Eric Nyquist is an American artist working in Los Angeles. After graduating from Art Center College of Design in Pasadena, he began a career as a working artist and illustrator. His body of work includes meticulous drawings, paintings, and collages that merge the organic and the industrial.
Nyquist chooses the line as his tool in creating dense narratives so detailed they straddle the representative and the abstract. His work disrupts stereotypes and forces the viewer to go beyond simply “looking” at things. Each drawing asks us to see analytically and not just physically.
In a technological age of rapid image making, Nyquist uses classical methods to create contemporary results. From etching to lithography, he upholds the craft of print-making while expanding the possibilities of the medium. The printing process informs his drawings—as he arranges layers and screens of color and texture into each piece.
Meagan Boyd aka Yin Shadowz lives and works in Los Angeles. Through her art, she explores the transcendental realm between dreams and waking life in the context of myth and magic. The work often depicts Utopian environments filled with modern day nymphs, spiritual deities, holy beings, and party monsters, relishing the interconnectivity between all animals, humans, and nature. Incorporating an explosive color palate and intricate line-work, her “freakishly folkish” aesthetic fuses nostalgia with an enigmatic urban glow. In addition to her artistic pursuits, Boyd is the art director and co-founder of the Applied Mythology Project, an organization that seeks to understand the relationship between creativity and esoteric practices in modern society.
She is launching her ‘Neon Fauves’ solo exhibitionat LA’s burgeoning Chinatown-based gallery Leiminspace on Saturday, August 12th. Comprised of acrylic and watercolor paintings on canvas and paper, the exhibition serves as the latest iteration of the artist’s bold investigations into spirituality, religious symbolism, and the Occult. Boyd’s floating deities, known as “fauves” serve as mystical centerpieces within each work, elegantly draped in flora and fauna against a flat vacuous backdrop. While grounded in present day, she re-imagines our universe as a vivid supernatural playground, seamlessly incorporating primitive art traditions with postmodern sensibilities.
Alex Gross (previously featured here) is a visual artist currently working in Los Angeles, California. He specializes in oil paintings on canvas whose themes include globalization, commerce, great beauty, dark mayhem, and the remorseless passage of time.
Gross is a master at cutting straight through the lines of code and the technology they’ve created, to reveal the concerning repercussions of our immersion in a world which fosters alienation, dislocation and distance. The apparent pessimism emanating from Gross’ paintbrush is undoubtedly justified and through his art he provides a meeting point where we can all unplug, reconnect with one another and greet tomorrow with fresh perspectives.
Los Angeles-based artist Revok (previously featured here) first became interested in art through his father’s collection of 60s and 70s album covers and comic books, as well as the skateboarding and graffiti scenes. For over two decades, Revok has continually pushed the boundaries—both creative and legislative—of street art, producing vibrant works that meld structured with dynamic colors and forms. After years of a decidedly anti-institutional practice, Revok began making studio work, finding inspiration in his ability to refine the techniques he mastered as a street artist. His ultimate goal is to be constantly maturing and evolving as an artist, never confined by any one way of making work.
Los Angeles based artist Delfin Finley has always been immersed in a creative environment. His mom and dad were both fashion designers and ran their business in their home. Delfin grew up watching his parents designing clothing, catering to their custom clients and attending Fashion Shows where they presented their lines.
His favorite genre is portraiture. In his works, constructed with precise brushstrokes of vivid colors, he manages to represent the essence of the person in his most honest and vulnerable state. Accuracy and care in forms are broken in the limits of the figures where the contours are blurred and merge with the background, in a metaphor of the fragility of the human being and its contingency.
Katy Ann Gilmore is a visual artist living and working in Los Angeles. She received a BA in Mathematics, Art, and Spanish from Greenville College in Greenville, IL and an MFA in Visual Art from Azusa Pacific University in Azusa, CA. Working in sculpture, installation, and drawing/painting, she is currently influenced heavily by topography and the relationship between 2D, perpendicular planes and their distortions into 3D space.
Los Angeles based Mark Whalen (previously featured here) has been showing some new work. Using a tightly controlled painting technique, Whalen expresses satirical social narratives in seemingly universal situations. The most recent series of sculptural works continues his study into the complexities of displacement and positioning that we, as both individuals and a species, experience through our evolutionary trajectory. Construction netting captures, cordons and compartmentalizes our distinctive characteristics as they shift under the weight of societal pressure through this ever-changing global economy.
Los Angeles based Thomas Housago’s work playfully subverts the expectation of sculpture. Drawing reference to a multitude of styles such as Classicism, Cubism, and Futurism, Houseago’s intentionally clumsy forms trade the imperious and enduring qualities of traditional bronze or marble for the humble aesthetic of plaster and various found materials. Lacking the weighty physical stature associated with three dimensional media, Houseago’s ‘monumental’ structures appear almost comically flimsy, reducing the grandiose weight of art history into sympathetic effigies.
Houseago is fascinated by tribal art from Africa and the South Pacific, an influence evident in the primitivist mask-like heads and crude features of his disjointed figures. To create them, Houseago begins with a structure of iron rods, then adds materials such as plaster, hemp, and wood. Some of his works incorporate charcoal or graphite sketches of faces and anatomy on plaster and wood panels, producing an unfinished look that draws attention to the artist’s process.
Los Angeles based artist Orion Martin is known for his stylized, super-flat style, which re-contextualizes the still life into seductive portraits of consumerism. Often presented in over-the-top, polished plastic frames, Martin’s works combine various limbs and objects, interweaving each object into an elegantly cohesive statement.