Cao Hui’s (previously featured here) new series of dissected sculptures sees classical works of art divided up into segments, both linear and fractional. Within the resin forms, the artist shows what might lie beneath the sculptures’ stone façades, depicting hyper-realistically rendered, flesh-like innards, bits of brain and open organs.
“We must not only see the surface, but also examine the inside, and so the relationship between inner and outer crystallizes into a kind of perfect logic, explainable by our inherent ‘knowledge’. Thus we can begin to deceive others, using set after set of theoretical explanations. The result is laughter — in the end we’ve merely amused ourselves before god did.” Cao Hui
Xavier Veilhan is a French artist living in Paris. His work includes photography, sculpture, film, painting and installation art. Concerned with the scenography of a dedicated presentation, Veilhan addresses issues of perception as well as the physical and temporal relationships created within the context of the exhibition format. Check out his geometric sculptures that resemble low polygon 3D renderings.
Pang lives and works in London, painting both in the studio and around the city. Most of her work can be found in London, and she has painted walls in Rome, Lisbon, Paris, Vienna, Palermo, Marrakech, Ibiza, Seville and Poznan.
Exploring themes of psychology, mass social behavior and the human condition, her work contains a grisly, humorous narrative that vividly expresses her morbidly curious nature, and the more awkward questions regarding social facade, the inner-self and humanity’s constant struggle between the two.
Born in Brighton in 1989, Emma Hopkins studied at Brighton and Hove City College from 2005 to 2007, thereafter she went on to study at the University of London from 2007 to 2010, where she was trained in the special art of prosthetics for performance. Since then, Hopkins has studied Drawing the Human Anatomy at The Royal Drawing School, London, in 2015. She now lives and works in London.
Based upon her understanding and knowledge of the human anatomy, Hopkins allows parts of her work to revel in the deep analysis of concrete substance; skin, flesh, and bones. By focusing on the parts of the body that we use most to express our thoughts and feelings – the face, hands, and eyes – she simultaneously allows her work to flow freely in between as if the blood is feeding oxygen to a preserved life force.
Tehran-based artist Salman Khoshroo creates large-scale figures and portraits that practically drip from the canvas. Most of these pieces are several feet tall, composed of enormously precise strokes that veer toward abstraction while eventually leading to a cohesive figure.
Working in his studio in Tehran with a large palette knife to spread oil colors directly on the canvas, Khoshroo’s paintings harness figurative abstraction to evince very concise figures of emotional tension. Beginning with portraits of people he knew, his style evolved from one based on realism to one that draws from abstract art, expressionism and fauvism.
His interest in painting the human face is twofold, both as a conduit of human emotions, made all the more pertinent in his home country where women have to cover up the rest of their bodies; as well as an expression of identity and self-presentation in the age of Facebook.
NemO’s is a street artist based in Italy. He works across multiple mediums, including illustration, digital design, spray paint and old newspaper pasted to walls. He is known for his thought-provoking, dark comedy murals inhabited by characteristic human figures.
He paints skeletons as a base of his murals, which are then covered with layers of old newspapers. This newsprint skin erodes and peels off over time, revealing the innards of his creations underneath. In such way, the artist creates evolving and living art pieces, a proof and exploration of the fleeting nature of street art.
Chicago based artist Nick Cave is widely acclaimed for his exuberant “Soundsuits”—wearable sculptural forms based on the human body, intricately composed out of a vibrant assortment of second-hand materials.
Simultaneously sculptures, costumes, and musical instruments, the Soundsuits are meant for motion. Cave and other dancers wear them, transforming them into transfixing blurs of color and sound for performances and video works. Contemplated on mannequins, the Soundsuits seem to embody the full range of human emotions. Some, covered with a pelt of dyed twigs with baskets for heads, resonate sadness; others, composed of a crazy array of colorful blankets or thrift-store tchotchkes, burst with joy and humor.
San Francisco based Sandra Yagi, whose art examines the human psyche, is influenced by nature and science, all done with classical aesthetics.
Contemporary culture, human folly and an obsessive curiosity for the macabre provide the fuel for Yagi’s subject matter. Her work is inspired by the natural sciences as well as by the classical drawing techniques of the old masters, including anatomical studies by artists such as Andreas Vesalius and Bernhard Siegfried Albinus. Yagi’s recent paintings incorporate anatomical imagery to explore the human psychological condition, such as cutaway skulls portraying our basic human drives and the thin veneer of humanity overlaying our animal nature.
Vesna Jovanovic is a Chicago-based visual artist who specializes in conceptualizations of the human body. Using spilled ink as groundwork, she creates drawings that often formally resemble medical illustration while concentrating on what is usually left out: how it feels and what it means to have a body.
With drawing as a bodily act and medical illustration as a visual trope, Jovanovic brings embodiment, biopolitics, phenomenology, and various other ideas and theories of the human body into her work.
Crystal Morey (previously featured here) takes inspirations from an alternative upbringing where she closely connected with the natural landscape around her. Living in rural Northern California shaped her perspective on nature and how humans interact with land, animals and each other.
Now living in an urban environment, Morey aims to show our relationship to the world around us through the fragile medium of porcelain. With this delicate material she creates a heightened sense of urgency and stress, commenting on our human evolutionary path.