ROBOTS AND DONUTS BY ERIC JOYNER

by Ariadna Zierold

eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground

Eric Joyner (previously featured here) is a San Francisco Bay Area painter known for his Robots & Donuts artist series. His love for comics, drawing and painting shows in his artwork.

eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground

Eric has filled his imagery with epic tales featuring an ongoing synergy between robots and donuts. Utilizing his natural painterly technique, Joyner injects a lively dynamism into the inanimate toys and confectionery that serve as his muses. Through astute observation of the human species and our whole gamut of emotions and behaviors, Eric captures the essence of what it means to be human and reflects it back at us through his engaging menagerie of colorful characters.

eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground eric joyner, robot, robots, donut, donuts, painting, humor, fun, san francisco, epic, toys, colorful, surreal, fantasy, upper playground

SCIENCE FICTION BY VIRGIL FINLAY

by Ariadna Zierold

virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground

Virgil Finlay was an American pulp fantasy, science fiction and horror illustrator. He has been called “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.” 

virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground

While he worked in a range of media, from gouacheto oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. He produced wild and fantastic images of monsters, aliens, demons, robots, spacemen, spaceships, bizarre experiments, psychological horror, fantastic landscapes, and women.

virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground

 

ROBOTIC CREATURES BY NATHAN OTA

by Ariadna Zierold

nathan ota, illustration, painting, robots, surreal, characters, creatures, dark, fantastic, upper playground

For years, Nathan Ota has been pursuing new worlds, both dark and fantastic, to explore in his paintings. Ota has used his stand-ins – a blind bird, a drunk monkey, a one-eyed robot lost in the woods – to travel through dreamlands that hold fantasies and tragedies.

nathan ota, illustration, painting, robots, surreal, characters, creatures, dark, fantastic, upper playground

His early influences came from television cartoons, comic books, photographs and punk rock flyers. Classical art never really interested him so he turned to work by artists he could really relate to: Robert Williams, Olivia, Puss Head, Raymond Pettibon. In high school, Nathan always found himself gravitating toward popular culture—then he discovered graffiti. He still dabbled a little in graffiti once he entered Art Center College of Design in Pasadena, California, but a whole new world of art was unfolding before his eyes with illustration. Ota didn’t know what he wanted to do when he entered college and left it to the hands of the instructors to lead him in some direction. That’s when he became an illustrator.

nathan ota, illustration, painting, robots, surreal, characters, creatures, dark, fantastic, upper playground nathan ota, illustration, painting, robots, surreal, characters, creatures, dark, fantastic, upper playground nathan ota, illustration, painting, robots, surreal, characters, creatures, dark, fantastic, upper playground nathan ota, illustration, painting, robots, surreal, characters, creatures, dark, fantastic, upper playground

 

THE FUTURE IS NOW BY JOSAN GONZALEZ

by Ariadna Zierold

josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground

Spain based Josan Gonzalez is an artist that has exploded onto the science fiction art scene. His work depicts a grimy cyberpunk world where everyone seems to feature some kind of robotic augmentation and the only real escape is to slip on a retro-futuristic VR headset. But it’s also light and playful in a way most dystopias aren’t.

josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground

The Future is Now is a collection of art all tied together by a particular vision of near-future where technology pervades, and a cheerfully oppressive government is in control of the residents of Robo-City 16.

josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground josan gonzalez, cyberpunk, future, robotic, android, illustration, technology, robots, the future is now, upper playground

ERIC JOYNER’S SWEET DOMINION

by Ariadna Zierold

eric joyner, cakes, transformers, colorful, humor, upper playground

San Francisco based artist Eric Joyner‘s newest body of work “Sweet Dominion” shows new subjects such as rain, transformers, cakes, anti-gravity, cats and migration. Born and raised in California, that was where Joyner discovered himself as an artist and where he was encouraged to explore his creativity, using themes that invite his viewers to visit the interplay between reality and imagination with a touch of humor.

eric joyner, cakes, transformers, colorful, humor, upper playground eric joyner, cakes, transformers, colorful, humor, upper playground eric joyner, cakes, transformers, colorful, humor, upper playground eric joyner, cakes, transformers, colorful, humor, upper playground eric joyner, cakes, transformers, colorful, humor, upper playground eric joyner, cakes, transformers, colorful, humor, upper playground

