Schlitz X Commodores
by Ariadna Zierold
New York based artist and musician Brian DeGraw intersects art and music in his drawings, installations, videos, and sculptures. He draws subject matter for his work from his encounters in New York’s experimental music scene such as in Untitled (DJ Requests)(2007), a framed collection of paper scraps with scrawled late-night song requests. DeGraw’s experiences in one discipline inform his production in the other.
by Ariadna Zierold
Olivier Bonhomme is a talented art director and illustrator based in Montpellier, France. He graduated from the Ecole Emile Cohl in 2010 and has been working with different clients, newspapers, and studios as an illustrator and art director.He co-founded in parallel the BK studio in 2012 in which he produces digital art research facilities and devices for applying the image to the scene. Bonhomme is a fan of jazz and a saxophonist for the past twenty years. He tints his universe with the sound of bebop and swing.
The newest Mangchi album is finished and up at mangchi.bandcamp.com – MANGCHi – DONT GO SHE GONE – 똥구 시간
James Jean and David Choe on the keyboards and drums at David Choe’s warehouse in Los Angeles, California.
East Coast Mangchi Tour 2016
Chema64 is an artist from Mexico City, bringing the past and the future to the only time we can experience it, NOW.
Instead of reliving old patterns, Chema64 “recycles obsolete technology and ephemera” creating visually pleasing aesthetics in multimedia art.
You may recognize familiar sculptures, video viewing screens and even the Gameboy that was a 90’s one-hit wonder gaming device. But the intersection of obsolete technology and short lived wonders combined, make for the joy and “newness” that resonates with these images.
Chema64’s funky tunes can be found here.
Blue Velvet is celebrating its 30th birthday this year coinciding with Peter Braatz’s release of Blue Velvet Revisited – never before seen photos and footage depicting the making-of. Director, Filmmaker and Transcendental Meditator, David Lynch asked German-born Braatz to come out to North Carolina to “observe him direct.” Braatz shot 70 reels of Super 8 film and took nearly 1000 photos. The behind the scenes look encapsulates the world of Blue Velvet and David Lynch like a fly on the psychedelic wall of the 1985 set. Photos of Dennis Hopper, Isabella Rossellini, Laura Dern, Kyle MacLachlan and of course, Mr. Lynch himself.
“David was producing every piece of art,” Braatz says. “He’s writing, he’s creating props, he’s making set decoration. You see him in my film working on each piece himself. So it’s not just a portrait of Blue Velvet, but a portrait of David in 1985 as an artist.”
“Beneath that appearance there are so many things happening,” says Lynch in Blue Velvet Revisited, and this making-of piece will take its viewers there. The documentary is being released along with a soundtrack just out from Crammed Discs.
“Sound is so important to him [Lynch], he adds so many things in postproduction,” Braatz says. “Ants crawling under a glass or—how do you call it in English?—a match that goes on fire. These things are mostly related very closely to the sound of the picture.” Angelo Badalamenti composed the original movie’s soundtrack and went on to create many more musical masterpieces with Lynch on projects such as Lost Highway, Mulholland Drive, and Twin Peaks.
Now Braatz has made an homage to Blue Velvet, sensual, provocative and true to the eccentric, dreamy vibrations of what is now a voyeur classic. A “meditation,” he calls it.
Braatz hopes the documentary will have a film festival premiere this year.
Photos: Peter Braatz Blue Velvet Revisited