Mad Meg ‘s harmonious and nightmarish universe is a reflection of our time, our
society. Influenced by French and international news and politics, Mad Meg is engaged, relating it all to us with a ferocity of vision and considerable humor.
Far from fairy tales with their happy endings, the artist confronts her own childhood stories, yet adjusts their course. Here the relationship to the marvellous ceases to exist; Mad Meg breaths life into her characters, and she lets them die—just like in real life.
Beth Brown is a visual artist and experimental musician practicing in Baltimore, MD. Her body of work includes intricate ink drawings on paper. These delicate marks are a systematic response from one additive accumulation to another. Each drawing is essentially an illustration narrated through a personal visual language.
Henn Kim is an illustrator from Seoul, Korea. Her minimal and surreal illustrations are heavily evocative; they suggest deep feelings and emotions through visual connections and unexpected juxtapositions. It’s a free flow of visions and sensations depicted through essential, black and white figures who act in a world of giant objects, metaphoric illustrations of emotions or windows opened on our subconscious.
Monochrome is Helena Vizcaíno, a visual artist and illustrator from Spain. She is currently living and working in Helsinki, Finland. She illustrates dark universes that don’t exist, elements from her imagination, natural and outer space elements. Her interests go from animation to the tattoo culture, to fashion design and advertising, where she also finds her inspiration.
Tours and Paris based Fabien Mérelle is a highly talented and emerging young French artist who creates delicately detailed drawings in black ink and watercolor. Although Mérelle’s drawings appear at first sight realistic in their rendering, they in fact depict outworldly scenarios, unsettling situations and dream-like occurrences.
These renderings, simultaneously absurd, humorous, ironic and cruel, weave their own tapestry of tales and legends, blurring the line between what has been written and what our memory has forged.
Russian illustrator Uno Moralez’s work is eclectic, to say the least. Uno’s work looks like the byproduct of pixel art and manga, a dark and mysterious world where the most insane things can happen. Unquestionably menacing and monstrous figures lurk smiling in shadowy rooms, bodies and objects arranged in inscrutable ways that nevertheless imply an unimpeachable in-story logic. Uno’s work is mysterious. Every single image is a short story that deserves contemplation, and because of this, it is extremely entertaining.
Artist Ben Tolman creates incredibly intricate drawings that dig for the heart beneath the hard edges of the built environment. He lives and works in Washington DC. He received his MFA in 2012 from American University and his BFA from the Corcoran College of Art and Design in 2005. He has exhibited work nationally and internationally including being an exhibited finalist in the Outwin Boochever Portrait Competition at the Smithsonian National Portrait Gallery.
Tolman has focused on the built environment—cities and suburbs, real and imagined, and the effects that they have, for better or for worse, on the people who inhabit them.
Anthony Baus is from Racine, WI. He received his BFA from the University of Wisconsin Milwaukee. He later moved to Chicago and apprenticed under Eric J. Nordstrom, owner of Bldg 51 museum. The museum hosts a collection of historically important American architectural artifacts from such notable architects as Louis Sullivan and Frank Lloyd Wright, exposing Anthony to an unwavering appreciation of the past. In 2010 he began study at Grand Central Academy. He is the recipient of the 2015 Alma Schapiro Prize and currently instructor of GCA’s perspective/design studio.
Rik Smits is a Dutch artist who works with several media. His large pencil drawings depict cities and landscapes sceneries, sometimes with a realistic attitude and other times with touches of surrealism or a narrative theme.
“My work deals with the relation between religion and capitalism, which is depicted in a scenery of architectural landscapes/cityscapes. These landscapes show the contours of an imaginary city. A city which breathes the human ambition towards power and status. Its large scale buildings reminds us of the industrial utopia’s which prevailed in the human mind, but failed to shine or provide peace and humanity in the real world.The most prominent facet of this city is perhaps its appearance, from which one can easily read that the main ideology of its inhabitants is Capitalism. But this ideology is beginning to manifest itself in a religious manner, and will maybe even become a religion itself.” Rik Smits