Edinburgh-based illustrator Dominic Kesterton encompasses a vast range of compositions made up of beautiful color shades and squiggles. Kesterton’s fantastical 2D universe of writhing patterns, psychedelic colors, digitally rendered forms, and abstract, geometric figures are both evocative and abstract in equal measure.
Josh Sperling was born in 1984 in Oneonta, New York is a young contemporary artist currently living and working in Brooklyn, New York. Sperling’s works on canvas waver between wall sculptures and paintings. Building layered plywood structures by hand, the artist stretches canvas over these forms to create a subtle relief.
The structures range from angular and geometric to organic reminiscent of fibers and cells. Light and shadow interact with the facets of the pieces, creating an enhanced illusion of depth. Adding to this, Sperling uses bold, monochromatic hues that play with bright contrast and unexpected color combinations that appeal and delight the visual senses.
Bruna Canepa is an illustrator, architect, writer for the music blog Suppaduppa and co-founder of Miniatura, a project she created with architect and artist Ciro Miguel in 2011. As an illustrator, Bruna is obsessed with exploring space related themes and objects, clearly evident in her various interpretations of rockets and satellites. Her drawings combine basic geometric shapes with few but effective colors to great effect.
Swedish illustrator and graphic artist who’s based in Barcelona Klas Ernflo has produced a diverse field of graphic projects – both independently as for clients. All of the artist’s projects show his incredible sense for colors and patterns. His most recent project is highly impressive. Consisting of 18 separate boards, Ernflo created a large work showing his signature organic forms, a wonderful sense of humor and tremendous colors.
Using ink and oil paints gives them a sense of craft and technique that allows us room to appreciate the subtlety and graceful nature of each form individually. This consideration for each character makes it even more impressive when they come together in one magnificent tapestry of shapes and symbols.
The online identity of Boston-based artist Mike Parisella, Slime Sunday’s motion graphics and collages are a view into an alternate reality – where disembodied heads and digital babies play in a sea of saturated color, and endless shapes find joy in repetition.
If trippy, outlandish digital visuals are your thing, then Slime Sunday is a name you need to know.
Andrés Gamiochipi is a Mexican-born artist that combines cultural and geographical elements within collages that at first glance generate visual impact. Gamiochipi’s work is often influenced by attributes and the cultural environment of his hometown. Through a smile he shows his unconcern to deliver messages with extreme nuances.
With each carefully placed cut, Gamiochipi fills his work with rich textures, shades and patterns, and without fear ensures that his collages express his beliefs and convictions. Gamiochipi produces addictive pieces of art, which demonstrates his ability for reflection and fun in the day to day.
London based artist Simon Landrein works in the realms of illustration, comics and film. With a contemporary take on comic strips often consisting of 3 block colors, Simon’s portfolio is an absolute must see bursting with bold graphic imagery and narrative that highlights flashes of pattern amongst bold outlines and prominent compositions.
Gunjan Aylawadi is a self taught visual artist and a qualified computer science engineer and industrial designer. Born in New Delhi, India, she now lives and works in Sydney. Through her unique and intricate, paper tapestry technique, she explores the intersection between craft traditions, sensory pleasures she experienced growing up and the new culture she finds herself in now.
Crafting thoughtful mosaics out of personal reflections, she creates works with simple materials and processes that are as important as the end result – illustrating the quiet power of slowing down and a thoughtful absorption of our environments.
Okuda San Miguel was born in Santander and based in Madrid since 2000 with a Bachelor of Fine Arts from the Complutense University of Madrid. Since its inception in 1997, his pieces on rail-roads and abandoned factories in his hometown were clearly recognizable. Parallel to his work in the street, Okuda also starts producing more intimate works in his studio, with which from 2009 evolves into a more personal way. In his work, multicolored geometric architectures blend with organic shapes, bodies without identity, headless animals, symbols that encourage reflexion, he uses a unique iconographic language.
The multicolored geometric structures and patterns are joined with gray bodies and organic forms in artistic pieces that could be categorized as Pop Surrealism with a clear essence of street forms. His works often raise contradictions about existentialism, the Universe, the infinite, the meaning of life, the false freedom of capitalism, and show a clear conflict between modernity and our roots; ultimately, between man and himself.
San Diego-based Kelsey Brookes has shifted his focus to explosive, kaleidoscopic paintings that fuse his fascinations with microbiomes, Buddhist philosophy, exotic plant life, and human desire. His meticulous compositions include bright colors and repetitive patterns resembling abstract mandalas, psychedelic tessellations, and energetic fields.
“The brain and its product, the mind, are a fascinating subject; I question existence, both philosophically and scientifically, and because of my background, a good place to start my interrogation of life is through the material science of the brain.” Kelsey Brookes
Brookes masterfully melds a deep knowledge of cognitive science and art to create bright, intensely detailed paintings that abstract drug compounds, molecules, atoms and hallucinogenic states to heighten a viewer’s sensory perceptions and reactions. His two main bodies of work — molecules and aesthetic abstractions — are created with a rigorous process of attentiveness. A process of focusing awareness on the paint that is lost from the brush as it is applied to the surface of the canvas, then refocusing attention as the mind wanders away; which provides visual evidence of both an artistic process and meditation in practice.