MONSTERS AND WILD CREATURES BY CHUCK CHAIR

by Ariadna Zierold

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Chuck Chair is a freelance illustrator, with a background in animation and video game art. He also writes and illustrates picture books. Chuck’s work largely focuses on characters and humor, and is happily influenced by nature, film, mid-century design, Americana, taxidermy, monsters and biscuits.

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UNEXPLAINED EVENTS BY JAMES LIPNICKAS

by Ariadna Zierold

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James Lipnickas is an author/illustrator heavily influenced by old sci-fi, mystery and horror movies, monsters, UFOs, hauntings and unexplained events. He majored in Illustration at the School of Visual Arts but now lives in an old cape in the woods of New England.

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HAPPY BREAKFAST BY GARY CARD

by Ariadna Zierold

gary card, happy breakfast, new rave, colorful, neon, vibrant, creatures, monsters, dripping, zine, upper playground

Gary Card is a set designer, illustrator and all-round creative talent. Gary’s Happy Breakfast zine –mid-‘00s new rave scene– is splashed across 22 pages in gungey greens, ink stain blues and near-neon yellows to stage the dripping backdrop to a nightmarish collaged cast of Gary’s signature monsters.

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MYTHOLOGICAL SCULPTURES BY EVA FUNDERBURGH

by Ariadna Zierold

eva funderburgh, sculpture, sculptures, mythological, creatures, characters, monsters, animals, seattle, upper playground

Eva Funderburgh is a sculptor living in Seattle, Washington. While her work ranges from clay to bronze to installation work, the movement and emotional content of her work stand out, regardless of the medium.

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Her work deals with the overlap of humanity and the natural world. She uses her simple, emotive animal forms to examine human motives and emotions. Storytelling and the idea of myth plays a very large role in her work, but equally so the notion of biology.

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ABSURD CREATURES BY STEVE FERRERA

by Ariadna Zierold

steve ferrera, sculpture, creatures, monsters, surreal, berkeley, upper playground

Steve Ferrera received his BFA from UCSC and his MFA from SJSU both with an emphasis in sculpture. His work crosses many disciplines including film, television, stop motion animation, children’s books, and collectible toys. Often inspired by mythology, religion, cartoons, and make believe, his curious and absurd creatures exist in their own cosmic events, lurking on the fringes of fairy tale and folklore. He lives in Berkeley California with his one-eyed cat.

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MULTI EYED CREATURES BY TIM MOLLOY

by Ariadna Zierold

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Tim Molloy is a New Zealand illustrator and comic artist, living and working in Melbourne. Since 2006 he has collaborated with writer Adam Lachlan to produce Life on Earth cartoons. Recently he has published two graphic novels, ‘It Shines and Shakes and Laughs’ and ‘Mr Unpronounceable Adventures’.

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SCIENCE FICTION BY VIRGIL FINLAY

by Ariadna Zierold

virgil finlay, science fiction, scifi, sci fi, illustration, drawing, illustrations, drawings, monochromatic, stippling, scratchboard, monsters, aliens, women, robots, space, spaceships, bizarre, fantastic, landscapes, pulp fantasy, upper playground

Virgil Finlay was an American pulp fantasy, science fiction and horror illustrator. He has been called “part of the pulp magazine history … one of the foremost contributors of original and imaginative art work for the most memorable science fiction and fantasy publications of our time.” 

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While he worked in a range of media, from gouacheto oils, Finlay specialized in, and became famous for, detailed pen-and-ink drawings accomplished with abundant stippling, cross-hatching, and scratchboard techniques. He produced wild and fantastic images of monsters, aliens, demons, robots, spacemen, spaceships, bizarre experiments, psychological horror, fantastic landscapes, and women.

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PSYCHEDELIC LANDSCAPES BY HIDEYUKI KATSUMATA

by Ariadna Zierold

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Hideyuki Katsumata‘s meticulous and colored works are tinged with a psychedelic aesthetic and invite us into an exuberant universe inhabited by mutant characters and monsters with multiple limbs and eyes, robots, UFOs and dragons. The scenery he has created is influenced by both Asian mythology and manga culture.

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Demons, spirits, and creatures of strange possessions all engaging in odd scenes, erotic activities, and vulgar moments – all abound in Katsumata’s expressive compositions. He fills each piece of work with whimsical colors, brisk line work reminiscent of old comics, and scale that leaves you flipping through for more.

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