Sui Park is a New York based artist and an interior architect born in Seoul, Korea. Her work involves creating 3-dimensional flexible organic forms of a comfortable ambiance that are yet dynamic and possibly mystical or illusionary.
“My work involves creating 3-dimensional organic forms mostly in generic and biomorphic shapes. Through these forms, I attempt to express seemingly static yet dynamic characteristics of our evolving lives. While they resemble transitions and transformations of nature, the forms are also to capture subtle but continuous changes in our emotions, sentiments, memories and expectations.
I weave and connect traces and tracks of the subtle changes into organic forms. The organic forms are made with mass-produced industrial materials, in particular Monofilament and Cable Ties. They are non –durable, disposable, trivial, inexpensive and easily consumed materials. But, when I weave and connect them, they are transformed into organic visualizations. I want them to be creating lasting moments, evoking and encapsulating our precious thoughts.” Sui Park
Kansas City, Missouri based Jaime Rovenstine’s geometric shapes are married with landscapes that look like they’re from another planet shrouded in dots. Her paintings are most inspired by natural organisms and biospheres. She has come to see her paintings as small windows into some sort of dream-world. Some paintings feel like they’re underwater, some out in space, some in the mountains.
Misato Suzuki currently lives and works in Los Angeles, CA. Her delicate, abstract style integrates organic form and recognizable forms. She combines the use of unique mediums such as coffee and walnut ink onto her canvas, creating a unique conversation between colors and depths.
A selection of new fantastic work by artist Alex Kuno (previously featured here), using ink, watercolor, graphite and chalk. These new mixed-media pieces offer a decidedly frenzied, more toiled spin. These works take the familiar children and beasts and expose their innards, a blend of seemingly floral and unsettling organic matter. With Kuno’s playful vibrancy, each exposed being is more absorbing than repelling.
Takuro Kuwata is a young artist who works in ceramics. He has developed his own style originally starting from traditional techniques. His focus is to push the potential of his materials, while referencing traditional forms and making functional objects.
He is known for a number of experimental procedures, including adding stones to his clay mix so that when fired, they burst or puncture the clay structure, or using needles to catch the glaze of a vessel so that it creates a bumpy texture when fired. He thus leaves the final form of the work to chance, but is careful to ensure that each piece is still functional.
Josh Sperling was born in 1984 in Oneonta, New York is a young contemporary artist currently living and working in Brooklyn, New York. Sperling’s works on canvas waver between wall sculptures and paintings. Building layered plywood structures by hand, the artist stretches canvas over these forms to create a subtle relief.
The structures range from angular and geometric to organic reminiscent of fibers and cells. Light and shadow interact with the facets of the pieces, creating an enhanced illusion of depth. Adding to this, Sperling uses bold, monochromatic hues that play with bright contrast and unexpected color combinations that appeal and delight the visual senses.
Swedish illustrator and graphic artist who’s based in Barcelona Klas Ernflo has produced a diverse field of graphic projects – both independently as for clients. All of the artist’s projects show his incredible sense for colors and patterns. His most recent project is highly impressive. Consisting of 18 separate boards, Ernflo created a large work showing his signature organic forms, a wonderful sense of humor and tremendous colors.
Using ink and oil paints gives them a sense of craft and technique that allows us room to appreciate the subtlety and graceful nature of each form individually. This consideration for each character makes it even more impressive when they come together in one magnificent tapestry of shapes and symbols.
Parisian artist Alice Wietzel’s illustrations display the perfect combination of unforgiving geometry and soft, organic forms. Her images combine dreamy colors with abstractly shaped people and objects whilst avoiding harsh, dark outlines. Wietzel allows various colors to sit next to one another in perfect harmony, leading to dreamlike images that we never want to stop looking at.
Mexico City-based French artist Theo Mercier’s practice is based on his object collection, which he presents in playful assemblages, while drawing on the implied histories they emit. His recent works incorporate local and organic materials and forms; emanating an intentionally homogenized view of “primitive” art.
His assemblages relate both literal layers of the past and the immaterial overlay of an anthropological imaginary. In Mercier’s work there is a real sense of whimsicality about the whole process. There is also an apparent humor of chance results which all lead to new avenues worth pursuing even within the same objects of art.
Australian artist Lionel Bawden works in sculpture, performance, installation and painting. Bawden’s core practice exploits hexagonal colored pencils as a sculptural material, reconfigured and carved into amorphous shapes, mining the material’s rich qualities of color, geometry and metaphor.
Bawden explores themes of flux, transformation and repetition as preconditions to our experience of the physical world, essential to the construction of identity. Bawden’s sculptural works harness landscape as a stand-in for the body, personal themes of desire, longing and interconnection become abstracted in a generative process to create form. The result is midway between organic and geometric forms, an interrogation about metamorphoses and mutations.