Detroit based Jesse Jacobi‘s work focuses on an unnamed culture of people living in a mysterious, heavily-forested world. While Jacobi makes it a point to not be explicit about any concrete narrative happenings, there is a clear framework of visual and thematic motifs involved: reverence for nature, the use of masks and various obscuring garb, cycles of life-death-dream, structures in differing stages of ruin, ritual and witchcraft, the space between visible and invisible environments, and the true nature of man.
The smaller works are supplemental – images of idols perhaps used in every day life for various means of protection or intensification – and are intended to be seen as artifacts one might find within the larger world. The time and place depicted in his paintings is not made clear, but the setting is very far removed from modernity and anything involving current times.
Paul Loubet is a french artist living between France and Spain. The many iterations of Loubet’s work are as varied and dynamic as his aesthetic itself. As he describes it, it’s about developing an all encompassing set of skills, approaching his art in the same way as the artists that inspire him.
Los Angeles based Nalini ‘Deedee’ Cheriel (previously featured here) is a visual artist who started out creating record covers and T-shirts for the Oregon music scene in the early ‘90s. Born in the hippie town of Eugene, Oregon, she began her own band and record label at the age of 19. Influenced by the popular DIY culture of that time, she played in several all-girl bands (Juned, Adickdid, The Teenangels, The Hindi Guns) and co-created the semi-autobiographical film Down and Out with the Dolls. This artist has lived and studied abroad: Honduras, Chile, England, Portugal, Spain and her native India.
Cheriel’s work explores narratives that recognize the urgency and conflict in our continuing attempts to connect to the world. With influences derived from such opposites as East Indian temple imagery, punk rock, and her Pacific Northwest natural environment, her images are indications of how we try to connect ourselves to others and how these satirical and heroic efforts are episodes of compassion and discomfort. Bold elements drawn from landscapes -both urban and natural- and pop culture suggest the ability to find commonalities and relationships between ourselves and our surroundings that inevitably confirm our greater humanity and quest towards love.
Mark Rogers is a self-taught artist currently living in Portland, Oregon. Stylistically his work has been described as a blending of folk art, medieval renascence, and fairy tale illustration. Taking inspiration from everyday occurrences and personal experiences, Rogers crafts narratives with imaginary characters to populate.
Toni Hamel lives and works in Oshawa, a suburb of Toronto, Canada. She describes her work as “an illustrated commentary on human frailties“. Rooted in story-telling, her art practice draws from personal experiences and outward observations to create thematic bodies of work that reflect on and interpret the psychological unease characteristic of our age. Virtues and vices, the holy and the profane, the good and the bad all share equal weight in her work and supply an infinite source of material for her investigations.
Such conceptual framework leads Hamel to work across disciplines: drawings, paintings, sculptures and installations are rendered in both traditional and non-traditional materials and are selected based on their ability to support the particular message she needs to convey. Pointing to historical and psychological references while tackling issues of universal interest, Hamel’s narratives question our behavior to eventually alert us about the repercussions of our current thinking models.
Stacey Rozich paints a folkloric narrative that draws inspiration from many cultural references, building scenarios pulled from a realm of familiar fictional archetypes and traditions. Influence is taken from travel, world textiles, childhood memories and the many many hours spent watching television. All works are created in watercolor and gouache.
Decatur, Georgia based Bill Mayer‘s originality and humor are present in his work and continually borrowed and imitated by other artists. With a natural flare for assembling narratives that use both his playful wit and a fascination with all things macabre, Bill sucks the viewer into dark dreamlike scenarios which frequently beguile by polarizing emotions.
Kirk Fanelly’s collage and oil paintings are a great reminder that you can create gorgeous works of art, have a sense of humor, and make the viewer laugh and be disturbed all at once. Fanelly completed his BA from Brown University in 1999.
His work is part grounded in the solidity of the day to day and the objects and people that surround him. From those points, he flushes out narratives, humor, and dimensions that are either hidden or obscure. His desire is to be influenced by his studio space at McColl Center – introducing new interiors, people, light and ideas to his work.
Queens, NY based Greg Burak (previously featured here) makes figurative paintings. He was born in the Hudson Valley Region of New York in 1986. He received his Associates Degree from the Delaware College of Art and Design in 2005, his BFA from the Maryland Institute College of Art in 2007, and an MFA in Painting from Indiana University in 2015.
Burak’s strange and unnerving paintings often “set” in the late 1970s or early 1980s (by his use of clothing and interior style), immediately recall coming-of-age movies of that era.
Shanghai, China based Inkee Wang has a background studying graphic design at Central Saint Martins and latterly animation at the prestigious Royal College of Art in London. Inkee creates illustrations fizzing with weird and wonderful narratives.
More recently, Inkee has been working with watercolors to add a textural representation to her characters. She is also working on improving her Cinema 4D skills, in an attempt to write a longer story and make an animation about it.