Andrea Joyce Heimer (previously featured here) is a self taught painter known for her exploration of the suburban experience, drawing inspiration from the neighborhood mythos of her childhood home in 1980’s Great Falls, Montana. Heimer struggled early-on with feelings of disconnect from her family and community. Her sense of isolation continued into her teens, but by then she’d found comfort in a peculiar activity: observation. Through quietly observing the lives around her Heimer was able to piece together neighborhood tales of madness.
Part allegory part autobiography, her tremendously detailed paintings depict scenes of heartbreak, madness, and the emotional claustrophobia that stems from living as an outsider in one’s own backyard.
Jonathan Chapline is an oil painter and digital artist living in Brooklyn. Each of his scenes look as if its parts have been pixelated and rendered smooth on auto-loop, the remaining shapes melodramatically lit.
He makes art that reflects the transition between interiors and exteriors of the suburban landscape that outwardly conform to societal pressures, and which hint at the reality that exists behind those facades representing the neighborhoods of everyman. The work reveals the contradiction and tension between appearance and reality, giving the viewer an opportunity to consider what subsides beyond and between the veneer of their own life experiences.
New York based Caroline Larsen has an undergraduate degree from the University of Waterloo and a Masters of Fine Arts degree from Pratt Institute. Larsen’s work has been in numerous group shows throughout Canada, America and Germany.
Her work explores the sensation of being in the tropical landscape at night, when the heat exaggerates the saturation of the night hues. The paintings also play with the idea of abstraction. The paintings coexist between a recognizable form and a non representational image, but at the same time they are pictorial.
“Using the memory of landscapes and imagery that I experienced during my upbringing in Sarasota, Florida as a springboard I create images that evoke a celebratory tropical frenzy. My interest in tropical landscapes stems from my lived experience, growing up in Florida and spending time in Panama as an adult has greatly influenced my aesthetic.
A constant focus of all of my work, is the attentiveness to color and its role of imparting feeling. My paint application, with its texture acting as line and pattern, is an organizing form in and of itself; the ridges cast shadows and create optical rhythms. The paintings use a full color palette, keeping with my intention to be as ornamental and vibrant as possible.” Caroline Larsen
Born in Norwich, Connecticut in 1970, Carter is an internationally known painter, sculptor,
photographer and ﬁlmmaker based in New York. He studied at the Maryland Institute College of Art, earning a BFA degree in 1992. In 1994 he studied at The Skowhegan School of Painting
and Sculpture, and in 1997 received an MFA degree from the University of California, Davis.
Carter’s paintings and photo collages incorporate dissociate facial features, body parts, and landscape elements into cohesive satisfying wholes, however his use of color and connectivity keeps the primary focus on the act of articulation and on the component relations rather than on the complete combined effect.
Brooklyn based Jules de Balincourt (previously featured here) is a French-American contemporary artist. He is best known for his abstract, atmospheric paintings with saturated colors, blurring the line between fantasy and reality. Force-fed on TV and an all-American mind-junk diet, his paintings are crafted with democratic gusto. Evoking notions of utopia and dystopia, de Balincourt’s paintings investigate public and private spaces and suggest an ever-changing landscape – both physical and psychological.
Xiaoyi Chen currently lives and works in UK and China. She received her MA in photography from the London College of Communications in 2014 and was awarded the LCC/Photofusion Prize. Chen’s work has been exhibited and published internationally.
Chen’s practice is tied to a natural, oriental aesthetic, influenced by Western abstract art and oriental philosophy. Photography is a personal tool for Chen, used to question broad concepts that migrate from the personal to the philosophical realm. Her recent work focuses on the combination of photography and printmaking, a combination of techniques used to explore beneath the surface of things by simplifying and abstracting; an approach aimed at reviving spiritual awareness and intuition before entering the symbolic nature of what we view.
Amy Park is known for her carefully rendered, large-scale watercolor paintings featuring iconic architecture. She works almost exclusively from photographs. Her subjects have included Donald Judd’s structures in Marfa, experimentally designed homes in California, and other icons of Modernist architecture. Her best-known series is based on a famous series of architectural photos by Julius Schulman; while Park faithfully reproduces Schulman’s original compositions, she selects the jeweled colors based on her recollection and interpretations.
Another body of works was inspired by the New York City urban landscape, with particular attention paid to repeating textures and patterns. These works were based on Park’s own photographs of major landmarks and skyscrapers, reimagined with more intensely saturated hues.
Kansas City, Missouri based Jaime Rovenstine’s geometric shapes are married with landscapes that look like they’re from another planet shrouded in dots. Her paintings are most inspired by natural organisms and biospheres. She has come to see her paintings as small windows into some sort of dream-world. Some paintings feel like they’re underwater, some out in space, some in the mountains.
Lima, Peru based artist Ana Teresa Barboza creates landscapes and other imagery that exists in the space between tapestry and sculpture using embroidery, yarn, and wool. Emulating the flow of waves or grass, each piece breaks out of its embroidery hoop and tumbles down the wall upon which it is being displayed.
“Both embroidery and crocheting are techniques that require time. I use these techniques in order to make a connection between manual work and the processes of nature; creating thread structures similar to the structures that make a plant for example.” Ana Teresa Barboza
Mount Maunganui, New Zealand based Ben Young is a self-taught artist who has been making glass sculpture for over 15 years. Each of Young’s sculptural works are hand drawn, hand cut and handcrafted from clear sheet float glass, then laminated layer upon layer to create the final form. He constructs models, draws templates, makes custom jigs and then cuts the layers with a glazier’s hand-tool.
Young’s current work explores the use of industrial materials to compliment the organic glass shapes. He liked the idea that concrete is a basic construction material, and also the physical and visual contrasts between the textures and colors of both materials. Still noticeably influenced by the ocean and bodies of water – the concrete forms have become an integral part of his art forms as have the small bronze carvings which he sculpts initially from wax and uses to help portray the narrative suggested by his landscapes.