INTIMATE DEPTHS BY KATHY AGER

by Ariadna Zierold

kathy ager, painting, hyperreal, hyperrealistic, amsterdam, dark, surreal, upper playground

Kathy Ager is a Canadian-born artist based in Amsterdam. It’s what flows beneath the surface that interests her. In Ager’s current body of work, she braves the mind’s basement, ventures into the heart’s deep dark woods, plundering pieces of people and things she encounters. The images that emerge are physical records from these intimate depths. Both deeply personal and universal, they are cryptic messages directed towards the audience. She challenges the viewer to face the discomfort and to see the beauty and power in letting yourself feel.

kathy ager, painting, hyperreal, hyperrealistic, amsterdam, dark, surreal, upper playground

She describes subjects such as dead animals, which frequently appear in her paintings, as the intimate and tender offerings of our nature which are subjected to the subtle brutality of consumable, disposable modern life and love. Sometimes strikingly eery or underlyingly violent, her works are crafted in a way that is original and appealing to the eye, and in a way become her weapons against the pain of letting oneself be vulnerable.

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HYPERREALISTIC HUMAN CONDITIONS BY KELLIE ORR

by Ariadna Zierold

kellie orr, perth, australia, portrait, portraiture, painting, paintings, faces, hyperrealistic, hyperreal, realistic, oil, upper playground

Kellie Orr is based in Perth, Western Australia, and mainly works in portraiture. Using realistic and hyperrealistic oil painting methods, Kellie’s work presents honest observations of social behavior, personal identity development and western cultural themes. Her work explores the subtle nuances of our daily lives, our shared experiences and the human condition.

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HYPERREALISTIC PORTRAITURE BY RITCHELLY OLIVEIRA

by Ariadna Zierold

ritchelly oliveira, sketching, sketches, hyperrealistic, hyperreal, portrait, portraits, portraiture, surrealistic, monochrome, monochromatic, emotion, upper playground

Ritchelly Oliveira draws from emotions to create his different pieces. Building on his talent for sketching which he discovered at a young age, Oliveira developed a distinctive style: hyperrealistic portraiture often interspersed with surrealistic elements that surprise and captivate. While the artist admits that there can be a cliché behind the emotion, he sees the bumps and anxieties hidden beneath the surface. This has inspired him to display these scars in his own work as he has witnessed them on his own path.

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SUPERREALISTIC SCULPTURES BY MARC SIJAN

by Ariadna Zierold

marc sijan, hyperrealistic, superrealistic, sculptures, anatomy, human, figure, lifelike, upper playground

Marc Sijan‘s Superrealistic sculptures are “homages to humanity’s fascination with its own forms – a fascination which has compelled artists throughout the millennia to mirror life in virtually every medium.” Sijan’s figures are incredibly lifelike, sensuous and graceful. In fact, they are so lifelike, they seem always on the verge of movement, a mere instant away from action. The pores in the skin, the tiny hairs, and veins; even the bald spots, the blemishes, the individual shapes of the faces that make human beings so similar, yet so unique: These are the essence of what makes Marc Sijan’s work so arresting.

marc sijan, hyperrealistic, superrealistic, sculptures, anatomy, human, figure, lifelike, upper playground

Sijan, a Milwaukee-based artist, carries on the tradition of a very old form, but his approach is very modern. His realism recalls the work of the Greek sculptors in its bold expression of human energy and poise. But Sijan is not necessarily celebrating the ideal form. His figures are more gritty, more natural — a tribute to real people. Sijan’s work is similar to that of fellow artists Duane Hansen and John DeAndrea, who use lifelike human figures to express elements of the human condition and human relationships. But whereas his colleagues tend to express a kind of static existence, Sijan tries to capture a life force in full swing.

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HYPERREALISTIC WATERY PORTRAITS BY ORESEGUN OLUMIDE

by Ariadna Zierold

oresegun olumide, water, hyperrealistic, portrait, nigeria, oil, upper playground

Nigerian artist Oresegun Olumide goes beyond realism with his meticulously detailed oil paintings that could easily be mistaken for photographs. Inspired by his immediate environment and the people living around him, whose activities deeply influenced his choice of themes, Olumide eventually started producing art works professionally in 2005. And his chosen medium was oil on canvas.

oresegun olumide, water, hyperrealistic, portrait, nigeria, oil, upper playground

Notoriously difficult to capture in fine art, water plays a central role in his portraits: each figure is unclothed, allowing Olumide to explore the distinct texture and aesthetic quality of water-on-skin. Olumide’s intention is to communicate the centrality of water in everyday terms.

oresegun olumide, water, hyperrealistic, portrait, nigeria, oil, upper playground

“Many do not think of appreciating water. Every day, everybody touches water but nobody thinks of creating something about it. That was the challenge I took and decided to do series of water-on-body art works.”

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THE HYPERREALISTIC WORKS OF KAMALKY LAUREANO

by Ariadna Zierold

kamalky laureano, mexico city, dominican republic, hyperrealistic, portraits, realistic, acrylic, upper playground

Kamalky Laureano is an artist from Dominican Republic who currently resides in Mexico City.

kamalky laureano, mexico city, dominican republic, hyperrealistic, portraits, realistic, acrylic, upper playground
His work is inspired by the feelings he experiences through out his life; he narrates the human condition, and portrays thoughts as well as ideas on large canvases. He creates stunningly realistic images using acrylics as his preferred medium.

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