IMAGINATIVE BIOLOGY BY DANIEL BARRETO

by Ariadna Zierold

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Daniel Barreto is a Visual Artist based in Guadalajara, Mexico. Barreto’s work has been exhibited at Times Square, Saatchi Gallery, FILE (Electronic Language electronic festival), The Gifer (Gif Art Festival), Boston Convention Center, Beijing’s Yuan Art Museum among others.

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Throughout his portfolio, his texturized designs often feature images of trees or leaves, hinting at his long love for Earthly representations. The graphic artist fell in love with nature at a young age, growing up in a family that owned a plant nursery and having a father who studied marine biology. Whether it’s a symmetrical representation of a jellyfish-like creature or an in-depth depiction of cellular organelles, design gives him the ability to recreate an honest, yet artistic rendering of the image.

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WHIMSICAL CREATURES BY ROMAN KLONEK

by Ariadna Zierold

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Düsseldorf, Germany based Roman Klonek (previously featured here) was born in Kattowitz, Poland. He has a spot for old fashioned cartoons and modern block printing styles. In the 90s he studied Graphic Arts in Duesseldorf and discovered a passion for woodcut.

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For 15 years he has been doing posters with a wide range of whimsical creatures, mostly half animal/half human, preferential in awkward situations. In his work, you will find a bizarre balancing act between propaganda, folklore and pop.
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FLAT GRAPHIC SPACES BY MICHAEL REEDER

by Ariadna Zierold

michael reeder, portrait, portraiture, colorful, bold, realism, flat, graphic, faces, masks, upper playground

Check out the new work by Michael Reeder (previously featured here). Centered on portraiture, Reeder’s current body of work seeks to make a direct connection with the audience. This connection encourages viewers to bring their own perceptions, imagination, and vision to light alongside his.

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Throughout his work, realism is mixed with flat graphic space, and themes or motifs of identity, ambiguity, and ego are loosely implied. The convergence of infinite space and the figure highlights the realm of contemplation located between the conscious and the subconscious mind.

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WEIRD NARRATIVES BY INKEE WANG

by Ariadna Zierold

inkee wang, shanghai, china, illustrator, illustration, illustrations, graphic, vibrant, geometric, minimal, narrative, narratives, upper playground

Shanghai, China based Inkee Wang has a background studying graphic design at Central Saint Martins and latterly animation at the prestigious Royal College of Art in London. Inkee creates illustrations fizzing with weird and wonderful narratives.

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More recently, Inkee has been working with watercolors to add a textural representation to her characters. She is also working on improving her Cinema 4D skills, in an attempt to write a longer story and make an animation about it.

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BACKWARD COMPOSITIONS BY CHRISTOPHER KUHN

by Ariadna Zierold

christopher kuhn, painting, paintings, composition, compositions, layers, colorful, graphic, lines, multicolored, upper playground

Christopher Kuhn approaches his paintings backwards, meaning his compositions are often built in such a way that what appears to have been added last is often in fact the first layer. Looping gestural line work switches from positive to negative and back, revealing itself to be graphic. What appears to be thin multicolored graphic lines turn out to be silhouettes of gestural marks that were meticulously covered over, save for the edges. Kuhn asks the viewer to piece together the puzzle of his paintings and, in doing so, reassess how they perceive the world of images around us.

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GRAPHIC REFLECTION BY KYLE PLATTS

by Ariadna Zierold

kyle platts, sheffield, england, graphic, illustration, illustrations, bold, colorful, humor, narrative, reflection, macabre, comic, upper playgroundKyle Platts grew up in Sheffield, England, and despite being told by a careers advisor to work in a steel mill rather than pursue a career as a cartoonist, he studied illustration at Camberwell College of Arts and graduated in 2011. Since graduating he has had great success as a commercial freelance illustrator and has published two books. Kyle’s comics aim to create a graphic reflection of culture, where macabre content is juxtaposed with vibrant color and comic humor.

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LUCHA LIBRE POSTERS BY ZORAN LUCIC

by Ariadna Zierold

zoran lucic, lucha libre, illustration, poster, posters, mexico, monochrome, monochromatic, retro, graphic, design, upper playground

Croatian designer Zoran Lucić was approached to design a series of posters for the Lucha Libre CMLL, Mexico’s major professional wrestling federation. Zoran’s retro-licious work is reminiscent of old-school posters from the 60’s and 70’s.

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Zoran Lucić was born in Šabac, Serbia (former Yugoslavia) and grew up in Domaljevac, Bosnia & Herzegovina and for some time in Hungary. Zoran Lucic studied graphism and design at the Bijeljina B&H University and, although his first love was sculpting, he later discovered an affinity for typography. He now lives in Bijeljina and works as a freelance graphic designer.

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BRUTALIST PIXEL ART BY UNO MORALEZ

by Ariadna Zierold

uno moralez, russia, animation, graphic, illustration, pixel, monochrome, manga, upper playground

Russian illustrator Uno Moralez’s work is eclectic, to say the least. Uno’s work looks like the byproduct of pixel art and manga, a dark and mysterious world where the most insane things can happen. Unquestionably menacing and monstrous figures lurk smiling in shadowy rooms, bodies and objects arranged in inscrutable ways that nevertheless imply an unimpeachable in-story logic. Uno’s work is mysterious. Every single image is a short story that deserves contemplation, and because of this, it is extremely entertaining.

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DIMENSIONAL LANDSCAPES BY JONATHAN ZAWADA

by Ariadna Zierold

jonathan zawada, landscape, dimensional, graphic, colorful, vibrant, surreal, depth, perspective, upper playground

Los Angeles based Jonathan Zawada is an Australian visual artist, graphic designer, and creative designer. His work ranges from album covers for bands, to t-shirt designs and his own gallery of art.

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His color use is soft on the eyes and his work can be aesthetically pleasing. There is depth and a certain dimension he creates that takes landscapes and portraits to different levels of perspective.

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