Aïda Muluneh is an Ethiopian artist based in Addis Ababa. In 2000 she received a Bachelor of Arts degree in film, radio and television from Howard University in Washington, D.C. Muluneh is the 2007 recipient of the European Union Prize in the Rencontres Africanines de la Photographie in Bamako, Mali, as well as the 2010 winner of the CRAF International Award of Photography in Spilimbergo, Italy.
Muluneh’s work on body painting is inspired by traditional body art from across the African continent. “Each work is a reflection of conscious and sub-conscious manifestations of time and space,” she writes.
German painter Valentin Fischer creates digital artworks featuring portraits of various people with hints of geometry and symbolism. He is pretty much self-taught, learning from the web and the influences of other artists such as James Jean and Sam Weber. He has worked in a number of capacities as a freelance illustrator but gave that up a while ago to become an Interface Designer.
Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism. Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.
Baltimore based Amy Sherald was born in Columbus, Ga. in 1973. She attended Clark- Atlanta University where she earned a Bachelor’s of the Arts in painting in 1997. Sherald was chosen as Jurors Pick of the New American Paintings Edition 88. Her work was mostly recently acquired by the National Museum of Women in the Arts, and the Smithsonian Museum of African American Art in Washington, D.C. Through her portraits, Amy Sherald explores the ways people construct and perform their identities in response to political, social, and cultural expectations.
London-based Rebecca Chitticks is a contemporary figurative artist working in oil on canvas. Her work is informed by the creeping influence of the digital realm. Rebecca wants to incite emotion through her art and she insists on painting primarily male subjects.
Russian-born painter Polina Tereshina interprets her feeling of being between cultures, neither purely Russian nor American—a little of both. An abstract sense of statelessness is reflected in characters that move and interact within a fantastical geometric playground that is detailed yet vague.
She has a love for the awkward and bizarre aspects of our daily lives, so much so that she interprets them through her abstract, figurative paintings. Using acrylic, ink, and watercolor, she disassembles the body to arrive at a newly resolved aspect, one which speaks more clearly to the reality of our movements.
The rigid lines of the geometric and lined backgrounds add a sense of control to the piece, one which the subject interacts around. This brings balance, along with the idea of limits and structure. Through this we can relate to the modified human. By simplifying the body to the elemental aspects of the figure, often just a silhouette, she draws the viewer into the exaggerated trait.
Mexican artist Alejandrina Herrera’s illustrations capture quirky moments in the life of people and animals. The minimal approach to different life situations using a mix of watercolor, drawings, and mixed media, is quite fun. Also, the soft palette combined with the dark, intricate details of the drawings are spot on.
Robin F Williams is a painter based in Brooklyn, NY. Her figurative paintings explore pervasive American narratives about childhood, identity and gender. Her figurative work explores closely held American mythologies about gender, privilege, and the American Dream. She uses the fictional nature of the painted image to examine the fictions we tell each other as a culture.
Rachel Kneebone’s intricate works address and question the human condition: renewal, transformation, life cycles and the experience of inhabiting the body. Kneebone’s sculptures operate in a near-subliminal space, oscillating and blurring the boundaries between the conscious and the subconscious, the real and the imagined, everything and nothing.
Working in porcelain, the material properties of her work further heighten and convey an awareness of opposing states, appearing to be not only heavy, solid and strong but also light, fragmentary and soft. This fluid movement between states is reflective of the wide range of art historical and literary sources that inform the artist’s practice.
Born in Brighton in 1989, Emma Hopkins studied at Brighton and Hove City College from 2005 to 2007, thereafter she went on to study at the University of London from 2007 to 2010, where she was trained in the special art of prosthetics for performance. Since then, Hopkins has studied Drawing the Human Anatomy at The Royal Drawing School, London, in 2015. She now lives and works in London.
Based upon her understanding and knowledge of the human anatomy, Hopkins allows parts of her work to revel in the deep analysis of concrete substance; skin, flesh, and bones. By focusing on the parts of the body that we use most to express our thoughts and feelings – the face, hands, and eyes – she simultaneously allows her work to flow freely in between as if the blood is feeding oxygen to a preserved life force.