Paris based illustrator Carine Brancowitz is devoted to music and painting, she studied illustration, screen printing and lithography. Her work, drawn with ball point pen, is a labyrinth of detailed patterns, inked with vibrant hues.
She often draws adolescents as they mill about during all too ordinary situations. Sometimes they’re eating or laughing or sitting or sad. Carine’s precision helps bring her subjects to life. Her work is full of depth as she contrasts detailed subjects against flat backgrounds, perfectly capturing the moods of her teens. Her skill is all in the subtle nuances, the way a thousand tiny lines of hair can be strewn against a girl’s bright eyes.
Bradley Eastman aka Beastman is an multidisciplinary artist from Sydney, Australia. Influenced by the biodiversity, symbolism and design aesthetics behind nature’s repetitive geometric growth patterns and organic landscapes, Beastman’s paintings, digital illustration, commercial projects and public murals explore a unique visual language, depicting future environments of abstracted landscapes, potential new life forms and human intervention.
Rome, Italy based Micaela Lattanzio has created a unique artistic identity by exploring the idea of fragmentation and reconstruction, implemented within her photographs. In her series called “Frammentazioni”, she takes photographs, predominately portraits, and then gives them a completely new personality by cutting them up into abstract pieces. She then pins the fragments together onto a new canvas, playing with light and depth, to create original works of art.
She uses different materials to realize her works as paper, aluminium, PVC and they born from a detailed manual photo or painting cropping made by her plots, which she breaks down into small pieces of different form, getting an intricate mosaic through which she deconstructs the image that later reassembles, giving to faces, bodies and natural elements a new logical visual that follows an incredible creative patterns.
New York based Caroline Larsen has an undergraduate degree from the University of Waterloo and a Masters of Fine Arts degree from Pratt Institute. Larsen’s work has been in numerous group shows throughout Canada, America and Germany.
Her work explores the sensation of being in the tropical landscape at night, when the heat exaggerates the saturation of the night hues. The paintings also play with the idea of abstraction. The paintings coexist between a recognizable form and a non representational image, but at the same time they are pictorial.
“Using the memory of landscapes and imagery that I experienced during my upbringing in Sarasota, Florida as a springboard I create images that evoke a celebratory tropical frenzy. My interest in tropical landscapes stems from my lived experience, growing up in Florida and spending time in Panama as an adult has greatly influenced my aesthetic.
A constant focus of all of my work, is the attentiveness to color and its role of imparting feeling. My paint application, with its texture acting as line and pattern, is an organizing form in and of itself; the ridges cast shadows and create optical rhythms. The paintings use a full color palette, keeping with my intention to be as ornamental and vibrant as possible.” Caroline Larsen
Scotland-based laser physicist-turned-artist and web developer Tom Beddard, aka subBlue, has produced a number of intriguing geometric forms he refers to as Fabergé Fractals. Like an ornate Fabergé egg, Beddard’s creations boast brilliant and intricate design patterns. The English artist uses a formulaic method to create his digitally rendered three-dimensional models.
The 3D fractals are generated by iterative formulas whereby the output of one iteration forms the input for the next. The formulas effectively fold, scale, rotate or flip space. They are truly fractal in the fact that more and more detail can be revealed the closer to the surface you travel.
Berlin based Riikka Sormunen is an artist and illustrator. With her amazing eye for detail and color, and a slight flare for dark comedy, Sormunen has landed herself projects including being a contributor for The New York Times. She creates beautiful illustrations with the finest attention to detail. Her patterns and style are clearly inspired by her background in fashion design, but beneath the surface her illustrations often hold more sinister themes.
London based Maurizio Anzeri makes his portraits by sewing directly into found vintage photographs. His embroidered patterns garnish the figures like elaborate costumes, but also suggest a psychological aura, as if revealing the person’s thoughts or feelings. The antique appearance of the photographs is often at odds with the sharp lines and silky shimmer of the threads. The combined media gives the effect of a dimension where history and future converge. Anzeri’s delicately stitched veil recasts the figure with an uncomfortable modesty, overlaying a past generation’s cross-cultural anxieties with an allusion to our own.
Faig Ahmed’s surreal sculptures incorporate ancient carpet-weaving techniques from his native country of Azerbaijan into forms that anyone would identify has hyper-contemporary. His intricately patterned weavings are mounted on architectural structures, fabricated in wood or plastic. Sometimes the stark contrast between white form and traditional tapestry is startling enough on its own; other times, Ahmed alters the patterns to suggest digital manipulation, pixelation, and distortion.
Edinburgh-based illustrator Dominic Kesterton encompasses a vast range of compositions made up of beautiful color shades and squiggles. Kesterton’s fantastical 2D universe of writhing patterns, psychedelic colors, digitally rendered forms, and abstract, geometric figures are both evocative and abstract in equal measure.
Josh Sperling was born in 1984 in Oneonta, New York is a young contemporary artist currently living and working in Brooklyn, New York. Sperling’s works on canvas waver between wall sculptures and paintings. Building layered plywood structures by hand, the artist stretches canvas over these forms to create a subtle relief.
The structures range from angular and geometric to organic reminiscent of fibers and cells. Light and shadow interact with the facets of the pieces, creating an enhanced illusion of depth. Adding to this, Sperling uses bold, monochromatic hues that play with bright contrast and unexpected color combinations that appeal and delight the visual senses.