Los Angeles based artist Delfin Finley has always been immersed in a creative environment. His mom and dad were both fashion designers and ran their business in their home. Delfin grew up watching his parents designing clothing, catering to their custom clients and attending Fashion Shows where they presented their lines.
His favorite genre is portraiture. In his works, constructed with precise brushstrokes of vivid colors, he manages to represent the essence of the person in his most honest and vulnerable state. Accuracy and care in forms are broken in the limits of the figures where the contours are blurred and merge with the background, in a metaphor of the fragility of the human being and its contingency.
Katy Ann Gilmore is a visual artist living and working in Los Angeles. She received a BA in Mathematics, Art, and Spanish from Greenville College in Greenville, IL and an MFA in Visual Art from Azusa Pacific University in Azusa, CA. Working in sculpture, installation, and drawing/painting, she is currently influenced heavily by topography and the relationship between 2D, perpendicular planes and their distortions into 3D space.
Los Angeles based Mark Whalen (previously featured here) has been showing some new work. Using a tightly controlled painting technique, Whalen expresses satirical social narratives in seemingly universal situations. The most recent series of sculptural works continues his study into the complexities of displacement and positioning that we, as both individuals and a species, experience through our evolutionary trajectory. Construction netting captures, cordons and compartmentalizes our distinctive characteristics as they shift under the weight of societal pressure through this ever-changing global economy.
Los Angeles based Thomas Housago’s work playfully subverts the expectation of sculpture. Drawing reference to a multitude of styles such as Classicism, Cubism, and Futurism, Houseago’s intentionally clumsy forms trade the imperious and enduring qualities of traditional bronze or marble for the humble aesthetic of plaster and various found materials. Lacking the weighty physical stature associated with three dimensional media, Houseago’s ‘monumental’ structures appear almost comically flimsy, reducing the grandiose weight of art history into sympathetic effigies.
Houseago is fascinated by tribal art from Africa and the South Pacific, an influence evident in the primitivist mask-like heads and crude features of his disjointed figures. To create them, Houseago begins with a structure of iron rods, then adds materials such as plaster, hemp, and wood. Some of his works incorporate charcoal or graphite sketches of faces and anatomy on plaster and wood panels, producing an unfinished look that draws attention to the artist’s process.
Los Angeles based artist Orion Martin is known for his stylized, super-flat style, which re-contextualizes the still life into seductive portraits of consumerism. Often presented in over-the-top, polished plastic frames, Martin’s works combine various limbs and objects, interweaving each object into an elegantly cohesive statement.
Los Angeles based Todd Schorr is an American artist and one of the most prominent members of the “Lowbrow” art movement or pop surrealism. Combining a cartoon influenced visual vocabulary with a highly polished technical ability, based on the exacting painting methods of the Old Masters, Schorr weaves intricate narratives that are often biting yet humorous in their commentary on the human condition.
Schorr grew up as a child in Oakland, New Jersey. Showing a compulsion for drawing at an early age, his parents enrolled him in Saturday morning art classes when he was five years old. Deeply affected by fantasy movies such as the 1933 film classic “King Kong” and the early animated cartoons of Walt Disney and Max Fleischer, their influence along with comic books such as “Mad” would have a lasting effect on Schorr’s developing visual vocabulary.
Los Angeles based Leo Eguiarte creates unique visual art with beautiful use of colors and subject matter. His work consists of behind-the-scene issues of the mind, body and spirit, in which he documents his surroundings that inspires his artwork.
“Holographic conjuration is a visual metaphor for the illusionary state we as people are subjected to by our material desires. The work addresses issues of perceived power and its consolidation by a selected minority, the psychological, social, spiritual, and cultural effects of which are visible on both micro and macro levels.” Leo Eguiarte
Henry Taylor is an American artist and painter who lives and works in Los Angeles, California. Taylor is most well known for his acrylic paintings, mixed media sculptures, and installations. Taylor paints quick, loose portraits of his relatives, friends, celebrities, and athletes on large and small canvases, as well as creating evocative sculptures and assemblages of found materials.
Drawing on the folk art and modernism present in a strain of African American painting that traces back to Jacob Lawrence and Romare Bearden, Taylor has painted monumental canvases based on WPA photographs of black farm workers.