FLESH VANITAS BY MIGUEL SCHEROFF

by Ariadna Zierold

miguel scheroff, painting, paintings, hyperreal, hyperrealism, realism, flesh, vanitas, madrid, spain, faces, muscles, blood, upperplayground

Madrid based Miguel Scheroff is a painter whose works range between reality and fiction. Using the technique of oil painting as his favorite, he presents large-scale works made with an incredible hyperrealism. He puts in contact painting with photography, although that it is not his intention, but he aims to critique the society within we live.

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AMERICAN REALISM BY BO BARTLETT

by Ariadna Zierold

bo bartlett, realism, painting, narrative, people, scenes, american, modernism, realist, upper playground

Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism. Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.

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SYNTHETIC REALISM BY GREG PARMA SMITH

by Ariadna Zierold

greg parma smith, illustration, painting, synthetic, realism, acrylic, metallic leaf, baroque, pop culture, pencil, upper playground

Greg Parma Smith‘s painted realism is perversely synthetic and immaculately crafted. His works, composed of oil, acrylic and metallic leaf, are baroque in their construction and subject matter. Smith’s use of cartoons seems at the service of a more hermetic endeavor, one that further mystifies the relationship between a popular image and a rarified artwork.

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IMPERMANENCE BY JUAN TRAVIESO

by Ariadna Zierold

juan travieso, cuba, painting, miami, new york, impermanence, decay, pop, realism, abstraction, animals, nature, upper playground

Juan Travieso is an artist based in Miami and New York.  His work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.

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IMPERMANENCE AND DECAY BY JUAN TRAVIESO

by Ariadna Zierold

juan travieso, painting, animal, human, impermanence, decay, digital, pop, realism, abstraction, icons, upper playground

Miami and New York based artist Juan Travieso‘s work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.

juan travieso, painting, animal, human, impermanence, decay, digital, pop, realism, abstraction, icons, upper playground

His paintings involve images ranging from Soviet propaganda and cartoons, to the iconic figures of the Cuban revolution. Woven inside is the personal and how these personal and cultural icons are in constant conflict and transformation. Ambitious and daring are qualities in the very flesh of his work. Travieso is a dynamic maker he approaches painting with great appetite and produces a feast for the eyes and mind.

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MASHED-UP PHOTO-REALISM BY SEAN NORVET

by Ariadna Zierold

sean norvet, illustration, painting, portrait, food, collage, realism, humor, cartoon, disturbing, upper playground

Sean Norvet is an artist and illustrator born and raised in Los Angeles, CA. His paintings are usually precisely executed in oils on panels, but his style and subjects reflect the media-saturated, commercialized environment we inhabit today. His work is often deconstructive and simultaneously jarring, intense, hilarious and disturbing.

sean norvet, illustration, painting, portrait, food, collage, realism, humor, cartoon, disturbing, upper playground

Norvet’s art is sometimes explosive, sometimes still, and often mashes up elegant photo-realism with two-dimensional cartoon buffoonery. His three-dimensional sculptural installations, usually involving food, offer a satiric, ephemeral cheapness in which the medium is the message. As urgent and commanding as his images are, he playfully invites viewers in to share the laugh.

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Sculpting in the Dark | RUSSELL CAMERON

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron’s grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn’t mean it doesn’t exist. “Russell’s main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer.”

The realism and surrealism of Cameron’s beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us.

Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project “Flesh and Bone” to a gallery near you.

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (1)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (2)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (3)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (4)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (5)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (6)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (7)

Darkness is said to be the absence of light, but what if darkness is the evidence of life? One look at Russell Cameron's grotesque sculptures may have you gagging, but then suddenly a realization can hit the viewer: this IS life; this is what I avoid bringing into awareness, and just because I avoid it, it doesn't mean it's not there. "Russell's main objective when creating a sculpture is to give it life, feeling and a place among us, whether it be a classic bust or a deformed limb mounted on a sheet of wood the piece should speak and tell a story to the viewer." The realism and surrealism of Cameron's beautifully crafted sculptures made of metal, clay, paint and wood, brings to life the stories that live among us and in us. Russel Cameron is a self-taught sculptor from Brooklyn, New York, hopefully bringing his ongoing project "Flesh and Bone" to a gallery near you. Via news.upperplayground.com (8)
 

 

“TURNING THE TIDE” BY JENNY MORGAN

by Ariadna Zierold

jenny morgan, portrait, psychological, colorful, abstraction, realism, emotion, upper playground

Brooklyn based artist Jenny Morgan‘s vivid oil paintings capture an honesty about her subjects, drawn in a candid moment in the nude when they are at their most vulnerable. Morgan’s electrifying figurative work balances abstraction and realism, combining beautiful design aesthetics with her subject’s unique complexion and emotion. She has described her work as “psychological portraits”, focused on presenting the sitter’s psychological state.

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GORGEOUS PAINTINGS BY PAUL FENNIAK

by Ariadna Zierold

paul fenniak, realism, haunting, figurative, representation, canada, painting, upper playground

Paul Fenniak was born in 1965 in Toronto, Canada. He received a Bachelor of Fine Art degree from Queen’s University in Kingston, Ontario, and a Master of Fine Art degree from Concordia University, Montreal.

paul fenniak, realism, haunting, figurative, representation, canada, painting, upper playground

He is a master of the psychological realism. There is a genuinely haunting, cinematic monumentality. It reminds one that the narrative as well as painterly possibilities of traditional, figurative representation are still far from exhausted.

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