German street artist 1010 (previously featured here) has been creating these mysterious, portal-like street art illusions on walls around the world. Originally from Poland, 1010 moved with his parents to Germany, when he was eight years old. For more than a decade, the artist has been painting walls and making papercuts. Now he just finished a new amazing piece in Berlin. Check it out.
Boston based artist Nick Zaremba‘s (previously featured here) artwork ranges from small drawings, paintings, prints, and large scale murals to web graphics and t shirt designs. When making work, Zaremba combines influences from his youth, skateboarding, DIY ideology, fascination with nature as well as the topics of color, space, time, psychology, semiotics, childhood, and symbolism.
Since 2001 Nick has exhibited on the East Coast of the U.S. as well as globally from Hong Kong to Montreal. Most notably, he was part of a two-person exhibition at Gladstone Gallery in New York, as well as featured as one of the “40 Artists You Should Know” in the nationally juried publication; New American Painters.
Bradley Eastman aka Beastman is an multidisciplinary artist from Sydney, Australia. Influenced by the biodiversity, symbolism and design aesthetics behind nature’s repetitive geometric growth patterns and organic landscapes, Beastman’s paintings, digital illustration, commercial projects and public murals explore a unique visual language, depicting future environments of abstracted landscapes, potential new life forms and human intervention.
Klone currently lives and works in Tel Aviv, Israel. Influenced by his childhood emigration from the Ukraine to Israel, Klone’s initial practice of tagging and graffiti were personal challenges to themes of diaspora. This urban tradition allowed him to take ownership of his surrounding and localize an often hostile and alienating environment, making his foreign settings, more familiar.
Using characters, symbols, and regional iconography Klone’s work borrows from existing linguistic traditions in hope of providing a bridge to communicate. This organic approach appeals in its attempt at universality without erasure, without requiring a blank slate mentality. Each installation and drawing, attempts to create an environment that will connect with the observers primal feeling, placing him or her as part of the setting and context of the work.
Artistic Duo, Muralists and imagemakers Telmo Pieper and Miel Krutzmann started working on their creative abilities from a very young age. Working together seamlessly, they both enjoy working in realistic styles. With loads of contrast in subjects. Technique and style have a high priority in the artwork of Telmo & Miel, true craftsmanship is what they want to produce. They work separately on ideas for murals and come together with the sketches to see if combinations can be made. The result is usually very surrealistic, with attention to detail. They always work on the same piece together and are able to switch places when ever wanted or needed.
Faith47 is an internationally-acclaimed visual artist from South Africa who has been applauded for her ability to resonate with people around the world. Through her work, Faith47 attempts to disarm the strategies of global realpolitik, in order to advance the expression of personal truth. In this way, her work is both an internal and spiritual release that speaks to the complexities of the human condition, its deviant histories and existential search.
Using a wide range of media intended for gallery settings, her approach is explorative and substrate appropriate, including found and rescued objects, shrine construction, painting, projection mapping, video installation, printmaking and drawings.
Murals became popular during the Chicano Movement of the 1970’s, when artists began telling their unique stories on walls throughout the Eastside. Chicanos at this time lacked representation in public life, with neither a strong voice in elections, nor elected representatives. Murals became a way to communicate community concerns about police brutality, immigration, drugs, gang violence and other difficulties of a life of poverty.
At the Estrada Courts housing project in Boyle Heights, the walls are time capsules of the Chicano art movement. Mexican-American artists began emblazoning drab cinder-block and stucco walls with brightly colored murals, which represented the dreams, aspirations and cultural pride of a population that might have otherwise felt trapped in their environs.
The streets of Boyle Heights are like an art gallery, with walls that act as canvases. Images of brown pride and indigenous symbols tell stories from the past, and the now faded colors of decades-old murals still brighten the community.
Nicolás Romero Escalada aka Ever is an Argentinean street artist born in Buenos Aires in 1985. He began as a letter-based graffiti writer on the streets of his hometown in the 1990’s. Additionally, he turned towards portraits and developed a style that is more typical for paintings found in fine art galleries.
A five-month long study trip to Paris helped him to develop his own signature style as he spent hours in such art spaces like the Musée d’Orsay looking at works by Vincent van Gogh, Gustav Klimt, Francis Bacon and other widely recognized artists. He is also inspired by Mexican muralists, especially the way their art reflects the people and their social consciousness.
Hell’O Monsters, a collective of Belgian artists, started by using exterior walls as their canvas, but it was within the walls of their studio that the uniform and homogeneous identity of the duo was forged.
Quite rapidly the strict aesthetic codes that they established based on mastering the line and graphic leitmotiv, were applied to designs, paintings, sculptures and installations. The creative approach is characterized by an extremely conventional freedom paired with meticulous execution. Their universe is inhabited by a surrealistic bestiary of mysterious animals, hybrid characters, architecture and badass geometry.