Eva Eun-Sil Han was born in Korea where she lived for 27 years. When she encountered the collages of Max Ernst did she start to use collage as a means of artistic expression. In her work she combines material from any kind of ready-made mass media, such as newspapers, magazines or old books. Eva Han prefers to use knife and glue rather than working with pixels on a computer screen, because it allows her to touch, feel and smell the different source papers. Especially old paper smells good to her.
The artist collages photographs, her own and others, often drawing and painting onto the paper. Many of them seem purely abstract and in most, the assemblage of images is in such bits and pieces they don’t seem meant to be discerned specifically.
The collage work of Jesse Draxler combines tendencies of immediacy, appropriation and a denial of visual ownership, though with hand-crafted technique. His mixed-media fusion of found images, typography and design sensibilities thrives in information-overload times, both in drawing inspiration as well as being viewed instantaneously. By finding source material from anything, Draxler is able to ‘remix’ fashion spreads as easily as referencing art movements, crafting a new 2-dimensional language that has an immediate accessibility.
Canadian artist and maker Erin Greenough creates intricate ink drawings using a dotwork or stippling technique inspired by science and nature. While working as a full-time graphic designer, Erin also freelances as an illustrator.
Croatian designer Zoran Lucić was approached to design a series of posters for the Lucha Libre CMLL, Mexico’s major professional wrestling federation. Zoran’s retro-licious work is reminiscent of old-school posters from the 60’s and 70’s.
Zoran Lucić was born in Šabac, Serbia (former Yugoslavia) and grew up in Domaljevac, Bosnia & Herzegovina and for some time in Hungary. Zoran Lucic studied graphism and design at the Bijeljina B&H University and, although his first love was sculpting, he later discovered an affinity for typography. He now lives in Bijeljina and works as a freelance graphic designer.
Mad Meg ‘s harmonious and nightmarish universe is a reflection of our time, our
society. Influenced by French and international news and politics, Mad Meg is engaged, relating it all to us with a ferocity of vision and considerable humor.
Far from fairy tales with their happy endings, the artist confronts her own childhood stories, yet adjusts their course. Here the relationship to the marvellous ceases to exist; Mad Meg breaths life into her characters, and she lets them die—just like in real life.
Beth Brown is a visual artist and experimental musician practicing in Baltimore, MD. Her body of work includes intricate ink drawings on paper. These delicate marks are a systematic response from one additive accumulation to another. Each drawing is essentially an illustration narrated through a personal visual language.
Henn Kim is an illustrator from Seoul, Korea. Her minimal and surreal illustrations are heavily evocative; they suggest deep feelings and emotions through visual connections and unexpected juxtapositions. It’s a free flow of visions and sensations depicted through essential, black and white figures who act in a world of giant objects, metaphoric illustrations of emotions or windows opened on our subconscious.
Monochrome is Helena Vizcaíno, a visual artist and illustrator from Spain. She is currently living and working in Helsinki, Finland. She illustrates dark universes that don’t exist, elements from her imagination, natural and outer space elements. Her interests go from animation to the tattoo culture, to fashion design and advertising, where she also finds her inspiration.
Tours and Paris based Fabien Mérelle is a highly talented and emerging young French artist who creates delicately detailed drawings in black ink and watercolor. Although Mérelle’s drawings appear at first sight realistic in their rendering, they in fact depict outworldly scenarios, unsettling situations and dream-like occurrences.
These renderings, simultaneously absurd, humorous, ironic and cruel, weave their own tapestry of tales and legends, blurring the line between what has been written and what our memory has forged.