New York based artist Jean-Pierre Roy (previously featured here) paints surreal scenes that deconstruct the known world. His work is often associated with science fiction, depicting alien wastelands inhabited by colossal humanoid beings, their bodies laden with geometric shapes, holographic projections, and mirrored panes. Rather than ascribing to science fiction specifically, however, Roy is more interested in fostering a critical, creative space that allows us to examine the systems of knowledge that construct reality.
David M. Cook is the architect of a mischievous microcosm. Amicable and unassuming, he hardly seems the “type” to consistently and skillfully crank out such a lewd labyrinth of work, but the cheeky hedonism comes all too naturally. Based in Los Angeles by way of Brooklyn, but originally from Louisville, Kentucky, David (who also answers to Bonethrower) uses no shortage of fine lines to design a world that is equal parts modern mysticism and memento mori—at the end of the day, it all sinks in like a psychotropic drug.
Mad Meg ‘s harmonious and nightmarish universe is a reflection of our time, our
society. Influenced by French and international news and politics, Mad Meg is engaged, relating it all to us with a ferocity of vision and considerable humor.
Far from fairy tales with their happy endings, the artist confronts her own childhood stories, yet adjusts their course. Here the relationship to the marvellous ceases to exist; Mad Meg breaths life into her characters, and she lets them die—just like in real life.
Po Hsu Huang was born in Kaohsiung, Taiwan. After a series of trials and mistakes, Po Hsu Huang started his journey as an independent artist. His paintings focus on the relation between the surroundings and one self, with a significant, colorful and bright manner. The constant changes in life and the warm climate in Southern Taiwan may have had a great impact on the artist.
Yunmee Kyong draws and makes human, birds, gods and many other things around her. she eats lot of things around her too. She was raised in Korea and ventured out to study art to London drinking many cups of tea and to New York eating lots of big hamburgers. Yunmee would love to live in igloo someday with a polar bear, a parrot, cows and sheeps. She does illustrations for magazines and children’s books and makes small books.
Melbourne based artist Tayla Broekman is s street artist/ fine artist/ graffiti artist. Her ability to simplify creatures into such amazingly gorgeous lines is just breathtaking. And the whole manga-inspired animals certainly doesn’t hurt either.
Henn Kim is an illustrator from Seoul, Korea. Her minimal and surreal illustrations are heavily evocative; they suggest deep feelings and emotions through visual connections and unexpected juxtapositions. It’s a free flow of visions and sensations depicted through essential, black and white figures who act in a world of giant objects, metaphoric illustrations of emotions or windows opened on our subconscious.
Harriet Lee-Merrion is a freelance illustrator living in Bristol, originally from Falmouth, Cornwall. Her recurring theme is the complexity of human condition, analyzed through a visual style which reveals an ideal balance between oriental features and English heritage.
Narrations of love, joy and madness interweave in delicate line works, sometimes without even the need for any color. The clean lines lend well to intricate designs, and the complex ideas that make her work so interesting are engrossing.
Monochrome is Helena Vizcaíno, a visual artist and illustrator from Spain. She is currently living and working in Helsinki, Finland. She illustrates dark universes that don’t exist, elements from her imagination, natural and outer space elements. Her interests go from animation to the tattoo culture, to fashion design and advertising, where she also finds her inspiration.
Jordan Jackson uses clean, fine lines to create intricate and sprawling works that detail symbols and icons. His compositions become hand-drawn catalogues of artifacts. Using mainly pen on off-white papers, Jordan’s illustrations feel folk-like and otherworldly in their content but his style keeps his depictions of wiggling coral, ambiguous symbols and indistinct vessels fresh and interesting.