New York based Ayumi Shibata imagines delicate paper cities, entirely cut out by hand and installed into glass containers. She uses traditional methods of Japanese paper cutting to create miniature cities within vessels of glass. Her chosen materials reference the delicate relationship humans have with our environment and natural forces of our world.
As a paper engineer, Matt Shlian‘s work is rooted in print media, book arts and commercial design. Beginning with an initial fold, a single action causes a transfer of energy to subsequent folds, which ultimately manifests in drawing and three dimensional forms. He uses his engineering skills to create kinetic sculptures which have led to collaborations with scientists at University of Michigan.
They work on the nanoscale, translating paper structures to micro folds. Their investigations extend to visualizing cellular division and solar cell development. Researchers see paper engineering as a metaphor for scientific principles; Shlian sees their inquiry as a basis for artistic inspiration.
Zim&Zou are two french artists, based in Nancy. The duo is composed of Lucie Thomas and Thibault Zimmermann. They studied graphic design (design, publishing, advertising) during three years. The duo decided to focus on installations using handcrafted objects made out of tangible materials such as paper, wood, thread, etc. rolling away from computer design.
Anchored in craftsmanship, they create all the elements composing their installations by hand, from drawing to cutting and assembling. Their favorite material is the paper they’re manipulating to give rise to intricate and colorful sculptures. Paper inspires them for its versatility, infinite range of colors and unique textures. The flat paper sheets turned into volume are giving an installation the poetry of ephemeral material.
Gunjan Aylawadi is a self taught visual artist and a qualified computer science engineer and industrial designer. Born in New Delhi, India, she now lives and works in Sydney. Through her unique and intricate, paper tapestry technique, she explores the intersection between craft traditions, sensory pleasures she experienced growing up and the new culture she finds herself in now.
Crafting thoughtful mosaics out of personal reflections, she creates works with simple materials and processes that are as important as the end result – illustrating the quiet power of slowing down and a thoughtful absorption of our environments.
Los Angeles-based artist David Jien’s epic narrative is about the chronicles of an allegorical future detailing a battle in which human and anthropomorphic beings continue the struggle against a race of balloon-headed creatures and cold-blooded reptilian overlords who seek world domination.
Taking inspiration from the infinite possibilities of science fiction, the isometric perspective and narrative geography of Nintendo and Chinese scroll paintings, the eroticism of Japanese pillow books and the limitless transformations of graffiti, Jien has crafted these intensely detailed scenarios in colored pencil on paper.
Brazilian artist Rodrigo Torres creates intricate collages by combining bank notes collected from around the world. Torres’ delicate creations make full use of the rich colors that adorn different countries’ currency.
To the artist, the mixing of currency from different countries as simple as mixing color palettes and textures, but the resulting art works can be read as a commentary on the mixing of cultures and economies, each united by the power of money.
Portland-based Dylan Jones aka Hologram Ceiling was born in New Hampshire. His technique is usually automatic drawing and animation. Usually, he has sort of a rough idea of what he’s going to shoot and then starts moving through whatever idea he is having as quickly as possible before he forgets. Some of his inspiration is Roland Topor, Tiger Tateishi and Andrzej Zulawski.
Most of Jones’ tools are colored pencil, construction paper, pens and sharpies. He shoots his animations on Dragonframe and edits them on Premiere.
Edinburgh-based sculptor Polly Verity interlocks domes, orbs, and other curved structures by strategically folding large sheets of paper and polypropylene. The result of these intricate manipulations is landscapes of patterns that seem to rise effortlessly from their 2D material. Her works tesselate from one shape to the other, repeating both hard-edged and curved shapes throughout the folded sculptures.
Maud Vantours was born in 1985 in France. Designer and artist, she lives and works in Paris. A graduate from the parisian school Duperré, Maud follows a Design training with a specialization in textiles and materials research.
Color, material and patterns have an important place in her work, like paper, which became her favorite material. She sculpts it in 3D, layer after layer, by superimposing paper and colors to create patterns with volume. Maud’s work transcends a simple material and transforms it into a work of art. Her design creations are original graphics of multicolored and dreamlike landscapes.
Born in Seoul, South Korea, and raised in New York City, Timothy Hyunsoo Lee’s watercolor painted and hand-cut paper sculptures explore issues related to his Korean-American identity and personal struggle with panic and anxiety disorders.
Timothy’s current practice expands on his earlier works, which used a fractal-like motif to translate the chaos of his anxiety into a network of landscapes and patterns. The “cell,” basic unit of his visual language, expressed a state of contained disorder – the colors of his watercolors mingling uninterrupted within the rigid boundaries he creates. The interaction of these cells, suspended within a thin network of whiteness, serves as a microcosm for the human – and the artist’s – experience of life.