Lima, Peru based artist Ana Teresa Barboza creates landscapes and other imagery that exists in the space between tapestry and sculpture using embroidery, yarn, and wool. Emulating the flow of waves or grass, each piece breaks out of its embroidery hoop and tumbles down the wall upon which it is being displayed.
“Both embroidery and crocheting are techniques that require time. I use these techniques in order to make a connection between manual work and the processes of nature; creating thread structures similar to the structures that make a plant for example.” Ana Teresa Barboza
Mount Maunganui, New Zealand based Ben Young is a self-taught artist who has been making glass sculpture for over 15 years. Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool.
Young’s current work explores the use of industrial materials to compliment the organic glass shapes. He liked the idea that concrete is a basic construction material, and also the physical and visual contrasts between the textures and colors of both materials. Still noticeably influenced by the ocean and bodies of water – the concrete forms have become an integral part of his art forms as have the small bronze carvings which he sculpts initially from wax and uses to help portray the narrative suggested by his landscapes.
The practice of Los Angeles based artist Jim Shaw spans a wide range of both artistic media and visual imagery. Since the 1970s, Shaw has mined the detritus of American culture, finding inspiration for his artworks in comic books, pulp novels, rock albums, protest posters, thrift store paintings and advertisements.
Providing a blend of the personal, the commonplace and the uncanny, Shaw’s works frequently place in dialogue images of friends, family members, world events, pop culture and alternate realities. Often unfolding in long-term, narrative cycles, the works contains systems of cross-references and repetitions, which rework similar symbols and motifs, allowing a story-like thread to be perceived.
New York City based Paul Metrinko’s paintings visually explore the people, places and things that surround him. His paintings are equally a living pictorial memoir and an earnest contribution to the storied tradition of figurative painting.
Using his characteristic and vaguely abstract style, Paul morphs the noisy, harsh atmosphere of a sunny seaside resort into a sweet pastel stretch of atmospheric daubs of paint in a way that makes it completely enchanting, transforming this familiar space into a fairytale-like landscape that’s not completely without sinister undertones.
Los Angeles based artist Chyrum Lambert uses ink, dye, stain, acrylic, wax, epoxy, and oil to create the pieces of his artwork, which he cuts up and layers into these fantastic pieces. Some of the artwork is more abstract while others have a semblance of figures or plant-life, familiar shapes slowly appearing.
Japanese artist from Osaka, Fumihiro Kato, has been active since 2004 displaying his numerous works ranging from abstract to landscapes with his own special touch. He creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.
His work is described on his website as his “own original painting technique, which has never been used by anyone before.” It goes without saying that his technique is unique, but the use of vibrant colors is evident and mixed so well with the intricacies of his artwork.
North Haven, Connecticut based Maurice Sapiro is an artist that grew up in America from Highlands, New Jersey. You get a great sense of fluidity to the dreamy presentation of Maurice’s work, evident in his technique ranging from his oil paintings, to sculptures, to his basic hand drawn sketches.
Some of his most dream-like works comes from his “Pour Paintings”, where he uses a technique of “Viscosity Printing”, a technique developed by the late Stanley William Hayter, which uses oil paints of different viscosities which repel each other, rather than blending together.
French surrealist Guy Billout‘s universe of ironic illustrations has a tendency to magnify one’s anxieties, whilst offering humor and a look into a bizarro version of society.
Billout’s aesthetic style is clean and spare, sometimes incorporating some ironic element. His work is overall minimal, but the subject in each piece offers scenarios that makes you think of countless outcomes and possibilities.
Anthony Baus is from Racine, WI. He received his BFA from the University of Wisconsin Milwaukee. He later moved to Chicago and apprenticed under Eric J. Nordstrom, owner of Bldg 51 museum. The museum hosts a collection of historically important American architectural artifacts from such notable architects as Louis Sullivan and Frank Lloyd Wright, exposing Anthony to an unwavering appreciation of the past. In 2010 he began study at Grand Central Academy. He is the recipient of the 2015 Alma Schapiro Prize and currently instructor of GCA’s perspective/design studio.