely layered, highly saturated canvases. Parker’s work depicts unique, fantastical scenes of biomorphic subjects and unworldly landscapes. Parker methodically paints each composition to the optical extreme creating an intense visual experience.His work maintains a premeditated sense of order all the while suggesting an underlying madness through his use of bold and fragmented forms.
David Cooley was born in North Hollywood and currently lives in Santa Barbara, CA. He’s been creating art ever since he was a youngster. Now he’s creating intricate multi layered, multi dimensional mixed media paintings using mostly acrylic, resin, spray paint, pen and fabric, to achieve an effect in and of his own.
He’s always been inspired by the idea of creating something that’s previously only existed in thought and making something that’s tangible, with the intent to have an impact on others, weather it’s thought provoking, fun, or just aesthetically pleasing.
Michael Olivo creates artwork over several surfaces of which are always brightly colored, enigmatic and entertaining. In the masses of colorful blobs, tubes, and twisted forms, characters and narratives peek through. Clearly recognizable monsters and animals are sometimes featured in Olivo’s color-saturated drawings. His comic influences are evident with his use of line-art and dynamic black-filled areas.
Brooklyn-based artist Jules de Balincourt paints the social, political and economic landscape of the United States, where the Paris-born artist has lived since childhood, is subject to satirical analysis and exuberant reimagining. He is best known for his abstract, atmospheric paintings with saturated colors, blurring the line between fantasy and reality.
Working from the position of an outsider, the artist questions structures of power and influence, laying bare injustices and hypocrisies while maintaining an amused attachment to the myths through which identity – individual and national – is constructed.
The art of Mark Dean Veca is fundamentally about forging unlikely unions between experiences that are, if not opposites, certainly oppositional. Over the course of his 30 years making art, he has produced murals, paintings, drawings, installations, sculptures, prints, designs and other sundry inventions.
Along the way he has experimented with a range of visual styles from the loose and abstract to the obsessive and meticulous; mastering the power of the confident line, and discovering the patience required for meticulous detail and the bravado for a super-saturated palette.