Glass Half Empty |JIN YOUNG YU

Korean Artist, Jin Young Yu, shows you what it’s like to behold “invisible people.” These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man’s defense mechanisms- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be “happy” or “smiling” when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lie within.

Yu’s sculptures are an investment of time and artistic expression. The artist carefully sculpts a clay human form and makes a plaster cast out of it. She then layers the mold with PVC (the glass like substance that is truly transparent and doesn’t warp or disfigure objects behind it), adding heat to the PVC sheets in order to fit the plaster mold. This is a painstaking process that Yu is lovingly dedicated to.

And the results are breathtakingly beautiful.

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (1)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (2)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (3)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (4)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (5)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (6)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (7)

Korean Artist, Jin Young Yu, shows you what it's like to behold "invisible people." These life size human and animal sculptures exacerbate the humanity involved in being transparent individuals and families. Yu captures the essence of man's defense mechanism of projection- playing roles of happiness by wearing their metaphorical and quite literal masks. Though the individuals and families present themselves to be "happy" or "smiling" when greeting a guest (even the dog has a mask), the true state of transparency is the silence, melancholy and fear that lies within. Via news.upperplayground.com (8)

The Monsters on Maple Street | SEUNGYEA PARK

To know one’s self is to be able to observe one’s self. It is to know that the external world is a mere mirror of one’s internal world and that all is connected as one in this vast, yet narrow space we call life.

A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise known as Spunky Zoe.

Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, “Monstrousness.” She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world; fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us.

Park’s intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the “I” inside of herself with the “I” outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my “I” coming back for more.

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (1)

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (2)

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (3)

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (4)To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (5)

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (6)

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (7)

To know one's self is to be able to observe one's self. It is to know that the external world is a mere mirror of one's internal world and that all is connected as one in this vast, yet narrow space we call life. A relentless explorer of the inner self is Korean artist, Seungyea Park, otherwise knows as Spunky Zoe. Park uses pen and acrylic to artistically express the journey of fear that permeates in the inner self, which she calls, "Monstrousness." She analyzes the archaic systems in place that use fear and horror to maintain imbalances of justice in the world. Fear being the dominant construct that is used to control and subdue people. After all, it is in our primitive nature to orient towards danger, to be prepared for fight, flight, freeze and in the case of the consciousness of the masses, hypnotic paralysis that shuts us down and leaves us comfortably numb to everything around us. Park's intriguing art work captivates my attention as I gaze into the juxtaposition of her dark side and fears with the beauty and skill she produces as an act of love. The template of her work is drawn from observing and documenting the contradictions of the "I" inside of herself with the "I" outside of herself. Her knowledge and heightened awareness, combined with mesmerizing artistic skill, will leave my "I" coming back for more. Via news.upperplayground.com (8)

Beauty in Stillness | ENSEE

Mi-Kyung Choi, who goes by the name, ENSEE, is a Korean digital artist and illustrator. Her illustrations reverberate profound beauty in stillness as if capturing moments of the organizational and curious thoughts that stream through her life. The kind of art that takes stillness into a familiar place of love and beauty. A place we often forget within our own selves.
Some of the images appear to be self-portraits that conceal, and yet reveal, her essence and unique talent.

Follow Ensee on Instagram

Mi-Kyung Choi, who goes by the name, ENSEE, is a Korean digital artist and illustrator. Her illustrations reverberate profound beauty in stillness as if capturing moments of the organizational and curious thoughts that stream through her life. The kind of art that takes stillness into a familiar place of love and beauty. A place we often forget within our own selves. Via news.upperplayground.com (1)

Mi-Kyung Choi, who goes by the name, ENSEE, is a Korean digital artist and illustrator. Her illustrations reverberate profound beauty in stillness as if capturing moments of the organizational and curious thoughts that stream through her life. The kind of art that takes stillness into a familiar place of love and beauty. A place we often forget within our own selves. Via news.upperplayground.com (2)

Mi-Kyung Choi, who goes by the name, ENSEE, is a Korean digital artist and illustrator. Her illustrations reverberate profound beauty in stillness as if capturing moments of the organizational and curious thoughts that stream through her life. The kind of art that takes stillness into a familiar place of love and beauty. A place we often forget within our own selves. Via news.upperplayground.com (3)

Mi-Kyung Choi, who goes by the name, ENSEE, is a Korean digital artist and illustrator. Her illustrations reverberate profound beauty in stillness as if capturing moments of the organizational and curious thoughts that stream through her life. The kind of art that takes stillness into a familiar place of love and beauty. A place we often forget within our own selves. Via news.upperplayground.com (4)

Mi-Kyung Choi, who goes by the name, ENSEE, is a Korean digital artist and illustrator. Her illustrations reverberate profound beauty in stillness as if capturing moments of the organizational and curious thoughts that stream through her life. The kind of art that takes stillness into a familiar place of love and beauty. A place we often forget within our own selves. Via news.upperplayground.com (5)