Robert Minervini is an artist working in painting, drawing, printmaking, murals, and site-specific public art. His work examines spatial environments and notions of utopia in large-scale cityscapes, landscapes, and floral still-life arrangements, which addresses the ecological impact of humanity.
He received his MFA from the San Francisco Art Institute, and his BFA from Tyler School of Art. He has an extensive exhibition history and has participated in artist in residence programs at the Bemis Center for Contemporary Arts, the Headlands Center of the Arts.
Stacey Rozich paints a folkloric narrative that draws inspiration from many cultural references, building scenarios pulled from a realm of familiar fictional archetypes and traditions. Influence is taken from travel, world textiles, childhood memories and the many many hours spent watching television. All works are created in watercolor and gouache.
Anthony Hurd‘s work is an endeavor of exploring his own personal demons and understanding the ever changing landscapes of life. A way of expressing sometimes the inexpressible. The motifs change over time but currently the works he’s pursuing focus on cyclical nature of life, the rise and fall, the destruction and rebirth, the dark and light. Fighting depression and anxiety with introspection and personal growth. The work is a bit of a celebration of survival, and the depths of darkness that have revealed his own personal greatest truths.
Much of David Rice‘s work focuses on the themes of nature and its personifying characteristics. Growing up in the mountains of Colorado, he has a special connection with the outdoors. David uses the natural landscape and its inhabitants as his primary subject matter.
Melding together an organic style with graphic overlays, his style combines a mixture of the natural world with a geometric presence. Blurring the boundary between manmade and natural. Instead of only a natural world existing, or one that is manmade, the two can coexist harmoniously if the dominant party yields to this cohesive existence.
Orlando, Florida based pop surrealist painter Johannah O’Donnell‘s paintings use natural and figurative symbolism to comment on our connection with the universe and our shifting cultural perceptions in the digital age. She tends to turn up the contrast on the wild cast of creatures and figures found in her acrylic works. These characters, who often times are found among cosmic landscapes, shine boldly with brilliant shades of purple, blue, and pink.
Johannah paints with open body, also known as slow drying, acrylics on wood panels that are hand crafted by her husband, carpenter and sculptor Adriaan Mol. Her work is influenced by 70’s Sci-Fi/Fantasy art and the American Pop Art movement and uses figurative symbolism as a narrative surrounding ideas of the human condition.
Paul Neberra is an artist from Lisbon, Portugal. His pop surrealist paintings give hint to his influences with inspiration ranging from surrealist painters such as Dali and Magritte to writers like Kafka and Dostoevsky – not to mention contemporary pop culture icons like Star Trek and The Twilight Zone. The world he weaves can be deemed as charming with a touch of melancholy.
Los Angeles based artist (previously featured here) Alex Gardner’s faceless, matte black bodies are draped with cotton and positioned in scenes of wordless action displaying every day – if slightly surreal – occurrences, allowing us to place ourselves into the work. With this in mind Gardner’s paintings take on our very own storylines, reflecting our innermost issues and creating a mental connection rarely experienced in painting.
Opening this Thursday, September 7th, 2017 at The Hole Gallery in New York City, New York is Gardner’s solo exhibition of new paintings entitled “RomCom.” It will be on display until October 15th, 2017.
Kirk Fanelly’s collage and oil paintings are a great reminder that you can create gorgeous works of art, have a sense of humor, and make the viewer laugh and be disturbed all at once. Fanelly completed his BA from Brown University in 1999.
His work is part grounded in the solidity of the day to day and the objects and people that surround him. From those points, he flushes out narratives, humor, and dimensions that are either hidden or obscure. His desire is to be influenced by his studio space at McColl Center – introducing new interiors, people, light and ideas to his work.
Check out the new work by Vancouver-based artist Rebecca Chaperon. Chaperon’s paintings act as a means of storytelling, as landscapes meet flat geometry and emotive undercurrents. Born in England in 1978, Rebecca attended Emily Carr University in Vancouver, BC where she studied fine arts until graduation in 2002. Her work is exhibited/collected internationally and recently shown (2014) in Vancouver, LA and San Francisco.
Her process often begins with the idea of place. We see paintings of dark landscapes that seem to stretch infinitely, a doomed place invented by the artist as a theatrical stage where various protagonists bravely live out mysterious vignettes. The setting becomes a representation of the internal landscape of the artist, or more specifically the small brilliant garden of creativity that exists within. On the visual journey through Chaperon’s work we are immersed in surreal versions of the world, places that waver just outside of our perception.
Memphis-based Alex Paulus’ paintings reflect the denial of a shitty existence. Paulus has created a crowded installation of grotesque figurative paintings that are unapologetically in your face and ridiculously successful. He combines acrylic, oil and paint marker to create a variety of textures, which also add depth to his works.
A variety of misshapen and jumbled characters inhabit Alex’s canvases, and his figures are depicted trying out VR headsets, swimming with dolphins and windsurfing on a Papa John slice of pizza. Alex’s work is surreal, yet the topical and pop culture references he includes not only add humor but also keeps them grounded in a familiar sort of reality.