Jess Johnson (previously featured here) was born in Tauranga, New Zealand in 1979. In 2016 she relocated permanently to New York after twelve years of living and working in Melbourne, Australia. Her drawing and installation practice is influenced by the speculative intersections between language, science fiction, culture and technology. In her drawings she depicts complex worlds that combine densely layered patterns, objects and figures within architectural settings.
Johnson’s drawings are often displayed within constructed environments that act as physical portals into her speculative worlds. Her recent video collaborations withSimon Ward have involved translating her drawings into animated Virtual Reality, thus enabling her audience to have the simulated experience of entering the hypnotic realms depicted in her drawings.
Sarah Emerson is an artist based in Atlanta, Georgia. Her paintings and installations present viewers with highly stylized versions of nature that combine geometric patterns and mythic archetypes to examine contemporary landscape. She uses the camouflage of beautiful colors combined with a deliberate composition to explore themes that reflect on the fragility of life, the futility of earthly pleasures, and the disintegration of our natural landscape.
Los Angeles-based artist Revok (previously featured here) first became interested in art through his father’s collection of 60s and 70s album covers and comic books, as well as the skateboarding and graffiti scenes. For over two decades, Revok has continually pushed the boundaries—both creative and legislative—of street art, producing vibrant works that meld structured with dynamic colors and forms. After years of a decidedly anti-institutional practice, Revok began making studio work, finding inspiration in his ability to refine the techniques he mastered as a street artist. His ultimate goal is to be constantly maturing and evolving as an artist, never confined by any one way of making work.
Peter Judson is a multi-talented illustrator and printmaker based in London inspired by such luminaries as the Memphis Group and Dieter Rams. After starting his career at the age of 14 with a Microsoft Paint drawing published in Pictoplasma, Peter spent some time as the leather-clad drummer of an unsuccessful band before ending up where he is now – creating satisfyingly transfixing work full of brow-furrowing graphical goodness.
Paris based illustrator Carine Brancowitz is devoted to music and painting, she studied illustration, screen printing and lithography. Her work, drawn with ball point pen, is a labyrinth of detailed patterns, inked with vibrant hues.
She often draws adolescents as they mill about during all too ordinary situations. Sometimes they’re eating or laughing or sitting or sad. Carine’s precision helps bring her subjects to life. Her work is full of depth as she contrasts detailed subjects against flat backgrounds, perfectly capturing the moods of her teens. Her skill is all in the subtle nuances, the way a thousand tiny lines of hair can be strewn against a girl’s bright eyes.
Bradley Eastman aka Beastman is an multidisciplinary artist from Sydney, Australia. Influenced by the biodiversity, symbolism and design aesthetics behind nature’s repetitive geometric growth patterns and organic landscapes, Beastman’s paintings, digital illustration, commercial projects and public murals explore a unique visual language, depicting future environments of abstracted landscapes, potential new life forms and human intervention.
Rome, Italy based Micaela Lattanzio has created a unique artistic identity by exploring the idea of fragmentation and reconstruction, implemented within her photographs. In her series called “Frammentazioni”, she takes photographs, predominately portraits, and then gives them a completely new personality by cutting them up into abstract pieces. She then pins the fragments together onto a new canvas, playing with light and depth, to create original works of art.
She uses different materials to realize her works as paper, aluminium, PVC and they born from a detailed manual photo or painting cropping made by her plots, which she breaks down into small pieces of different form, getting an intricate mosaic through which she deconstructs the image that later reassembles, giving to faces, bodies and natural elements a new logical visual that follows an incredible creative patterns.
New York based Caroline Larsen has an undergraduate degree from the University of Waterloo and a Masters of Fine Arts degree from Pratt Institute. Larsen’s work has been in numerous group shows throughout Canada, America and Germany.
Her work explores the sensation of being in the tropical landscape at night, when the heat exaggerates the saturation of the night hues. The paintings also play with the idea of abstraction. The paintings coexist between a recognizable form and a non representational image, but at the same time they are pictorial.
“Using the memory of landscapes and imagery that I experienced during my upbringing in Sarasota, Florida as a springboard I create images that evoke a celebratory tropical frenzy. My interest in tropical landscapes stems from my lived experience, growing up in Florida and spending time in Panama as an adult has greatly influenced my aesthetic.
A constant focus of all of my work, is the attentiveness to color and its role of imparting feeling. My paint application, with its texture acting as line and pattern, is an organizing form in and of itself; the ridges cast shadows and create optical rhythms. The paintings use a full color palette, keeping with my intention to be as ornamental and vibrant as possible.” Caroline Larsen
Scotland-based laser physicist-turned-artist and web developer Tom Beddard, aka subBlue, has produced a number of intriguing geometric forms he refers to as Fabergé Fractals. Like an ornate Fabergé egg, Beddard’s creations boast brilliant and intricate design patterns. The English artist uses a formulaic method to create his digitally rendered three-dimensional models.
The 3D fractals are generated by iterative formulas whereby the output of one iteration forms the input for the next. The formulas effectively fold, scale, rotate or flip space. They are truly fractal in the fact that more and more detail can be revealed the closer to the surface you travel.
Berlin based Riikka Sormunen is an artist and illustrator. With her amazing eye for detail and color, and a slight flare for dark comedy, Sormunen has landed herself projects including being a contributor for The New York Times. She creates beautiful illustrations with the finest attention to detail. Her patterns and style are clearly inspired by her background in fashion design, but beneath the surface her illustrations often hold more sinister themes.