Paris, France based Duy Anh Nhan Duc was born in 1983 in Ho Chi Minh City, Vietnam. Nature is the matrix Duc’s artworks. A constant search for alliance and osmosis to present a different vision of plant kingdom. “Through my work, I intend to capture the unique allure of vegetation, to transcribe the emotions it arouses in me and to stage it in the narrative it brings to my mind.”
In his workshop, Duy Anh Nhan Duc smoothly transforms dandelion, clover, poppy, hydrangea, lichen… he gathers during walks. He turns them into artwork that stops the cycle of time and unveils the poetry of the moment’s delicateness. Sailing between the awareness and the beauty of the ephemeral, revealing the meditation and radicalness implied by nature, Duy Anh Nhan Duc ceaselessly plunges into the living beauty.
Moscow-based illustrator Katya Dorokhina is turning heads in the arts world with her unique aesthetic that combines nighttime palettes and neon colors. Her main interest lies in making comics and zines, animated illustration and working with 3D objects. Katya sketches compositions before digitally editing them with Photoshop allowing her to play and experiment with texture, light and color.
Ryan Lauderdale is a Brooklyn-based artist who was born in Cushing, Oklahoma, and graduated from Hunter College in 2012 with an MFA in Combined Media. His work slips between associations of Modernist furniture and architecture into other realms where similar codes have been borrowed and particularized such as the aspirational marketing of exercise equipment, transcendental meditation, and the faux-fancy gaudiness common to cheap casinos and strip clubs. His combination of design nostalgia with minimal art just works. It amounts to a precisely observed American Mannerism that is simultaneously earnest and cheeky.
“What we think of as a tidy and linear historical timeline becomes wholly strange and interconnected when looking at specific visual historical threads such as car design or mall architecture. We see how hopes and dreams were passed from one source only to be modulated to different aims by another. The Internet, with all of its archiving potential, further establishes this rhizomatic worldview as reality. Nodes of information collide, mix and hybridize. It is here that the potential for new cultural material can grow.”
Architect-artist Jun Ong worked on his first large-scale light installation called The Star that was embedded in an abandoned building in Butterworth, Penang. Inspired by the notion of “glitch,” a dodecahedron – a 12-sided star-shaped installation appears almost as an error or a temporary irregularity, suddenly finding itself lodged within the concrete superstructure of an unfinished building by the street of Raja Uda.
Comprised of five hundred metres of steel cables and LED strips, the “Star” abstracts kitsch street decorations with electrical cables and transposing them into a formal, recognizable entity. The cables are anchored to ground, slabs, cantilever beams and adjacent buildings to form the overall shape. As one steps closer, the installation segregates itself into several floors, each becoming its own spatial experience.
Buenos Aires, Argentina based Karina Peisajovich received a BFA from the National School of Fine Arts Prilidiano Pueyrredón in Buenos Aires, Argentina. Peisajovich’s works decode the machinery behind representation, focusing on the idea of light, darkness and color as the grounding substance giving shape to the world of images. She structures spaces to achieve heightened perceptual experiences in which visitors become acutely conscious of their individual eye as a perceiving entity. Her time-color environments engage viewers with a simulated pre-image state where they may recognize their own processes of visual construction.
Paris based photographer Nicolas Rivals has realized the series ‘La Línea Roja’ — a visual study of geometry and form in dialogue with nature.
Across scenic landscapes in spain, rivals has installed luminous, neon-hued triangles, squares and lines intersecting with the surrounding environment. Each temporary piece was captured in a series of long-exposure shots that reveal an unusual juxtaposition between fabricated objects and the natural world.
Erin Loree is a Toronto-based artist from Gananoque, Ontario. Her vibrant pictures feature incredible blues, magentas, yellows, and many more spread over a canvas. Loree varies her approach to texture, with some areas of smoothly-applied paint and others with short, thick brush strokes, creating an incredible sense of light.
Julio Le Parc was born in 1928 in Mendoza, Argentina. He studied at the Academy of Fine Arts in Buenos Aires before moving to Paris in 1958. Le Parc’s most widely exhibited work deals with light: using reflection, refraction, and shadows to create dazzling arrangements, to produce a “dynamic viewer.” His light installations are made from materials such as wire, mirrors, lenses and boxes.
While Le Parc is known for creating work that relies heavily upon theory and abstraction, throughout his career he has been concerned with the breakdown of structures that uphold the divisions between art and society. He routinely used questionnaires to solicit information from the public about their thoughts on modern and avant-garde art.
Florence, Italy based artist Fabrizio Corneli sculpts shadows and light to create silhouettes, faces, or even true paintings of light. His fascinating work involves lamps, metal plates, prisms, but also a lot of mathematics to think carefully the outcome of each sculpture.
Whether Corneli’s piece is a folded sheet of copper casting the negative space of an intricate scene, or suspended triangular lantern expelling a burst of light in the silhouette of a man with outstretched arms, they each utilize the power of light and shadow to form unforeseeable figures.
James Nizam produces subtle, geometric light installations with programmable lighting elements and mirrors, the resulting pieces looking like snapshots of a strictly choreographed laser light show.
Nizam has added color and moved his light sculptures outdoors, casting a blue triangle of light against a city at night in Visible Horizon and forming a blue and pink 16-sided form in Octagram. No matter the location, Nizam’s pieces give a visually physical presence to