by Ariadna Zierold
Detroit-based artist Matthew Angelo Harrison investigates analog and digital technologies to explore origins of all kinds. He makes low-resolution 3D printers and uses them to reproduce authentic African artifacts. Harrison plays havoc with the usual hierarchy of objects by literally elevating the new clay 3D printed works above the wood originals. Appearing at once earthy and other-worldly, the new clay sculptures are symbolic of many African-Americans’ relationship to their own African origins.
His artwork is often created by machines that he designs and builds from scratch. Matthew is interested in aspects of manufacturing, specifically its hidden performative aspect. He received a BFA from the School of the Art Institute of Chicago. He has shown his work at MOCAD and the Jewish Museum (NYC), and has a forthcoming solo exhibition at Atlanta Contemporary.