Christopher Kuhn approaches his paintings backwards, meaning his compositions are often built in such a way that what appears to have been added last is often in fact the first layer. Looping gestural line work switches from positive to negative and back, revealing itself to be graphic. What appears to be thin multicolored graphic lines turn out to be silhouettes of gestural marks that were meticulously covered over, save for the edges. Kuhn asks the viewer to piece together the puzzle of his paintings and, in doing so, reassess how they perceive the world of images around us.
Cahill Wessel is an artist working out of San Francisco and has a vision of the world that we cannot all develop –at least not in all 5 senses. His work is based on his own experiences of life and the world, resulting inmulticolored and psychedelic illustrations.
He works in a variety of styles and mediums, mainly with colored pencil, which is a very labor-intensive medium. Ideas for pencil drawings pop into his head at the most unexpected moments, so he writes notes in his phone while out and about. Then he draws up small sketches of the ideas that he thinks aren’t stupid, select the arrangements that inspire him the most, and translate the sketch into a larger piece. He lightly maps out the imagery in graphite, and then begins the process of building up layers upon layers of colored pencil.