DISINTEGRATING SCULPTURES BY YUICHI IKEHATA

by Ariadna Zierold

yuichi ikehata, japan, fragment of long term memory, sculpture, sculptures, body, body parts, human, wire, clay, paper, disintegrating, upper playground

Yuichi Ikehata is an artist born and based in Chiba, Japan. In a series titled “Fragment of Long Term Memory”, Ikehata sculpts human bodies or body parts using wire, clay, and paper. Next, he photographs the sculpture and digitally adds in skin, hair, eyes, and other features. The final image is so seamless that the viewer cannot tell what is real and what is not. Each sculpture is frozen in a state of unravelling or partial decomposition, their skin flaking off to reveal the structure beneath, as if they were real bodies caught at the edge of an explosion.

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REPETITIVE FACES BY YOSHITISHI KANEMAKI

by Ariadna Zierold

yoshitoshi kanemaki, wood, wooden, sculpture, sculptures, japan, japanese, life size, repetitive, faces, girl, girls, absurd, upper playground

Japanese sculptor Yoshitoshi Kanemaki carves life-size sculptures from wood, but with a twist of mortality and transience. The disturbing pieces hinge often hinge on grotesque as the combination of the bulging weight and density of wood heightens the certainty of death that looms over all his creations. Each piece, with sizes ranging from life-size to miniature, is first sketched directly onto a large section of camphor wood and then chiseled to match the absurd female form.

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METICULOUS COMPLEXITY BY FUMIHIRO KATO

by Ariadna Zierold

fumihiro kato, japan, japanese, complex, meticulous, intricate, lines, colorful, vibrant, landscapes, abstract, upper playground

Japanese artist, Fumihiro Kato, creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.

fumihiro kato, japan, japanese, complex, meticulous, intricate, lines, colorful, vibrant, landscapes, abstract, upper playground
He has been active since the early 2000’s, displaying his numerous works ranging from abstract to landscapes with his own special touch, which is described as on his website as his “own original painting technique, which has never been used by anyone before.”

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SKINNED SCULPTURES AND ILLUSTRATIONS BY MASAO KINOSHITA

by Ariadna Zierold

masao kinoshita, sculpture, illustration, skinned, anatomical, anatomy, animal, anthropomorphic, wood, resin, bronze, japan, japanese, muscles, surreal, upper playground

Masao Kinoshita draws much of his inspiration from diverse mythologies, religions and folklores from around the globe. Fusing narratives across space and time, the horned maenads of ancient Greece live alongside the Yoga Asura deities of Buddhism in a visceral, animalistic universe where fitness reigns supreme.

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Kinoshita’s sculptures stand skinned and erect. Working with materials ranging from wood to resin to bronze, the Japanese sculptor uses an aesthetic we normally associate with natural history museums to render athletic, flexing creatures of the sea and land.

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THE WORK OF MASAMI TERAOKA

by Ariadna Zierold

masami teraoka, watercolor, painting, paintings, japan, japanese, culture, traditional, humor, funny, woodblock, print, culture, america, society, los angeles, upper playground

Los Angeles based Masami Teraoka‘s early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of ukiyo-e woodblock prints. These paintings, done after his arrival in the United States, often featured the collision of the two cultures. Series such as McDonald’s Hamburgers Invading Japan and 31 Flavors Invading Japan characterize themes in the work in this time period. These pieces blended reality with fantasy, humor with commentary, history with the present.

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He has abandoned this style in favor of Western European religious iconography, in tune with his cultural and political critique of contemporary culture, particularly its confessional quality in America society. Teraoka’s work has been reviewed, collected and exhibited throughout the United States and abroad.

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FALLOUT BY STANISLAVA PINCHUK

by Ariadna Zierold

stanislava pinchuk, miso, tokyo, melbourne, tattoos, fallout, nuclear, fukushima, japan, pinhole, drawing, fishnets, upper playground

Tokyo and Melbourne based Stanislava Pinchuk aka Miso is a Ukraine-born artist that  practices an interesting sort of bartering economics – when she does her trademark minimalistic and meaningful tattoos for her friends, they pay with goods or favors, not money.

stanislava pinchuk, miso, tokyo, melbourne, tattoos, fallout, nuclear, fukushima, japan, pinhole, drawing, fishnets, upper playground

In her most recent series “FallOut” Miso explores the changing topography of the Nuclear Exclusion Zone in Fukushima, Japan through a series of pin-hole drawings, inspired by fishnets she saw strewn on the ground when visiting the site.

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DESIGNS WITHIN DESIGNS BY FUMIHIRO KATO

by Ariadna Zierold

fumihiro kato, painting, japan, osaka, detailed, abstract, landscape, complex, meticulous, upper playground

Japanese artist from Osaka, Fumihiro Kato, has been active since 2004 displaying his numerous works ranging from abstract to landscapes with his own special touch. He creates his art with a style that has a very complex and meticulous technique, filled with intricate lines that are almost creating designs within designs.

fumihiro kato, painting, japan, osaka, detailed, abstract, landscape, complex, meticulous, upper playground
His work is described on his website as his “own original painting technique, which has never been used by anyone before.” It goes without saying that his technique is unique, but the use of vibrant colors is evident and mixed so well with the intricacies of his artwork.

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HYPER-DETAILED CITYSCAPES BY AKIRA YAMAGUCHI

by Ariadna Zierold

akira yamaguchi, japan, painting, complex, canvas, yamamoto-e, traditional, detailed, hyper detailed, cityscapes, upper playground

Akira Yamaguchi paints large and complex canvases using a technique which recalls ancient Japanese yamato-e paintings. This traditional style is updated and mixed with manga-like scenes and employed for mostly contemporary subjects.

akira yamaguchi, japan, painting, complex, canvas, yamamoto-e, traditional, detailed, hyper detailed, cityscapes, upper playground

The artist’s favorite themes are hyper-detailed cityscapes featuring buildings and infrastructures which are sometimes cross-sectioned in order to show what’s happening in the interiors. Traditional and contemporary buildings are filled with people dressed as in different epochs, cohabiting in a chaotic and stratified world.

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