San Francisco based Michael Page’s work (previously featured here) offers the viewer an optic alternative to the visual reality of life, as we know it. Page introduces narratives of strange, phantasmagoric and frenzy nature. Intense and rich color pallet additionally provides a sense of vivid hallucination or hazy sensation from the depth of unconsciousness.
Regardless of the technique or the approach, it is the narrative which pops up and offers a full insight into his work. The different reality of his is inhibited with unusual creatures or entities. It seems as if these are manifestations, perhaps, of human delusions or just a specter of dreamscapes and alterations fulfilled with dynamic movement.
Eric Joyner (previously featured here) is a San Francisco Bay Area painter known for his Robots & Donuts artist series. His love for comics, drawing and painting shows in his artwork.
Eric has filled his imagery with epic tales featuring an ongoing synergy between robots and donuts. Utilizing his natural painterly technique, Joyner injects a lively dynamism into the inanimate toys and confectionery that serve as his muses. Through astute observation of the human species and our whole gamut of emotions and behaviors, Eric captures the essence of what it means to be human and reflects it back at us through his engaging menagerie of colorful characters.
In San Francisco based Richard Colman’s (previously featured here) vividly colorful canvases, he vacillates freely between figuration and abstraction, at times focusing on pattern to such a degree that it overwhelms any recognizable components in his painting; other times he privileges figures and narratives. Also producing sculpture and installation works, Colman incorporates a variety of media, including pencils, paper, wood, porcelain, plaster, glue, nails, and tape—typically using vibrant colors.
His new solo exhibition Misanthrope will be open April 1 – May 13, 2017 in Copenhagen, Denmark. The title of the exhibition is a reference to Pieter Bruegel the Elder’s infamous painting The Misanthrope from 1568.
Akira Beard is an artist living and working in San Francisco, CA. When not creating in the studio, his professional time is spent between exhibiting artwork and teaching painting/drawing. He is a faculty member at the Academy of Art University in San Francisco, where he has taught Fine Art Anatomy and Fashion Illustration. Akira has shown at a variety of venues, mainly in the San Francisco Bay Area, including pop-up shows at the Academy of Science, live painting at the West Inn’s New Year Gala and other similar forms of contemporary exhibition.
San Francisco based Sandra Yagi, whose art examines the human psyche, is influenced by nature and science, all done with classical aesthetics.
Contemporary culture, human folly and an obsessive curiosity for the macabre provide the fuel for Yagi’s subject matter. Her work is inspired by the natural sciences as well as by the classical drawing techniques of the old masters, including anatomical studies by artists such as Andreas Vesalius and Bernhard Siegfried Albinus. Yagi’s recent paintings incorporate anatomical imagery to explore the human psychological condition, such as cutaway skulls portraying our basic human drives and the thin veneer of humanity overlaying our animal nature.
San Francisco based artist, Michelle Guintu plays with a little of everything. From sewing cigarettes together to McDonalds-inspired paper mache dolls, to her most recent tempera paintings of hip hop artists and other nostalgic characters from her youth, Guintu’s work is all tied together by its reference to her teenage years. Guintu’s work was once described as “kindercore”: part kindergarten part hardcore. Her work embraces the past with light-hearted reverence.
Calling on our past with characters in The Wonder Years, Roseanne and TLC, Michelle plays to our hearts and then paints them in bold strokes of neon pink. Her minimalist line work exposing the familiar contours of pop culture celebrities is definitely something to applaud, alongside her brilliantly saturated palette.
San Francisco based artist Niv Bavarsky‘s marks and lines are full of energy. His personal work is where wiggly clustered forms can take over entire compositions, while his illustrations stay more visually focused on the primary subject. His creative output includes editorial illustration, album covers, posters, comics, clothing graphics & patterns, collaborative drawing & painting, and music.
The celebrated Italian artist Ozmo has transferred Le Déjeuner sur l’herbe (Eduoard Manet’s 1863 painting The Luncheon on the Grass) and its three lunching figures onto the giant backside of the Mitchell Brothers’ O’Farrell Theater, where he’s added a large-scaled nude Barbie doll and classical nude statues. Ozmo has also put a bull’s head a la Picasso’s Guernica over the face of the lunching middle man. And he’s added a humongous panther ring from the high-end French jeweler Cartier.
Ozmo, a street name chosen for the elegance of its graphic form and wide open to thousands of meanings, is a fine performer capable of astonishing outdoor works, big murals and installations all of which have a sophisticated style and deep contents including powerful iconography, strong tributes to the history of figurative art, alchemy and sacred art, as well as every kind of symbol so far used by humankind. He is known for reworking historical art sources, and the Olive Street painting coincides with a new exhibit of his at San Francisco’s Fifty24SF Gallery, which opened July 1. With its then-unusual mix of flesh and flora, Manet’s original 1863 canvas caused controversy in staid French art circles. Its choice as a starting point for Ozmo’s newest work, on the outside of a theater where nude women tease and gyrate for mostly male patrons is entirely appropriate.