Decatur, Georgia based Bill Mayer‘s originality and humor are present in his work and continually borrowed and imitated by other artists. With a natural flare for assembling narratives that use both his playful wit and a fascination with all things macabre, Bill sucks the viewer into dark dreamlike scenarios which frequently beguile by polarizing emotions.
Alexis E. Mabry‘s assemblage paintings, mixed-media collages, and jewelry mix the macabre and the whimsical into a potpourri of lighthearted chaos. Wholesome American families from the 50s laugh while catching on fire, an eager young boy’s head flies off his body like a bloody rocket while opening Christmas presents, a lamb smiles wryly while getting stabbed by a dozen steak knives.
Her sources of reference and artistic material for her collages come from the same types of Christian books of older American life that she was forced to read in elementary school. A change of facial expression or of background scenery could easily transform these works into gruesome horror, but instead they become emblems of humor.
Kyle Platts grew up in Sheffield, England, and despite being told by a careers advisor to work in a steel mill rather than pursue a career as a cartoonist, he studied illustration at Camberwell College of Arts and graduated in 2011. Since graduating he has had great success as a commercial freelance illustrator and has published two books. Kyle’s comics aim to create a graphic reflection of culture, where macabre content is juxtaposed with vibrant color and comic humor.
San Francisco based Sandra Yagi, whose art examines the human psyche, is influenced by nature and science, all done with classical aesthetics.
Contemporary culture, human folly and an obsessive curiosity for the macabre provide the fuel for Yagi’s subject matter. Her work is inspired by the natural sciences as well as by the classical drawing techniques of the old masters, including anatomical studies by artists such as Andreas Vesalius and Bernhard Siegfried Albinus. Yagi’s recent paintings incorporate anatomical imagery to explore the human psychological condition, such as cutaway skulls portraying our basic human drives and the thin veneer of humanity overlaying our animal nature.