Mount Maunganui, New Zealand based Ben Young is a self-taught artist who has been making glass sculpture for over 15 years. Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool.
Young’s current work explores the use of industrial materials to compliment the organic glass shapes. He liked the idea that concrete is a basic construction material, and also the physical and visual contrasts between the textures and colors of both materials. Still noticeably influenced by the ocean and bodies of water – the concrete forms have become an integral part of his art forms as have the small bronze carvings which he sculpts initially from wax and uses to help portray the narrative suggested by his landscapes.
Harold Ancart is a Belgian artist living and working in New York, transformed the trunk of his jeep into a studio and set out on a road trip across the United States. He wanted to experience the vastness of the country he now called home. Along the way he would pull his car over whenever he saw something that moved him to draw.
Ancart’s creative process involves drawing and space. Allowing for chance and repetition, he often works in situ creating sculptural installations with found objects, minimal traces, and graphic underlining to reveal the surfaces, the specificities and the situation of the place.
Illustrator and Mexican painter of Germanic descent Paola Beck spent the first 11 years of her life in Hockenheim, a tiny town in southern Germany. She studied under the Waldorf system, a pedagogical program based on artistic teaching in its different applications.
Beck’s main source of inspiration are the natural elements, such as plants and animals that always create an organic link with the human being. The artist is involved in different projects that focus on the revitalization of public spaces, as she perceives art as the main tool to engage in an awareness dialogue with people, leading them with her unique style to gradually fall in love with her surroundings.
Antonio Segura Donat aka Dulk mixes Flemish painters’ mannerisms with bizarre and ironic images, characterized by deep emotional sincerity. The artist builds fantastic sceneries, with richly detailed fantasy worlds to be explored, in which viewers can lose themselves and dream.
Between urban art, drawing, painting, sculpture or advertisment, each medium is a challenge that he takes up with pleasure and determination. His world is a surrealistic landscape full of imaginary details, rising up in factions against humans.
Dusty Ray is a Colorado native who has wandered through life reading, writing, drawing, and playing music. He says he soaks up anything weird, strange, or unsettling that he comes across.
A painting contractor by day and a self-proclaimed artist by night, Dusty’s life is paint. Having earned his degree in English Literature from Colorado State University, he says his days as a writer bleed into the small narrative he creates with paint. Dusty’s subject matter mainly consists of the animal wildlife found in his beautiful home of Fort Collins, Colorado.
Dusty works mostly in gouache, watercolor, and Micron pen. He says, “The strange mutants I paint come from my perception of the animals around me and the way my mind interprets their sacred, extra-sensory position in the natural world”.
Paris based photographer Nicolas Rivals has realized the series ‘La Línea Roja’ — a visual study of geometry and form in dialogue with nature.
Across scenic landscapes in spain, rivals has installed luminous, neon-hued triangles, squares and lines intersecting with the surrounding environment. Each temporary piece was captured in a series of long-exposure shots that reveal an unusual juxtaposition between fabricated objects and the natural world.
Rik Smits is a Dutch artist who works with several media. His large pencil drawings depict cities and landscapes sceneries, sometimes with a realistic attitude and other times with touches of surrealism or a narrative theme.
“My work deals with the relation between religion and capitalism, which is depicted in a scenery of architectural landscapes/cityscapes. These landscapes show the contours of an imaginary city. A city which breathes the human ambition towards power and status. Its large scale buildings reminds us of the industrial utopia’s which prevailed in the human mind, but failed to shine or provide peace and humanity in the real world.The most prominent facet of this city is perhaps its appearance, from which one can easily read that the main ideology of its inhabitants is Capitalism. But this ideology is beginning to manifest itself in a religious manner, and will maybe even become a religion itself.” Rik Smits
San Francisco based Sandra Yagi, whose art examines the human psyche, is influenced by nature and science, all done with classical aesthetics.
Contemporary culture, human folly and an obsessive curiosity for the macabre provide the fuel for Yagi’s subject matter. Her work is inspired by the natural sciences as well as by the classical drawing techniques of the old masters, including anatomical studies by artists such as Andreas Vesalius and Bernhard Siegfried Albinus. Yagi’s recent paintings incorporate anatomical imagery to explore the human psychological condition, such as cutaway skulls portraying our basic human drives and the thin veneer of humanity overlaying our animal nature.
Juan Travieso is an artist based in Miami and New York. His work explores notions of impermanence and decay through a combined language of pop, realism, and abstraction. Figures, be them humans or animals, are broken up into spaces and forms much like 3d models, speaking to both their temporality and transition into the digital age.
UK based Hitomi Hosono is a ceramic sculptor who studied pottery in Kanazawa, Japan and Copenhagen, Denmark. Ever since then she’s studied the botanical forms of leaves and flowers she found in her garden. She allows herself to be consumed by the legion of small, intricate details present in every leaf.
Often monochromatic, the works are focused on carved detail rather than color—repetition of form making each piece uniquely beautiful. The level of detail she’s able to wrestle from her porcelain sculptures is astounding. Every fragment of her botanical-inspired forms screams with intention, whether it’s in the finely-chiseled and painstakingly-researched anatomy of the plant or the mesmerizing colors of her glazes, which make the forms look equally organic whether they’re in cream and orange or black.