Adrian Landon Brooks (previously featured here) studied painting at the San Francisco Art Institute and currently lives and works in Wimberley, Texas. Brooks works predominately in the mediums of painting and illustration, using found materials such as wood, metal, and old photographs as his canvas.
“Creating otherworldly backdrops for mystical iconography has long been a driving force in my work. Wormholes, starscapes and portals serve as monuments to something greater than myself. Through the process of making this work, I attempt to share my vision of a higher power and purpose.” Adrian Landon Brooks
Love Lundell’s paintings unfold in their own world. Dreamlike, mystical, surrealist, but also harboring references to the everyday, his paintings alternate between engaging the viewers directly and holding back in passive contemplation. Executed in a range of muted palettes, Lundell’s paintings includes collage technique and often reveals a fragmentary crackling effect due to layer upon layer of applied lacquer.
Lee Yun Hee creates narrative ceramic pieces inspired by literature and story telling. She uses both Western and Eastern influences, creating a style of her own that is striking, unique and undoubtably contemporary. Her work is fragile and flawless, almost creating an aura of effortlessness. She uses her work to reflect upon stories of everyday people; their struggles, fears, hopes, and anxieties.
Hee’s work is mystical and fantastic. Though balancing modern, classic, Eastern, and Western styles, she has creating an epic body of art that is honest, profound, and truly unique. Her work acts as windows into her own version of a fairy tale; she is able to re-create morality stories within her own framework.
Korean artist Tae Lee lives and works in Los Angeles. The focus of his work invites to ruminate on a certain state of being that is regarded as the ideal found at the peak of the human condition. He believes this ideal is found in the visage of empathy found in the expressions of Jesus, Mary, and the high Saints in the paintings of the 19th century Italian Renaissance. The faces imply a sense of understanding in the difficulties that humanity battles in it’s longing for enlightenment/salvation, but does not condescend humanity with sympathy or pity.
“The hypocritical and cyclical tendencies of the material world can only be soothed by the light of empathy, an effort mystics and shamans from times past have all championed. The illuminated visages of the Holy Mary and the Great Buddha radiate a similar empathy, their peace not denying the great cost of sustaining life. This grace, used to navigate through this tumultuous and ultimately comedic lifetime, is the realm in which I seek to explore my art.” Tae Lee
New York-based Ian Bertram is an artist interested in uncovering the hedonistic and fatalistic nature of man vs. self. A graduate of the School of Visual Arts in New York, Bertram was chosen as the Best New Talent of 2011 by Comicbookjesus.com, and selected to the Society of Illustrators 2012 Student Scholarship Competition.
By combining precise, meditative mark making, with visceral and sudden actions, he creates mystical, grotesque, and primal portraits of ennui and the strange by way of drawing and painterly techniques.
Nicole Gustafsson (previously featured here) is the creator behind NIMASPROUT. She currently lives in the Pacific Northwest with her husband and pet kids. Nicole works as a full time illustrator, specializing in traditional media paintings featuring everything from woodland characters and environments, to pop culture based projects for various galleries.