SENSORY OVERLOAD BY PAUL YORE

by Ariadna Zierold

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Paul Yore’s work of tapestries and assemblages is full of excess, ejaculating penises and a riot of rainbow colors. It is a sensory overload of colors, images, words and sounds; a reflection of a consumer society that has achieved peak stuff.

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The commercial, sexual and national mix with the religious forms, the altar piece and the temple with tapestries and mixed media art. His art is a mix of the infantile and juvenile with the pornographically adult, full of juvenile humour and childish joy.

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DRIPPING INSTALLATIONS BY STERLING RUBY

by Ariadna Zierold

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Los Angeles based artist Sterling Ruby works in a large variety of media including ceramics, painting, drawing, collage, sculpture and video. Often, his work is presented in large and densely packed installations.

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The artist has cited a diverse range of sources and influences including aberrant psychologies (particularly schizophrenia and paranoia), urban gangs and graffiti, hip-hop culture, craft, punk, masculinity, violence, public art, prisons, globalization, American domination and decline, waste and consumption. In opposition to the minimalist artistic tradition and influenced by the ubiquity of urban graffiti, the artist’s works often appear scratched, defaced, camouflaged, dirty, or splattered.

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SINGLE CLOUD COLLECTION BY LEANDRO ERLICH

by Ariadna Zierold

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Buenos Aires-based artist Leandro Erlich’s “Single Cloud Collection” gives us a surreal taste of what capturing a cloud in glass would look like. Using the artistic method of layering, Erlich’s sculptural pieces are given a three-dimensionality. Each “captured cloud” is the illusionary result of numerous panes of glass that are individually embellished with acrylics.

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Erlich plays with an audience’s visual senses. The artist forces viewers to rethink the way they see things. Like a true magician, he leaves one to question the impossibility of something. What appears to be a three-dimensional anomaly seems to be true based on sensory observation, but, ultimately, is just an illusion.

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DISTURBING SCENES BY FOLKERT DE JONG

by Ariadna Zierold

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Amsterdam based Folkert de Jong is best known for his theatrical narrative that address themes of war, greed and power. A sense of tragedy and absurdity, a comically desperate psychological state, permeates his work, particularly through the sculptural material for which de Jong became known: industrial Styrofoam and Polyurethane insulation foams.

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PERSONAL TRUTH BY FAITH47

by Ariadna Zierold

faith47, street art, mural, murals, painting, installation, drawing, south africa, upper playground

Faith47 is an internationally-acclaimed visual artist from South Africa who has been applauded for her ability to resonate with people around the world. Through her work, Faith47 attempts to disarm the strategies of global realpolitik, in order to advance the expression of personal truth. In this way, her work is both an internal and spiritual release that speaks to the complexities of the human condition, its deviant histories and existential search.

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Using a wide range of media intended for gallery settings, her approach is explorative and substrate appropriate, including found and rescued objects, shrine construction, painting, projection mapping, video installation, printmaking and drawings.

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RED LIGHT INSTALLATIONS BY NICOLAS RIVALS

by Ariadna Zierold

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Paris based photographer Nicolas Rivals has realized the series ‘La Línea Roja’ — a visual study of geometry and form in dialogue with nature.

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Across scenic landscapes in spain, rivals has installed luminous, neon-hued triangles, squares and lines intersecting with the surrounding environment. Each temporary piece was captured in a series of long-exposure shots that reveal an unusual juxtaposition between fabricated objects and the natural world.

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FLUORESCENT STREET INSTALLATIONS BY AAKASH NIHALANI

by Ariadna Zierold

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Aakash Nihalani was born in 1986 in Queens, New York and is currently based in Brooklyn. In 2008, he received a BFA from Steinhardt School, New York University and in 2012 he was awarded a residency at the Willem de Kooning studio in East Hampton.

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Nihalani’s street installations, which are constructed from strips of instantly identifiable fluorescent tape, open up unexpected dimensions and often enlightening and humorous perspectives to the otherwise routine urbanscapes upon which they are affixed. His pieces are meant to engage the public by creating environments that can be physically entered and explored from various angles, exposing unnoticed details, and transforming passersby or gallery visitors into active participants.

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NEON SPIDERWEBS BY ANTHONY MICHAEL SIMON

by Ariadna Zierold

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Chicago native Anthony Michael Simon first discovered the artistry of the silk-producing arachnids while trekking through a forest in Korea, where he is currently based, looking for a location for his next sculptural art installation. He came across a huge spiderweb and it somehow clicked in his mind that he could catch spiders and have them naturally spin their webs in his studio.

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The artist sprays a protective coating on the fragile webs, holding the network of fine threads together and adding color. The multihued netted structures are each held up by plastic rods, allowing the spectator to view the intricacies of each piece’s intersecting lines. The fluorescent colors also add an otherworldly pop.

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DIGITAL SIMULATIONS BY EYAL GEVER

by Ariadna Zierold

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Eyal Gever is a cutting-edge contemporary artist whose work sits at the fusion of art and technology.  Using just a palette of code, he develops life-like digital simulations of moments in time — often dramatic or catastrophic in nature — from which he fabricates 3D-printed sculptures and installations.

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Gever, born in 1970 in Tel Aviv, Israel, attended Jerusalem’s prestigious Bezalel Academy of Art and Design, but was injured while performing his mandatory national service with the IDF, where he served for two-and-a-half years as a paratrooper (special operations unit). Volunteering for the IDF’s specialist computer R&D unit, Mamram, he began to master the computer simulation skills which would later shape and infuse his art.

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