Louie Cordero’s paintings are informed by the complex political history of the Philippines. Depicting monsters and zombies from Filipino mythology, Cordero includes blood, gore, and military imagery to reflect the eclectic and often violent mix of indigenous culture with American, Spanish, and Asian legacies. In defining his aesthetic, Cordero is drawn to diverse sources, including kitsch, Indian advertising, American B-movies, and pulp fiction.
San Francisco based Michael Page’s work (previously featured here) offers the viewer an optic alternative to the visual reality of life, as we know it. Page introduces narratives of strange, phantasmagoric and frenzy nature. Intense and rich color pallet additionally provides a sense of vivid hallucination or hazy sensation from the depth of unconsciousness.
Regardless of the technique or the approach, it is the narrative which pops up and offers a full insight into his work. The different reality of his is inhibited with unusual creatures or entities. It seems as if these are manifestations, perhaps, of human delusions or just a specter of dreamscapes and alterations fulfilled with dynamic movement.
Copenhagen, Denmark based gouache and watercolor painter Esther Sarto aka Miss Take combines elements of mother earth by coinciding them with our personal & social aspects of our lives. She often uses bare, entangled humans and plant-life to express her sentiments.
Robert “Rob” Gonsalves is a Canadian painter of magic realism. He produces original works, limited edition prints and illustrations for his own books. Gonsalves’ paintings have a fun way of twisting your perception and causing you to question what in his paintings, if anything, is real.
Most of his stunning paintings have an unclear boundary between the multiple stories they tell, which forces the viewer to jump back and forth between them – like an optical illusion that changes every time you look at it.
Eric Joyner (previously featured here) is a San Francisco Bay Area painter known for his Robots & Donuts artist series. His love for comics, drawing and painting shows in his artwork.
Eric has filled his imagery with epic tales featuring an ongoing synergy between robots and donuts. Utilizing his natural painterly technique, Joyner injects a lively dynamism into the inanimate toys and confectionery that serve as his muses. Through astute observation of the human species and our whole gamut of emotions and behaviors, Eric captures the essence of what it means to be human and reflects it back at us through his engaging menagerie of colorful characters.
Sean Mahan is a social realist figurative painter who works with graphite and acrylic washes on wood to depict a sense of wonder about the innate warmth of the human character and its conflict with structures of power and control.
Bangkok, Thailand based artist Pruch Sintunava‘s digital paintings draw your attention for its beauty and detailed animation. As you look deeper, you start to see the complexity and hidden meaning within each piece, and it stirs something inside you.
Amsterdam based artist Martine Johanna (previously featured here) has a new series of paintings exploring the feeling of impending doom. “Something’s Wrong” will be on display at Massey Lyuben Gallery in New York from May 4 – June 10.
José Luis Sánchez Rull studied in the Pratt Institute in Brooklyn, NY. After recieving his title as Bachelor in Fine Arts (BFA), he returned to Mexico with a mind set in creating a body of work in his home-workshop in Tláhuac. Deep in solitude, he developed his craze for taking art to a moment farther from seeing and hushing and understanding image as a three-part existence: creating, seeing and talking.
Sanchez Rull’s drawings and paintings are fed by a broad repertoire of literary, visual, and musical references: from William Blake, Charles Bukowski to the comic strips in MAD Magazine and the cartoon characters Tom and Jerry. The work is an exploration of the artists psyche in terms of a visceral graphic expression.
Los Angeles based artist Alex Schaefer likes to paint canvases of bank branches—most often Chase Bank—engulfed in flames. His method varies: In this canvas there is a Chase Bank engulfed in flames but there is an extra element, the Chase logo with the ironic word “freedom” next to it. Occasionally the burning bank will be obscured by a word salad of protest featuring terms like laundering,terrorism, and crime. In some canvases the target of his pyrophilic approach is Bank of America.