Rome, Italy based Micaela Lattanzio has created a unique artistic identity by exploring the idea of fragmentation and reconstruction, implemented within her photographs. In her series called “Frammentazioni”, she takes photographs, predominately portraits, and then gives them a completely new personality by cutting them up into abstract pieces. She then pins the fragments together onto a new canvas, playing with light and depth, to create original works of art.
She uses different materials to realize her works as paper, aluminium, PVC and they born from a detailed manual photo or painting cropping made by her plots, which she breaks down into small pieces of different form, getting an intricate mosaic through which she deconstructs the image that later reassembles, giving to faces, bodies and natural elements a new logical visual that follows an incredible creative patterns.
Michael Mapes creates, or sometimes re-creates, portraits of people by putting together pieces of photos and other objects, all placed in cases reminiscent of the cabinets used by entomologists for their insect collections. The boxes exist in an uncanny area between photography and sculpture, functioning both as portraits and as fascinating scientific canvases that make you question the the logic behind the organization of each piece.
Mapes’ portraits are like swarms of smaller portraits of the person they depict: tiny versions of the original portrait or dissected parts of it are pinned on the board, or are sometimes set inside small transparent vials and behind magnifying lenses just like scientific samples.