Canadian artist and maker Erin Greenough creates intricate ink drawings using a dotwork or stippling technique inspired by science and nature. While working as a full-time graphic designer, Erin also freelances as an illustrator.
Los Angeles based Joshua Dildine is a painter that repurposes family photographs, using them as armatures for abstract painting. Three different steps in his work are construction, deconstruction, and reconstruction. Construction involves selection of the photography and setting up the emotional context that the image possess. Deconstruction is actually defacement of photography so he could create something new. During this step that last only a few moments Dildine works very quickly to harmonize the photo with paint. Last stage is the reconstruction of the context. Using acrylic, spray paint, oil and UV coated ink, he defaces the image into works of art.
Paris and Heidelberg, Germany based Yang Jiechang combines traditional Eastern and Western modes of representation in his multimedia work. He calls the essence of this confluence “Eurasian”. His monochromatic ink paintings combine the aesthetics of contemporary painting with the tools and techniques of traditional East Asian ink-and-wash artworks.
Beth Brown is a visual artist and experimental musician practicing in Baltimore, MD. Her body of work includes intricate ink drawings on paper. These delicate marks are a systematic response from one additive accumulation to another. Each drawing is essentially an illustration narrated through a personal visual language.
Kevin Lucbert is a French artist born in 1985 in Paris. Awarded a diploma in 2008 of the National School of Decorative Arts of Paris, he lives and works today between Berlin and Paris.
Lucbert draws a mysterious display of inviting doorways, falling bricks and floating houses. Using simply biro, he demonstrates an artfully doodled introduction of an unknown world outside our familiarities. Pairing intricate twirls adjacent to negative space, scribbled etchings and precise lines convey a feeling of the unexpected in amongst a world of system and order.
Guo Fengyi’s ink drawings of fantastical creatures are completely alive, as might be expected from an artist whose work began with studies of qi, or life-energy. Fengyi was born in Xi’an, central China, in 1942. She obtained her high school diploma in 1962 and found work in a rubber factory. However, severe bouts of arthritis forced her to give up her career at the age of thirty-nine. She turned to alternative medicine in the hope of alleviating her symptoms, and found a new spiritual path in Qi Gong.
She started experiencing visions in 1989, as a result of which she produced large numbers of drawings, first on the backs of pages from calendars, then later on rice paper. She worked with Indian ink and brushes, producing works up to five metres long, drawn with no initial plan in mind, discovering her own creation as she worked. The multitude of delicate lines form ghostly figures, dragons, phoenixes, and faces, sometimes interwoven, smiling and serene or terrifying and monstrous.
Tours and Paris based Fabien Mérelle is a highly talented and emerging young French artist who creates delicately detailed drawings in black ink and watercolor. Although Mérelle’s drawings appear at first sight realistic in their rendering, they in fact depict outworldly scenarios, unsettling situations and dream-like occurrences.
These renderings, simultaneously absurd, humorous, ironic and cruel, weave their own tapestry of tales and legends, blurring the line between what has been written and what our memory has forged.
Los Angeles based artist Chyrum Lambert uses ink, dye, stain, acrylic, wax, epoxy, and oil to create the pieces of his artwork, which he cuts up and layers into these fantastic pieces. Some of the artwork is more abstract while others have a semblance of figures or plant-life, familiar shapes slowly appearing.
Vesna Jovanovic is a Chicago-based visual artist who specializes in conceptualizations of the human body. Using spilled ink as groundwork, she creates drawings that often formally resemble medical illustration while concentrating on what is usually left out: how it feels and what it means to have a body.
With drawing as a bodily act and medical illustration as a visual trope, Jovanovic brings embodiment, biopolitics, phenomenology, and various other ideas and theories of the human body into her work.