Buenos Aires-based artist Leandro Erlich’s “Single Cloud Collection” gives us a surreal taste of what capturing a cloud in glass would look like. Using the artistic method of layering, Erlich’s sculptural pieces are given a three-dimensionality. Each “captured cloud” is the illusionary result of numerous panes of glass that are individually embellished with acrylics.
Erlich plays with an audience’s visual senses. The artist forces viewers to rethink the way they see things. Like a true magician, he leaves one to question the impossibility of something. What appears to be a three-dimensional anomaly seems to be true based on sensory observation, but, ultimately, is just an illusion.
German artist Wilfried Grootens paints extraordinary figures comprised of dots and tendrils sandwiched between dozens of laminate glass layers. These strangely precise optical float paintings take on the form of some fantastic microscopic creatures and are sometimes reminiscent of the photos depicting the milliseconds before a nuclear explosion.
Jess Johnson was born in Tauranga, New Zealand in 1979. In 2016 she relocated permanently to New York after ten years of living and working in Melbourne, Australia. Her drawing and installation practice is influenced by the speculative intersections between language, science fiction, culture and technology.
In her drawings she depicts complex worlds that combine densely layered patterns, objects and figures within architectural settings. Johnson’s drawings are often displayed within constructed environments that act as physical portals into her speculative worlds.
Cristi Rinklin received her MFA from the University of Minnesota, Minneapolis in 1999, and her BFA in painting from Maryland Institute, College of Art in 1989. She has exhibited her work in galleries and museums throughout the United States, as well as venues in Rome, Florence, and Amsterdam.
“I present a pictorial language that is altered by technology, in turn becoming a lens through which we translate our contemporary understanding of space. Imagery in my work is constructed and manipulated through opposing forces and visual impossibilities, via intense color, and optical effects. The seamlessness of layering I employ is a response not only to current widely available digital technologies, but also to the great tradition of illusion in painting.” Cristi Rinklin