The Incredible Art and love of Machines by Boris Artzybasheff

upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art

We examine today the incredible art of Boris Artzybasheff, who’s love for machines and mastery in illustration captivated a generation of fans of the 1940s-60s.  His well published works that innovated how to smartly examine our social, political surroundings still inspires us today.  We admire Artzybasheff’s  use of surrealist imagination as a tool to cleverly re-examine and precise what matters around us. And in particular, his own passion and admiration for technology and its machines led him to produce an impressive body of work focused on it:

“I am thrilled by machinery’s force, precision and willingness to work at any task, no matter how arduous or monotonous it may be. I would rather watch a thousand ton dredge dig a canal than see it done by a thousand spent slaves lashed into submission… I like machines.”  – Boris Artzybasheff

upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art  upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art upper playground, machines, 1950, robotics, boris artzybasheff, illustration, political art

Escif “We Are The Robots” in Valencia

032 605x453 Escif We Are The Robots in Valencia valencia European Street Art Escif

Escif, who we consider to be one of the headiest street artists working today, has dropped so many good pieces in his hometown of Valencia this year, its hard to keep up. And with the European street art festival season going off soon, he is sure to drop some more. We love this “We Are the Robots” piece. Check our new Escif tees shirts here.

022 605x605 Escif We Are The Robots in Valencia valencia European Street Art Escif

012 605x340 Escif We Are The Robots in Valencia valencia European Street Art Escif

 

The History of Nikola Tesla

Put this in the category of “you learn something new everyday.” Nikola Tesla created robots. Did you know that?

Nikola Tesla was born on July 10th 1856, in the territory of modern day Croatia to his two Serbian parents.

Tesla grew up into bright inquisitive, yet eccentric child, who found himself fascinated by the world around him.

Tesla once tried to fly by jumping off the roof of a barn while holding on to an umbrella. He devised a bug powered motor using Junebugs, but had to abort his experiment after a friend decided to eat some of the bugs (Tesla thought this was gross). He once attempted to generate electricity by rubbing two cats together, which resulted in two very mad cats and a scratched up Tesla.

On June 6th, 1884, Tesla arrived in the United States. He was hired by Thomas Edison to do basic electrical engineering, but moved up to re-designing the direct current generators that ran Edison’s business.

Edison offered Tesla $50,000, or about $1.1 million in today’s currency to make these improvements. After completing this assignment, Tesla asked about the payment for his work. Edison didn’t pay out the money. He claimed that he wasn’t serious about the payment, that Tesla didn’t “understand American humor”.

Tesla eventually left Edison’s company and partnered with George Westinghouse in 1888 to commercialize his system of alternating current (AC). The problem here is that alternating current competed with direct current, which Thomas Edison built his entire monopoly on. Thus begun the “War of the Currents”.

Edison started a massive smear campaign against Tesla and alternating current, trying to scare people into avoiding it’s use. He spread false information about deaths from alternating current, lobbied against it, and went so far as to electrocute a circus elephant in public.

Direct current had plenty of faults, it was the cause of death of countless children, and created numerous house fires. Also, the maximum reach of direct current was about two miles, which meant a substation had to be built to continue the current. They would still be building substations today if they were going to get electricity across the US.

Tesla’s alternating current could go for hundreds of miles. Lights running on alternating current were brighter, unlike the dull yellow lights running on direct current.

Eventually, Edison had to give into the demands of the people, and go with alternating current.

Tesla’s influence goes much further than electricity. He had over 700 patents, and came up with ideas such as

Robots
Spark Plugs
the Electric Arc Lamp
an Xray Device
Blade less turbines
Wireless communication
Electric motors
Laser technology
Neon Lights
Remote Controls
Cellular communication
The radio
An electrical bath to remove germs
RADAR
Wireless communication
And much more

Tesla died from heart failure in a room of the New Yorker Hotel, on January 7th 1943. Despite his fame and influence on the world, he died with significant debts, and all alone.

While Edison is known as the inventor of the century, Tesla is only acknowledged as a paragraph in today’s history books, forgotten, and unappreciated.

From The Citrus Report

Posted By The Citrus Report

Robot Butlers!

The Jetsons had their Rosie, and now you can have your own robot butler. Maybe even call him Jeeves if you want. Pal Robotics just announced their new creation, REEM, the robot butler.

Fast Company writes, PAL, a Spanish company with interests in the United Arab Emirates, describes REEM as a “humanoid robot, equipped with an autonomous navigation system, a touch screen” and notes that he is “capable of roaming through any kind of surroundings” thanks to the simple wheeled-base assembly. The company thinks it can be used as “a guide, an entertainer, a logistical tool.”

Robot husband, robot wife, coming next.

From The Citrus Report

Posted By The Citrus Report