Xiaoyi Chen currently lives and works in UK and China. She received her MA in photography from the London College of Communications in 2014 and was awarded the LCC/Photofusion Prize. Chen’s work has been exhibited and published internationally.
Chen’s practice is tied to a natural, oriental aesthetic, influenced by Western abstract art and oriental philosophy. Photography is a personal tool for Chen, used to question broad concepts that migrate from the personal to the philosophical realm. Her recent work focuses on the combination of photography and printmaking, a combination of techniques used to explore beneath the surface of things by simplifying and abstracting; an approach aimed at reviving spiritual awareness and intuition before entering the symbolic nature of what we view.
Amy Park is known for her carefully rendered, large-scale watercolor paintings featuring iconic architecture. She works almost exclusively from photographs. Her subjects have included Donald Judd’s structures in Marfa, experimentally designed homes in California, and other icons of Modernist architecture. Her best-known series is based on a famous series of architectural photos by Julius Schulman; while Park faithfully reproduces Schulman’s original compositions, she selects the jeweled colors based on her recollection and interpretations.
Another body of works was inspired by the New York City urban landscape, with particular attention paid to repeating textures and patterns. These works were based on Park’s own photographs of major landmarks and skyscrapers, reimagined with more intensely saturated hues.
Kansas City, Missouri based Jaime Rovenstine’s geometric shapes are married with landscapes that look like they’re from another planet shrouded in dots. Her paintings are most inspired by natural organisms and biospheres. She has come to see her paintings as small windows into some sort of dream-world. Some paintings feel like they’re underwater, some out in space, some in the mountains.
Lima, Peru based artist Ana Teresa Barboza creates landscapes and other imagery that exists in the space between tapestry and sculpture using embroidery, yarn, and wool. Emulating the flow of waves or grass, each piece breaks out of its embroidery hoop and tumbles down the wall upon which it is being displayed.
“Both embroidery and crocheting are techniques that require time. I use these techniques in order to make a connection between manual work and the processes of nature; creating thread structures similar to the structures that make a plant for example.” Ana Teresa Barboza
Mount Maunganui, New Zealand based Ben Young is a self-taught artist who has been making glass sculpture for over 15 years. Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool.
Young’s current work explores the use of industrial materials to compliment the organic glass shapes. He liked the idea that concrete is a basic construction material, and also the physical and visual contrasts between the textures and colors of both materials. Still noticeably influenced by the ocean and bodies of water – the concrete forms have become an integral part of his art forms as have the small bronze carvings which he sculpts initially from wax and uses to help portray the narrative suggested by his landscapes.
The practice of Los Angeles based artist Jim Shaw spans a wide range of both artistic media and visual imagery. Since the 1970s, Shaw has mined the detritus of American culture, finding inspiration for his artworks in comic books, pulp novels, rock albums, protest posters, thrift store paintings and advertisements.
Providing a blend of the personal, the commonplace and the uncanny, Shaw’s works frequently place in dialogue images of friends, family members, world events, pop culture and alternate realities. Often unfolding in long-term, narrative cycles, the works contains systems of cross-references and repetitions, which rework similar symbols and motifs, allowing a story-like thread to be perceived.
New York City based Paul Metrinko’s paintings visually explore the people, places and things that surround him. His paintings are equally a living pictorial memoir and an earnest contribution to the storied tradition of figurative painting.
Using his characteristic and vaguely abstract style, Paul morphs the noisy, harsh atmosphere of a sunny seaside resort into a sweet pastel stretch of atmospheric daubs of paint in a way that makes it completely enchanting, transforming this familiar space into a fairytale-like landscape that’s not completely without sinister undertones.
Los Angeles based artist Chyrum Lambert uses ink, dye, stain, acrylic, wax, epoxy, and oil to create the pieces of his artwork, which he cuts up and layers into these fantastic pieces. Some of the artwork is more abstract while others have a semblance of figures or plant-life, familiar shapes slowly appearing.
Japanese artist from Osaka, Fumihiro Kato, has been active since 2004 displaying his numerous works ranging from abstract to landscapes with his own special touch. He creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.
His work is described on his website as his “own original painting technique, which has never been used by anyone before.” It goes without saying that his technique is unique, but the use of vibrant colors is evident and mixed so well with the intricacies of his artwork.
North Haven, Connecticut based Maurice Sapiro is an artist that grew up in America from Highlands, New Jersey. You get a great sense of fluidity to the dreamy presentation of Maurice’s work, evident in his technique ranging from his oil paintings, to sculptures, to his basic hand drawn sketches.
Some of his most dream-like works comes from his “Pour Paintings”, where he uses a technique of “Viscosity Printing”, a technique developed by the late Stanley William Hayter, which uses oil paints of different viscosities which repel each other, rather than blending together.