Bo Bartlett is an American realist with a modernist vision. His paintings are well within the tradition of American realism. Bartlett looks at America’s heart—its land and its people—and describes the beauty he finds in everyday life. His paintings celebrate the underlying epic nature of the commonplace and the personal significance of the extraordinary.
Yunmee Kyong draws and makes human, birds, gods and many other things around her. she eats lot of things around her too. She was raised in Korea and ventured out to study art to London drinking many cups of tea and to New York eating lots of big hamburgers. Yunmee would love to live in igloo someday with a polar bear, a parrot, cows and sheeps. She does illustrations for magazines and children’s books and makes small books.
Harriet Lee-Merrion is a freelance illustrator living in Bristol, originally from Falmouth, Cornwall. Her recurring theme is the complexity of human condition, analyzed through a visual style which reveals an ideal balance between oriental features and English heritage.
Narrations of love, joy and madness interweave in delicate line works, sometimes without even the need for any color. The clean lines lend well to intricate designs, and the complex ideas that make her work so interesting are engrossing.
Mexican artist Alejandrina Herrera’s illustrations capture quirky moments in the life of people and animals. The minimal approach to different life situations using a mix of watercolor, drawings, and mixed media, is quite fun. Also, the soft palette combined with the dark, intricate details of the drawings are spot on.
Robin F Williams is a painter based in Brooklyn, NY. Her figurative paintings explore pervasive American narratives about childhood, identity and gender. Her figurative work explores closely held American mythologies about gender, privilege, and the American Dream. She uses the fictional nature of the painted image to examine the fictions we tell each other as a culture.
Rachel Kneebone’s intricate works address and question the human condition: renewal, transformation, life cycles and the experience of inhabiting the body. Kneebone’s sculptures operate in a near-subliminal space, oscillating and blurring the boundaries between the conscious and the subconscious, the real and the imagined, everything and nothing.
Working in porcelain, the material properties of her work further heighten and convey an awareness of opposing states, appearing to be not only heavy, solid and strong but also light, fragmentary and soft. This fluid movement between states is reflective of the wide range of art historical and literary sources that inform the artist’s practice.
Lee Yun Hee creates narrative ceramic pieces inspired by literature and story telling. She uses both Western and Eastern influences, creating a style of her own that is striking, unique and undoubtably contemporary. Her work is fragile and flawless, almost creating an aura of effortlessness. She uses her work to reflect upon stories of everyday people; their struggles, fears, hopes, and anxieties.
Hee’s work is mystical and fantastic. Though balancing modern, classic, Eastern, and Western styles, she has creating an epic body of art that is honest, profound, and truly unique. Her work acts as windows into her own version of a fairy tale; she is able to re-create morality stories within her own framework.
Brooklyn based Amy Cutler draws from the media, popular culture, fairytales, and her own experiences to convey the complexities of womanhood. At once autobiographical and universal, Cutler’s works are sweet and dark—delicately rendered, whimsical parables illustrating the deleterious effects of the unrealistic expectations that cultures impose on women.
She received her BFA degree from The Cooper Union School of Art, New York, New York, in 1997. Since her graduation she has rapidly risen to critical acclaim, and her work has been featured in major surveys of contemporary art, importantly the 2004 Whitney Biennial.
The practice of Los Angeles based artist Jim Shaw spans a wide range of both artistic media and visual imagery. Since the 1970s, Shaw has mined the detritus of American culture, finding inspiration for his artworks in comic books, pulp novels, rock albums, protest posters, thrift store paintings and advertisements.
Providing a blend of the personal, the commonplace and the uncanny, Shaw’s works frequently place in dialogue images of friends, family members, world events, pop culture and alternate realities. Often unfolding in long-term, narrative cycles, the works contains systems of cross-references and repetitions, which rework similar symbols and motifs, allowing a story-like thread to be perceived.