Japanese sculptor Yoshitoshi Kanemaki carves life-size sculptures from wood, but with a twist of mortality and transience. The disturbing pieces hinge often hinge on grotesque as the combination of the bulging weight and density of wood heightens the certainty of death that looms over all his creations. Each piece, with sizes ranging from life-size to miniature, is first sketched directly onto a large section of camphor wood and then chiseled to match the absurd female form.
Japanese artist, Fumihiro Kato, creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.
He has been active since the early 2000’s, displaying his numerous works ranging from abstract to landscapes with his own special touch, which is described as on his website as his “own original painting technique, which has never been used by anyone before.”
Masao Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme.
Kinoshita’s sculptures stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land.
Japan based Daniel Isles aka DirtyRobot is a creator of comics and illustrations, and he’s been doing so from a very young age. Daniel is currently working on a 365 days of drawing project, which he started back in July 2016.
Los Angeles based Masami Teraoka‘s early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of ukiyo-e woodblock prints. These paintings, done after his arrival in the United States, often featured the collision of the two cultures. Series such as McDonald’s Hamburgers Invading Japan and 31 Flavors Invading Japan characterize themes in the work in this time period. These pieces blended reality with fantasy, humor with commentary, history with the present.
He has abandoned this style in favor of Western European religious iconography, in tune with his cultural and political critique of contemporary culture, particularly its confessional quality in America society. Teraoka’s work has been reviewed, collected and exhibited throughout the United States and abroad.
Tokyo and Melbourne based Stanislava Pinchuk aka Miso is a Ukraine-born artist that practices an interesting sort of bartering economics – when she does her trademark minimalistic and meaningful tattoos for her friends, they pay with goods or favors, not money.
In her most recent series “FallOut” Miso explores the changing topography of the Nuclear Exclusion Zone in Fukushima, Japan through a series of pin-hole drawings, inspired by fishnets she saw strewn on the ground when visiting the site.
Japanese artist from Osaka, Fumihiro Kato, has been active since 2004 displaying his numerous works ranging from abstract to landscapes with his own special touch. He creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.
His work is described on his website as his “own original painting technique, which has never been used by anyone before.” It goes without saying that his technique is unique, but the use of vibrant colors is evident and mixed so well with the intricacies of his artwork.
Akira Yamaguchi paints large and complex canvases using a technique which recalls ancient Japanese yamato-e paintings. This traditional style is updated and mixed with manga-like scenes and employed for mostly contemporary subjects.
The artist’s favorite themes are hyper-detailed cityscapes featuring buildings and infrastructures which are sometimes cross-sectioned in order to show what’s happening in the interiors. Traditional and contemporary buildings are filled with people dressed as in different epochs, cohabiting in a chaotic and stratified world.
Motohiro Hayakawa was raised under several graphic influences that would later bring him to the place he is now regarded in art, illustration, and comics. Science fiction and cartoons were a massive part of his life, playing a paramount role in the way he draws and paints.
A narrative is born in each of his works and you can almost sense the fantasy crawling out and being brought into life right in front of you. Warriors, princesses, green men in space suits, and a whole lot of different creatures are a few of the characters you can count on.
Japanese media artist Nobumichi Asai awes and teases our senses with his face-mapped video projections and shape-shifting holograms. Asai is a projection mapping producer and technical director who mixes his science background and artistic skills to create original and innovative works.
One of his most recent work is the projection mapping project “Omote”. Omote is a Japanese word for face, or a mask, which is considered as a mirror of the human soul. Performers of Japan’s classical musical plays often use Omote masks to express a multitude of dramatic emotions, which is explored and realized through the integration of state of the art technology and Japanese art.