RED LIGHT INSTALLATIONS BY NICOLAS RIVALS

by Ariadna Zierold

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Paris based photographer Nicolas Rivals has realized the series ‘La Línea Roja’ — a visual study of geometry and form in dialogue with nature.

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Across scenic landscapes in spain, rivals has installed luminous, neon-hued triangles, squares and lines intersecting with the surrounding environment. Each temporary piece was captured in a series of long-exposure shots that reveal an unusual juxtaposition between fabricated objects and the natural world.

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FLUORESCENT STREET INSTALLATIONS BY AAKASH NIHALANI

by Ariadna Zierold

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Aakash Nihalani was born in 1986 in Queens, New York and is currently based in Brooklyn. In 2008, he received a BFA from Steinhardt School, New York University and in 2012 he was awarded a residency at the Willem de Kooning studio in East Hampton.

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Nihalani’s street installations, which are constructed from strips of instantly identifiable fluorescent tape, open up unexpected dimensions and often enlightening and humorous perspectives to the otherwise routine urbanscapes upon which they are affixed. His pieces are meant to engage the public by creating environments that can be physically entered and explored from various angles, exposing unnoticed details, and transforming passersby or gallery visitors into active participants.

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NEON SPIDERWEBS BY ANTHONY MICHAEL SIMON

by Ariadna Zierold

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Chicago native Anthony Michael Simon first discovered the artistry of the silk-producing arachnids while trekking through a forest in Korea, where he is currently based, looking for a location for his next sculptural art installation. He came across a huge spiderweb and it somehow clicked in his mind that he could catch spiders and have them naturally spin their webs in his studio.

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The artist sprays a protective coating on the fragile webs, holding the network of fine threads together and adding color. The multihued netted structures are each held up by plastic rods, allowing the spectator to view the intricacies of each piece’s intersecting lines. The fluorescent colors also add an otherworldly pop.

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DIGITAL SIMULATIONS BY EYAL GEVER

by Ariadna Zierold

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Eyal Gever is a cutting-edge contemporary artist whose work sits at the fusion of art and technology.  Using just a palette of code, he develops life-like digital simulations of moments in time — often dramatic or catastrophic in nature — from which he fabricates 3D-printed sculptures and installations.

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Gever, born in 1970 in Tel Aviv, Israel, attended Jerusalem’s prestigious Bezalel Academy of Art and Design, but was injured while performing his mandatory national service with the IDF, where he served for two-and-a-half years as a paratrooper (special operations unit). Volunteering for the IDF’s specialist computer R&D unit, Mamram, he began to master the computer simulation skills which would later shape and infuse his art.

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METAPHORICAL LANDSCAPES BY HIROYASU TSURI

by Ariadna Zierold

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Melbourne based Hiroyasu Tsuri aka TWOONE  lives and works out of a warehouse in Collingwood. Tsuri describes his work as “psychological portraits and metaphorical landscapes”; subconscious observations and inverted dreams represented with an earthy expressionism.

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In 2008 he had hand painted one thousand individual spray cans, and had his first solo exhibition “One Thousand Can Show”. Since then he has been creating large number of works in field of painting, murals, sculpture, installation and live performances.

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INTERPRETATION OF SPACE BY KATIE GRINNAN

by Ariadna Zierold

katie grinnan, sculpture, installation, los angeles, kinesthetic, structure, form, upper playground

Los Angeles based Katie Grinnan uses sculpture, photography, sound, and video to explore the relationship between our visual and kinesthetic experience and our resulting interpretation of space.

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Grinnan’s most recent work reflects the search for structure and form within complex systems such as the brain and the universe that resist resolution and are largely speculative. It is the alchemical, yet paradoxical relationship between actual experience and our interpretations that has become the underlying focus of her work.

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PAPERWORKS BY ZIM AND ZOU

by Ariadna Zierold
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Zim&Zou are two french artists, based in Nancy. The duo is composed of Lucie Thomas and Thibault Zimmermann. They studied graphic design (design, publishing, advertising) during three years. The duo decided to focus on installations using handcrafted objects made out of tangible materials such as paper, wood, thread, etc. rolling away from computer design.
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Anchored in craftsmanship, they create all the elements composing their installations by hand, from drawing to cutting and assembling. Their favorite material is the paper they’re manipulating to give rise to intricate and colorful sculptures. Paper inspires them for its versatility, infinite range of colors and unique textures. The flat paper sheets turned into volume are giving an installation the poetry of ephemeral material.
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MODERN-DAY FOSSILS BY DORA BUDOR

by Ariadna Zierold

dora budor, sculpture, installation, cinema, film, props, movies, objectsreanimation, recontextualization, upper playground

New York-based Croatian artist Dora Budor creates sculptures and films that expose the technical and otherwise overlooked elements of movies. Budor most regularly engages with movie props—objects which are inherently fake or flawed, yet appear real and perfect on-screen—in order to “reanimate” them and give them a second life through recontextualization.

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A series of sculptures built around discarded movie props with artificial weathering, rust, and dust positions the objects as modern-day fossils. Budor views cinema through an anthropological lens, seeking to explore how people interact with films and the way that fictional characters become part of a collective emotional reality.

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TEXTILE BLOBS BY SERENA GARCIA DALLA VENEZIA

by Ariadna Zierold

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Chilean artist Serena Garcia Dalla Venezia creates stunning textile art from small handmade fabric balls that she then groups together. Growth and accumulation, order and chaos are the driving inspiration behind her work. The effect is somewhat pixelated in the end, full of thoughtful gradations in color and contrast.

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