Taiwanese artist Chen-Dao Lee has created a world of violence, vengeance and a lot of semi-naked women. Lee introduces the viewers to a mysterious and erotic body of work, with his pop images reflecting as dark objects of desire on the viewers’ mind. These anime-like, twisted paintings depict a world where men are perverse pigs and women are fighting Amazons.
Lee’s characters are furious and cynic individuals who strive to survive in a world where fighting seems to be the only way of communicating. Expressing their emotions through violent and excessive reactions, the heroes fully embrace every single feeling that passes through their body.
Jonathan Chapline is an oil painter and digital artist living in Brooklyn. Each of his scenes look as if its parts have been pixelated and rendered smooth on auto-loop, the remaining shapes melodramatically lit.
He makes art that reflects the transition between interiors and exteriors of the suburban landscape that outwardly conform to societal pressures, and which hint at the reality that exists behind those facades representing the neighborhoods of everyman. The work reveals the contradiction and tension between appearance and reality, giving the viewer an opportunity to consider what subsides beyond and between the veneer of their own life experiences.
New York based Caroline Larsen has an undergraduate degree from the University of Waterloo and a Masters of Fine Arts degree from Pratt Institute. Larsen’s work has been in numerous group shows throughout Canada, America and Germany.
Her work explores the sensation of being in the tropical landscape at night, when the heat exaggerates the saturation of the night hues. The paintings also play with the idea of abstraction. The paintings coexist between a recognizable form and a non representational image, but at the same time they are pictorial.
“Using the memory of landscapes and imagery that I experienced during my upbringing in Sarasota, Florida as a springboard I create images that evoke a celebratory tropical frenzy. My interest in tropical landscapes stems from my lived experience, growing up in Florida and spending time in Panama as an adult has greatly influenced my aesthetic.
A constant focus of all of my work, is the attentiveness to color and its role of imparting feeling. My paint application, with its texture acting as line and pattern, is an organizing form in and of itself; the ridges cast shadows and create optical rhythms. The paintings use a full color palette, keeping with my intention to be as ornamental and vibrant as possible.” Caroline Larsen
New York based German artist Erik Parker turned to eye-popping color and dizzying details in his recent paintings. Seemingly in constant motion, his paintings are composed of a myriad of tiny dots, paisleys, teardrops, squiggles, and drips, in a rainbow of bright colors. Parker creates bold, graphic compositions that riff on the traditional genres of portraiture and still-life. His visionary paintings draw their inspiration from diverse elements of American subculture—psychedelia, underground comic books, the Chicago Imagists, hip hop and heavy metal— as well as Picasso, Francis Bacon and Roy Lichtenstein.
Aaron Johnson has created two distinctive and wildly innovative approaches to painting: his well-known “reverse-painted acrylic polymer-peel” paintings and his sock paintings. The two bodies of work exist in counterpoint; meticulously layered Indian-miniaturesque details in his reverse-paintings starkly juxtapose the swashbuckling brushstrokes created by a clunky impasto of flung socks in his sock paintings.
Uniting his two modes of work is Johnsonʼs inimitable style, a painterly madness flowing forward from his influences of Goya, Peter Saul, Picasso, Ensor, Llyn Foulkes, and the Hairy Who. Johnson’s paintings are a delight of a seductive surface, garish color, and entangled flesh.
“In my paintings, I construct absurdist allegories featuring comic grotesque characters. Technically I believe in an experimental approach to painting that evolves the historical medium into a contemporary adaptation. I have developed two main modes of making paintings: reverse-painted acrylic polymer-peel paintings and sock paintings. The methods involve reverse-painting, meticulously detailed layers, and polymer peel transfer; or the opposite: building up a chunky impasto of old socks. My spectrum of interests ranges from socio-political critique on one end to existential human questions on the other; each individual painting will fall somewhere between those two poles.” Aaron Johnson
The way Alex Garant creates, makes her painting realistic, but surreal at the same time. Traditional techniques of making portraits are combined with graphic quality, making her artworks widely recognizable. The core of her work is the pattern, she will duplicate elements, use symmetry and image superposition, creating an almost perfect optical illusion. Her unique pieces make the viewers have a hard time focusing on a face of each figure portrayed. By simply looking at her paintings, a journey begins. The journey that will make you get to know yourself, but also the artist.
Mexico City based artist Martin Ferreyra was born in the city of Cordoba, Argentina. Regarding the arts, he is mainly self-taught, participating in workshops in painting and ceramics. In recent years his work has been divided between those two, developing a personal world within his visual imagery. He has been investigating and working with concepts around identity, ritual, and myth, latent in the collective unconscious of latin culture.
Los Angeles based artist Orion Martin is known for his stylized, super-flat style, which re-contextualizes the still life into seductive portraits of consumerism. Often presented in over-the-top, polished plastic frames, Martin’s works combine various limbs and objects, interweaving each object into an elegantly cohesive statement.
Cologne-based artist Melike Kara’s canvases are sketchy and spare, economically painted in one or two colors on bare white background. The characters that populate her enigmatic canvases are regularly put through their paces. While some images seem relatively sedate, others are full of figures performing an array of impressive choreographies featuring gravity-defying somersaults and backflips. The contorted bodies, all long arms and legs, offer a casual articulation of human anatomy: with their outstretched hands and legs akimbo, the figures literally let it all hang loose.
Los Angeles based Todd Schorr is an American artist and one of the most prominent members of the “Lowbrow” art movement or pop surrealism. Combining a cartoon influenced visual vocabulary with a highly polished technical ability, based on the exacting painting methods of the Old Masters, Schorr weaves intricate narratives that are often biting yet humorous in their commentary on the human condition.
Schorr grew up as a child in Oakland, New Jersey. Showing a compulsion for drawing at an early age, his parents enrolled him in Saturday morning art classes when he was five years old. Deeply affected by fantasy movies such as the 1933 film classic “King Kong” and the early animated cartoons of Walt Disney and Max Fleischer, their influence along with comic books such as “Mad” would have a lasting effect on Schorr’s developing visual vocabulary.