Santissimi‘s work (Antonello Serra and Sara Renzetti) looks at the art as an operational machine in which the forms are comfortably reflected in the definition of “philosophical empiricism in the art”. Philosophical empiricism means putting into practice the knowledge, to perform an operation of thought, or to be more precise translate into visual terms, linguistic and conceptual thinking in scientific and philosophical matters.
Arne Quinze is a Belgian conceptual artist best known for his unconventional and controversial public art installations. Quinze also creates large and small sculptures, drawings, and paintings. In his late teens, he started out as a graffiti artist in Brussels, and he never completed a formal art education.
In every culture Quinze comes across, he unravels physical processes, drawing inspiration for his oeuvre, and is fueled by overwhelming optimism. Every new creative breed captures his research and study on interaction, and urban movement expressing the continuously evolution of human beings and their surroundings. Besides building architectural sculptures, he creates complex art pieces and video installations inscribing his vision in society of how people see themselves and society.
Paul Yore’s work of tapestries and assemblages is full of excess, ejaculating penises and a riot of rainbow colors. It is a sensory overload of colors, images, words and sounds; a reflection of a consumer society that has achieved peak stuff.
The commercial, sexual and national mix with the religious forms, the altar piece and the temple with tapestries and mixed media art. His art is a mix of the infantile and juvenile with the pornographically adult, full of juvenile humour and childish joy.
Los Angeles based artist Sterling Ruby works in a large variety of media including ceramics, painting, drawing, collage, sculpture and video. Often, his work is presented in large and densely packed installations.
The artist has cited a diverse range of sources and influences including aberrant psychologies (particularly schizophrenia and paranoia), urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption. In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist’s works often appear scratched, defaced, camouflaged, dirty, or splattered.
Buenos Aires-based artist Leandro Erlich’s “Single Cloud Collection” gives us a surreal taste of what capturing a cloud in glass would look like. Using the artistic method of layering, Erlich’s sculptural pieces are given a three-dimensionality. Each “captured cloud” is the illusionary result of numerous panes of glass that are individually embellished with acrylics.
Erlich plays with an audience’s visual senses. The artist forces viewers to rethink the way they see things. Like a true magician, he leaves one to question the impossibility of something. What appears to be a three-dimensional anomaly seems to be true based on sensory observation, but, ultimately, is just an illusion.
Amsterdam based Folkert de Jong is best known for his theatrical narrative that address themes of war, greed and power. A sense of tragedy and absurdity, a comically desperate psychological state, permeates his work, particularly through the sculptural material for which de Jong became known: industrial Styrofoam and Polyurethane insulation foams.
Faith47 is an internationally-acclaimed visual artist from South Africa who has been applauded for her ability to resonate with people around the world. Through her work, Faith47 attempts to disarm the strategies of global realpolitik, in order to advance the expression of personal truth. In this way, her work is both an internal and spiritual release that speaks to the complexities of the human condition, its deviant histories and existential search.
Using a wide range of media intended for gallery settings, her approach is explorative and substrate appropriate, including found and rescued objects, shrine construction, painting, projection mapping, video installation, printmaking and drawings.
Paris based photographer Nicolas Rivals has realized the series ‘La Línea Roja’ — a visual study of geometry and form in dialogue with nature.
Across scenic landscapes in spain, rivals has installed luminous, neon-hued triangles, squares and lines intersecting with the surrounding environment. Each temporary piece was captured in a series of long-exposure shots that reveal an unusual juxtaposition between fabricated objects and the natural world.
Aakash Nihalani was born in 1986 in Queens, New York and is currently based in Brooklyn. In 2008, he received a BFA from Steinhardt School, New York University and in 2012 he was awarded a residency at the Willem de Kooning studio in East Hampton.
Nihalani’s street installations, which are constructed from strips of instantly identifiable fluorescent tape, open up unexpected dimensions and often enlightening and humorous perspectives to the otherwise routine urbanscapes upon which they are affixed. His pieces are meant to engage the public by creating environments that can be physically entered and explored from various angles, exposing unnoticed details, and transforming passersby or gallery visitors into active participants.
New York-based, Icelandic artist Hrafnhildur Arnardóttir aka Shoppy creates spectacular artworks using synthetic hair. She believes that hair can inspire great personal creativity and is a way for people to express who they are to the world.