Peter Judson is a multi-talented illustrator and printmaker based in London inspired by such luminaries as the Memphis Group and Dieter Rams. After starting his career at the age of 14 with a Microsoft Paint drawing published in Pictoplasma, Peter spent some time as the leather-clad drummer of an unsuccessful band before ending up where he is now – creating satisfyingly transfixing work full of brow-furrowing graphical goodness.
Katy Ann Gilmore is a visual artist living and working in Los Angeles. She received a BA in Mathematics, Art, and Spanish from Greenville College in Greenville, IL and an MFA in Visual Art from Azusa Pacific University in Azusa, CA. Working in sculpture, installation, and drawing/painting, she is currently influenced heavily by topography and the relationship between 2D, perpendicular planes and their distortions into 3D space.
John Harman’s exploratory, give-it-a-go-and-see-what-happens attitude has propelled him since he was a boy. His iterative journey has had its fits and starts, but its forward momentum has been fueled by his unceasing curiosity and his desire to learn—not just from his tools, but also from the larger creative community. While working full-time, Harman pursued a four-year degree in video game art. The courses taught him a lot, but they skipped right over the basics, so, as with Photoshop before, his made his own way through 3D Studio Max, Adobe InDesign, and a whole host of other programs.
Based in Tucson, Arizona, Daniel Martin Diaz is a fine artist with an insatiable curiosity to explore the mysteries of life and science. Diaz has designed artwork for large public art projects in the US and has won many awards such as a gold and platinum record designed for Atlantic Records.
“Over the past few years, I have become immersed in scientific and philosophical concepts, such as Anatomy, Computer Science, Math, Cosmology, Biology, Quantum Physics, and Consciousness. I have been particularly fascinated with scientific diagrams, which explain theories and properties through imagery. Although these rudimentary images are without any leanings towards aesthetics, I find them to be beautiful, though that is not the intention. All of the projects I have created begin as drawings, which I feel has a beauty and intimacy that painting cannot capture. The subtle lines that graphite creates, and the quickness in which one can capture an idea makes this medium alluring.” Daniel Martin Diaz
Japanese artist, Fumihiro Kato, creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.
He has been active since the early 2000’s, displaying his numerous works ranging from abstract to landscapes with his own special touch, which is described as on his website as his “own original painting technique, which has never been used by anyone before.”
Lausanne, Switzerland based Philippe Decrauzat professes an interest in the “direct relationship Op art provides to the viewers and the way it influences their minds.” Decrauzat’s monochromatic, geometric sculptures, wall paintings, and installations are rooted in the traditions of Op art and Minimalism established in the 1960s and ’70s. Yet in subtly manipulating the relationships between his artworks and the spaces in which they are situated—arranging his works as a sort of navigational tool in a gallery, or arraying stripe paintings to create effects of light and shadow—Decrauzat imbues his historically rooted work with a 21st-century sensibility.
Harriet Lee-Merrion is a freelance illustrator living in Bristol, originally from Falmouth, Cornwall. Her recurring theme is the complexity of human condition, analyzed through a visual style which reveals an ideal balance between oriental features and English heritage.
Narrations of love, joy and madness interweave in delicate line works, sometimes without even the need for any color. The clean lines lend well to intricate designs, and the complex ideas that make her work so interesting are engrossing.
Jordan Jackson uses clean, fine lines to create intricate and sprawling works that detail symbols and icons. His compositions become hand-drawn catalogues of artifacts. Using mainly pen on off-white papers, Jordan’s illustrations feel folk-like and otherworldly in their content but his style keeps his depictions of wiggling coral, ambiguous symbols and indistinct vessels fresh and interesting.
Josephin Ritschel is an illustrator living and working in Berlin. In Josephin’s illustrations, fine lines, dark lines, little lines, lines on lines, and a few blocks shading all build up to make these incredible images full of life. Whether its spooky or sombre, funny or lonely, the scenes she creates have a real sense of energy and all tell their own, often bizarre, story. The illustrations are colored in with the kind of precision that children can only dream of when they try to stay within the lines of their coloring books.
Josh Sperling was born in 1984 in Oneonta, New York is a young contemporary artist currently living and working in Brooklyn, New York. Sperling’s works on canvas waver between wall sculptures and paintings. Building layered plywood structures by hand, the artist stretches canvas over these forms to create a subtle relief.
The structures range from angular and geometric to organic reminiscent of fibers and cells. Light and shadow interact with the facets of the pieces, creating an enhanced illusion of depth. Adding to this, Sperling uses bold, monochromatic hues that play with bright contrast and unexpected color combinations that appeal and delight the visual senses.